Offered in collaboration with the American Parkinson Disease Association, and Stony Brook Southampton Hospital’s Center for Parkinson’s Disease, Sing Loud for PD is a chorus for people living with Parkinson’s disease and their care partners. Led by Valerie diLorenzo, and Amanda Jones, this fun, virtual program will unite us in song and music. No previous musical experience is required and all lyrics will be provided!
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Sing Loud for PD: A Choir for People with Parkinson’s Disease

ON DEMAND: A Virtual Conversation on the making of Shirin Neshat’s Land of Dreams
It seems only natural that the globally celebrated Iranian-born photographer and filmmaker Shirin Neshat — who has spent a lifetime revealing the injustices between classes and genders, mostly in Islamic societies — would eventually turn her iconic kohl-lined eyes toward the same discrepancies in her adopted home country, the United States.
The result — released earlier this year — is the Land of Dreams exhibition, a poignant and at times satirical two-part video installation on the hopes and desires of America’s marginalized masses, in particular, people of color in New Mexico, one of the poorest states. Neshat, who was named the most important artist of the decade by Huffington Post critic G. Roger Denson, included communities of immigrants (mostly Latino), African-Americans, and the Native American population.
And while she was filming Land of Dreams, Sophie Chahinian of The Artist Profile was filming her.
It all came together at Guild Hall in A Conversation on The Making of Shirin Neshat’s Land of Dreams on Sunday, October 18, at 5:30pm, featuring both Neshat and Chahinian on the John Drew Theater stage, interviewed by Guild Hall’s Executive Director Andrea Grover, recorded with all of the proper COVID-19 protocol in place.
The Making of Shirin Neshat’s Land of Dreams by Sophie Chahinian runs 25 minutes, and is part of the one-hour Guild Hall event, which focusses on Neshat’s life as an immigrant artist, the art world, and how it has changed in the current climate.
“Recently I realized that part of the reason I never worked in America, even though I lived in this country, was that I never assimilated completely . . . as an Iranian-American, I still felt like an outsider,” Neshat admitted during the interview on stage at Guild Hall. “I never allowed myself to make a narrative about America, until today.”
Grover is uniquely positioned as a presenter, not only because of her relationship with Guild Hall, but as the founder of Houston’s Aurora Picture Show when she was only 27.
“Initially, Sophie had wanted to do a profile of Shirin Neshat for The Artist Profile Archive. Instead, Shirin invited her on-location to shoot a behind-the-scenes, making-of documentary. Shirin Neshat is probably one of the most renowned living artists. It was a huge honor to have her at Guild Hall and to interview her,” Grover said.
Chahinian’s film was included as part of the public programming of Neshat’s major exhibition Shirin Neshat: I Will Greet the Sun Again at the Broad Art Museum, October 2019 through Feb. 16, 2020. The documentary provides an alternate perspective on Neshat’s process and intention. Key members of the Land of Dreams film team provide insightful commentary about the personal and political backdrop to the surreal videos as they were being created.
“Shirin Neshat is an artist whose work I have admired for years,” said Guild Hall’s Museum Director Christina Strassfield. “Her use of herself and other female characters in her art as well as behind the scenes in the creation of her films has always fostered an innate feeling of female empowerment. As a first generation Greek-American, I truly could relate to the issues she put forth on immigration, acceptance, and assimilation, and what each of those cost to you as the individual. Her films juxtapose the ethereal and gritty reality of life, and the play between them, as well as the psychological back and forth.”
Of The Artist Profile’s founder, Strassfield added, “Sophie Chahinian is an amazing filmmaker who is doing excellent work documenting artists of every level and letting them speak in their own voice. The films that are part of The Artist Profile Archive will have a lasting effect and be an asset for generations to come. The Making of Shirin Neshat’s Land of Dreams is by far Sophie’s best work. She was able to capture Shirin’s energy and passion and have it come across in her own voice.”

Lonnie Holley: Concert and Conversation
Lonnie Holley, the sculptor/artist/musician/filmmaker/educator is an Artist-in-Residence at the Elaine de Kooning House in East Hampton, NY. The residency will culminate with a conversation/performance that will run virtually in collaboration with Guild Hall on November 22.
Holley grew up in Jim Crow-era Birmingham, Alabama; the 7th of his mother’s 27 children. His life history reads like fiction, though it’s all true. Taken from his birth family at one and a half by a burlesque dancer who offered to help his mother; left at a “whiskey house” at the age of four; locked up in the notorious Alabama Industrial School for Negro Children at eleven for violating the city’s curfew imposed by Eugene “Bull” Connor.
Holley emerged from the industrial school, which was more of a “slave camp” than a school, a “Little Lost Child.” After a series of odd jobs for the next decade, Holley discovered his true talents as an artist after carving tombstones for his niece and nephew who had been killed in a house fire. He’d never look back. Perhaps best known for his immersive sculptures, his work was recently included in the American Academy of Arts and Letters’ 2020 Invitational Exhibition of Visual Arts. His installation Lost Child was featured at Pennsylvania Academy of Fine Arts from January-August 2020.
Though he’s been making and self-recording music since the early 1980s, his first album was released in 2012. In late 2018, he released the critically acclaimed third album, Mith, which was named one of the dozen best records of the decade by the New Yorker. In July 2020, he released the album National Freedom. His visual art is in the permanent collections of numerous museums, including the Metropolitan Museum of Art, The Philadelphia Museum of Art, LA County Museum of Art, and many others. His acclaimed short film, I Snuck Off the Slave Ship, his first as a director, premiered at the 2019 Sundance Film Festival.

83rd Artist Members Exhibition
Click here to view all works available for purchase.
This year Guild Hall celebrates its 90th Anniversary and its 83rd Artist Members Exhibition, and we are thrilled to announce Gagosian Director and Curator Antwaun Sargent as the awards juror.
The first Artist Members Exhibition took place in 1938, shortly after Guild Hall’s inception in 1931. The exhibition is the oldest non-juried show on Long Island and one of the few non-juried exhibitions still running. Deeply rooted in the history of the East End artist colony, early participants included Jackson Pollock, Lee Krasner, Alfonso Ossorio, Perle Fine, Bill King, James Brooks, Charlotte Park, John Little and many more, showing their support of Guild Hall and its role as their community Museum, Theater, and Education Center.
Due to the wonderful popularity of this exhibition, over 400 artists participate each year. The Artist Members Exhibition attracts remarkable art world professionals as awards jurors who select winners in the categories of Top Honors, Best Abstract, Best Representational, Best Photograph, Best Work on Paper, Best Sculpture, Best Mixed Media, Catherine and Theo Hios Best Landscape Award, Best New Artist and up to 10 Honorable Mentions. The Top Honors winner is also awarded a solo exhibition in the Museum at a later date. We are honored to include Antwaun Sargent to the list of esteemed jurors.
The new tradition of creating an ecommerce website in conjunction with the exhibition continues this year in addition to virtual gallery tours and artist talks.
TIMED TICKETS AND VISITOR INFORMATION
To ensure the health and safety of its visitors in response to the COVID-19 pandemic, Guild Hall has instituted the following measures:
- Reservations to visit the Museum are recommended. You can reserve timed tickets online or by calling 631-324-0806 Friday-Sunday, 12-5 p.m. Drop-ins are also welcome!
- Visitors are asked to be on time for their appointment. Visits are for a maximum of one hour and no more than 50 people will be allowed in the museum galleries at a time.
- Visitors should enter through the left most front door of the building and check in with the Receptionist at the box office. A one-way footpath proceeds throughout the museum.
- Masks are required in the building for all patrons over the age of 2.
- Social distancing of at least 6 feet is encouraged in the museum galleries and lobby.

OLA of Eastern Long Island presenta OLA’s 17th Annual Latino Film Festival of the Hamptons at Guild Hall “Inside Out”
“Inside Out”
USA, Disney Studios
In Spanish with English subtitles / En Español con subtítulos en Inglés
Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.
Crecer puede ser un camino lleno de baches, y no es una excepción para Riley, que se ve desarraigada de su vida en el Medio Oeste cuando su padre empieza un nuevo trabajo en San Francisco. Como todos nosotros, Riley se guía por sus emociones: alegría, miedo, ira, disgusto y tristeza. Aunque Alegría, la principal y más importante emoción de Riley, intenta mantener las cosas positivas, las emociones entran en conflicto en cuanto a la mejor manera de navegar una nueva ciudad, casa y escuela.
This project is made possible with funds from the Decentralization Program, a regrant program of the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature and is administered by the Huntington Arts Council, Inc.

Virtual Stirring the Pot: Thanksgiving, with Carissa Waechter and Roman Roth
Join Florence Fabricant and special guests Carissa Waechter of Carissa’s The Bakery in East Hampton and Roman Roth of Wolffer Estate Vineyard in Sagaponack for a special Thanksgiving Stirring the Pot. They will discuss all things Thanksgiving, what to serve, what and how to bake and what to drink. They’ll answer your cooking questions and provide plenty of useful tips to make the holiday a pleasure for cook and guests.
Zoom link will be emailed to patrons 24 hours prior to show time; please make sure you have signed up for a Zoom account ahead of time.

STAGE FRIGHT: Four spine-chilling tales woven in the moonlight on All Hallows’ Eve
A small company of costumed actors read short tales of the macabre by Septimus Dale, B.C. Bridges, Richard Matheson and Neil Gaiman from the stage of the John Drew Backyard Theater, complimented by eerie sound, mystifying lights, haunting projections plus some truly startling surprises. The performance is approximately one hour of sheer, socially-distanced dread. Directed by the John Drew Theater’s Artistic Director Josh Gladstone, who previously created Guild Hall’s popular Ghouled Hall immersive events as well as having co-produced with Kate Mueth The Haunt at Mulford Farm, which ran on Main Street for several Halloweens in recent years.
FEATURING
Vanessa Walters
Trevor Vaughn
Kate Mueth
Josh Gladstone
CREATIVE
Lighting Design by Sebastian Paczynski
Projection Design by Liz Joyce & Christine Sciulli
Stage design by Patrick Dawson
Stage projection design by Patrick Dawson & Joe Brondo
Sound Design by David M. Brandenburg
Director: Josh Gladstone
Assistant Director: Tristan Griffin

Liz Joyce & A Couple of Puppets: Minkie’s Halloween Adventure
Join award-winning puppeteer Liz Joyce and her friends, Minkie the Monkey, Douglas the Blue Dinosaur, and a few scary creatures for a Halloween adventure. Designed for our youngest audiences, ages 3 – 7, this 25 minute puppet show explores themes of sharing and friendship with a slightly spooky twist.
After the performance, each audience member will receive a take-home puppet making kit, including a pre-recorded lesson with Liz Joyce, and a special Halloween treat from Citarella.
Costumes are welcomed!
**Your purchase of one ticket covers one full lawn circle, which can sit no more than two people. All circles are distanced 6ft away from others. Masks are required for all patrons over the age of 2. For more detailed information, please visit the JDBT FAQ page.

Blood Drive: New York Blood Center
In tandem with the installation, Rosario Varela: Red, Gold, and You, Guild Hall will host a blood drive in partnership with the New York Blood Center (NYBC) on Friday, October 23, 11:30am–5:30pm in our Boots Lamb Education Center.
Guild Hall has organized blood drives in East Hampton during the most threatening of times, responding to the needs of World War II in the 1940s and through the 70s during the Vietnam War. According to NYBC, blood from volunteer donors is needed every two seconds to help meet the daily transfusion needs of cancer and surgery patients, accident and burn victims, newborns and mothers delivering babies, AIDS and sickle cell anemia patients, and many more. Today’s pandemic has shuttered reoccurring donation drives, causing an anticipated 75% decrease in donations.
In hosting a blood drive during Varela’s Red, Gold, and You, Guild Hall transfers the artist’s reflection on connection and restoration towards the civic act of blood donation; acknowledging Guild Hall’s founding mission to be “a gathering place for the community where an appreciation for the arts would serve to encourage greater civic participation.”
Reservations are highly recommended. For questions regarding safety and covid-19 protocols, please visit the NYBC information page.
