Robert Longo and Shirin Neshat in conversation - Guild Hall
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Robert Longo and Shirin Neshat in conversation

Event Category:
Tuesday, August 17
7PM - 8PM
Tickets Free or suggested donation
158 Main Street
East Hampton, NY 11937 United States
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Overview

Artists Robert Longo and Shirin Neshat will discuss process of visual artists making and directing films – how the approach is different, and what the advantages are of being an artist involved in creating cinema. Longo will also discuss his directorial debut with the film Johnny Mnemonic which celebrated its 25th Anniversary last year, and was transferred from color to black and white – the artist’s original intention.

OUTDOOR PROGRAM. It is recommended to bring your own chairs/blankets. A limited number of chairs will be available, first come first served.
Concessions are available at our new eAT Coffee Bar.

PLEASE SCROLL DOWN FOR CURRENT COVID-19 PROTOCOL FOR GUESTS.


IMPORTANT ANNOUNCEMENT REGARDING PROGRAMS IN THE JOHN DREW BACKYARD THEATER

Following current New York State guidelines, Guild Hall will no longer require six feet of social distancing in the John Drew Backyard Theater (with the exception of our KidFEST shows). Guests ages 5 and up attending any show besides a KidFEST performance must show proof of full vaccination or recent negative COVID-19 test results. Face coverings are now optional for fully vaccinated guests and children under the age of 2 for all shows with the exception of KidFEST performances, when masks are required for all patrons over the age of 2 regardless of vaccination status. 

In order to attend non-KidFEST programs in the John Drew Backyard Theater, guests will be responsible for displaying proof of one of the following on arrival:

  • Full vaccination, meaning both doses of either the Pfizer or Moderna vaccine or one dose of the Johnson & Johnson vaccine received at least 14 days prior to the day of the program
  • A negative test result from a COVID-19 test taken within 72 hours of the day of the program
  • A negative test result from a COVID-19 Antigen test taken within six (6) hours of the program’s scheduled start time
  • Current New York State Excelsior Pass with proof of vaccine or negative testing/Antigen results. Click HERE to download the free app for seamless entry.

Note: Social distancing will continue to be required indoors, for outdoor KidFEST performances, and on the rest of the grounds. Guests will not need to show proof of vaccination or negative test results in these spaces, and will be required to wear masks regardless of vaccination status. Please stay home if you don’t feel well, have exhibited symptoms of COVID-19 in the past 10 days, have tested positive for COVID-19 within the past 10 days, or been in contact with someone with COVID-19 in the past 10 days.

As of 5/18/2021

  • Robert Longo

    Robert Longo (b. 1953) is a New York-based artist, filmmaker, and musician. After attending Buffalo State University New York, he moved to New York City in 1977. That same year, he showed in Pictures curated by Douglas Crimp, the first exhibition to contextualize a young group of artists who were turning away from Minimalism and Conceptualism and instead towards image-making, inspired by newspapers, advertisements, film, and television. Longo became known as a leading protagonist of the "Pictures Generation," working across drawing, photography, painting, sculpture, performance, and film.

    His work is represented in numerous major museums and private collections all over the world, including the collections of the Museum of Modern Art, the Guggenheim Museum, and the Whitney Museum of American Art, in New York; The Broad Collection, the Los Angeles County Museum of Art, and the Museum of Contemporary Art in Los Angeles; the Art Institute of Chicago; the Centre Georges Pompidou in Paris; and the Albertina in Vienna. Robert Longo lives and works in New York and is represented by Metro Pictures, NYC and Galerie Thaddaeus Ropac, London, Paris, Salzburg.

  • Shirin Neshat

    Shirin Neshat’s photographs and videos address individual freedoms under attack from or repressed by social ideologies. Throughout most of Neshat’s career, she has been exiled from Iran, an outside observer of the increasing rigors of Islamic law’s effect on the country’s women and daily life. In 1990, Neshat visited Iran after twelve years. She was shocked to find women, following the 1979 Islamic revolution, forced to wear the chador, the traditional Islamic veil. Neshat returned to the United States to make the Women of Allah, 1994, a series of self-portraits in which she wears the chador. In the photographs, her face, feet, and hands (the only parts of the body allowed to be shown by Islamic law) are covered in Iranian poetry by Forough Farrokhzad and Tahereh Saffarzadeh. The poetry, placed in sharp contrast to the uniformity of the veil, suggests a personal depth and feeling that often goes unnoticed. The women of Allah are more than icons of oppression; they are complex individuals with desires and ambitions, moving between intense private thoughts and emotions and public political involvement.
     
    The breadth of Neshat’s work extends beyond identity politics, however. As cultural critic Eleanor Heartney observed, Neshat “makes art through her identities as an Iranian and as a woman, but reshapes them to speak to larger issues of freedom, individuality, societal oppression, the pain of exile, and the power of the erotic.” Possessed, 2001, presents a woman without chador, roaming through the streets of an Iranian city. She is overcome with madness and is completely ignored until she takes a platform. Her private suffering then becomes public, and political, attracting a crowd that debates her mania. The mass of people subsequently takes on the traits of her madness, while the woman slips away unnoticed.
     
    Rapture, 1999, is one part of a trilogy produced by Neshat that includes the other highly acclaimed works Turbulent, 1998, and Fervor, 2000. Rapture shows a divided world where architecture and landscape stand as metaphors for entrenched cultural beliefs about men and women. The men are trapped in a fortress while the women make a long journey through the desert to the sea. While the men wrestle and pray, the women eventually board small boats to leave the land entirely. As with Possessed, Rapture’s poetic potential taps into the collective dreams, fantasies, and horrors confronting the Iranian people. 

Event Sponsors

Guild Hall’s museum programs are made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the Helen Frankenthaler Foundation, an anonymous donor, Peggy J. Amster, Crozier Fine Arts, and funding from The Michael Lynne Museum Endowment, and The Melville Straus Family Endowment.
John Drew Backyard Theater
Special thanks to Marty and Michele Cohen, Ben Krupinski Builder, Hollander Design, and Groundworks Landscaping 
ROBERT LONGO: A HISTORY OF THE PRESENT
Principal Sponsor: Lucio and Joan Noto 
Lead Sponsors: Susan and Olive Numeroff in memory of Marvin Numeroff, Fern and Lenard Tessler, Alison and Donald Weiss, and public funding provided by Suffolk County 
Co-Lead Sponsors: Bloomberg Philanthropies, Jacqueline Brody, Robert Lehman Foundation, Metro Pictures, Dayna and Steve Novenstein, and Pace Gallery 
Additional support: Shari and Jeff Aronson, Carol and Arthur Goldberg, Agnes Gund, and Deborah and David Roberts 
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