
TAKING VENICE UNCOVERS THE TRUE STORY BEHIND RUMORS THAT THE U.S. GOVERNMENT AND A TEAM OF HIGH-PLACED INSIDERS RIGGED THE 1964 VENICE BIENNALE – THE OLYMPICS OF ART – SO THEIR CHOSEN ARTIST, ROBERT RAUSCHENBERG, COULD WIN THE GRAND PRIZE.
At the height of the Cold War, the U.S. government is determined to fight Communism with culture. The Venice Biennale, the world’s most influential art exhibition, becomes a proving ground in 1964. Alice Denney, Washington insider and friend of the Kennedys, recommends Alan Solomon, an ambitious curator making waves with trailblazing art, to organize the U.S. entry. Together with Leo Castelli, a powerful New York art dealer, they embark on a daring plan to make Robert Rauschenberg the winner of the Grand Prize. The artist is yet to be taken seriously with his combinations of junk off the street and images from pop culture, but he has the potential to dazzle. Deftly pulling off maneuvers that could have come from a Hollywood thriller, the American team leaves the international press crying foul and Rauschenberg questioning the politics of nationalism that sent him there.
TAKING VENICE is presented in-tandem with the Guild Hall exhibition, Student Art Festival: Rauschenberg 100.
Sponsors
Performing Arts programs are supported in part by Galia Meiri-Stawski and Axel Stawski, Henry and Peggy Schleiff, The Melville Straus Family Endowment, Monica and Peter Tessler, and Vital Projects Fund. Music Programming is supported in part by The Ellen and James S. Marcus Endowment for Musical Programming, and the Anne Wolf Concert Fund.
Additional support provided by Friends of the Theater: Natascia Ayers and Jim Ciquera, Bonnie and Joel Bergstein, Gene Bernstein and Kathy Walsh, John and Joan D’Addario, Suzanne and John Golden, Hilarie and Mitchell Morgan, Steve Pesner, in memory of his wife, Michèle Pesner, whose entire life was devoted to all aspects of culture, The Schaffner Family Foundation, Lisa Schultz and Ezriel Kornel, Stacey and Oliver Stanton, and Susi and Peter Wunsch.