JASON BARD YARMOSKY: TIME HAS MANY FACES

Jason Bard Yarmosky, Masks I, 2016. Oil on canvas, 16 x 24 inches. Images courtesy of the artist.

THE MET PRESENTS: DAVID BRESLIN ON KRASNER AND POLLOCK: PAST CONTINUOUS

Join David Breslin, Leonard A. Lauder Curator in Charge of Modern and Contemporary Art at The Metropolitan Museum of Art, for a conversation about the upcoming exhibition he co-curated, Krasner and Pollock: Past Continuous, opening at The Met on October 4, 2026. The exhibition spotlights Jackson Pollock and Lee Krasner, two artists with deep ties to the East End, and considers the parallel yet distinct breakthroughs that followed their move to Springs in 1945. Pollock and Krasner shared a long relationship with Guild Hall and in 1981, Guild Hall presented Krasner/Pollock: A Working Relationship, guest curated by Barbara Rose—an art historian, professor, critic, and biographer who organized the first major Lee Krasner retrospective in the mid-1980s.

Presented in partnership with The Metropolitan Museum of Art

MORE ABOUT THE EXHIBITION.

 

BOOK LAUNCH—ALICE BABER: AN ARTIST’S TRIUMPH OVER TRAGEDY

Book Launch
Alice Baber: An Artist’s Triumph Over Tragedy
by Gail Levin

Join us for a book launch celebrating Alice Baber: An Artist’s Triumph Over Tragedy by art historian and artist biographer Gail Levin. This new biography revisits the life and work of Alice Baber, an abstract painter known for luminous fields of color that seem to float and shift with light. During her lifetime, Baber’s work entered major museum collections, including the Museum of Modern Art, the Metropolitan Museum of Art, the Guggenheim, the Whitney, and the permanent collection of Guild Hall, before her premature death at just fifty-four. Levin draws on extensive research to trace Baber’s artistic development, her place in the mid-century art world, and the forces that contributed to her later obscurity. More than a portrait of an individual artist, the book offers a needed reappraisal, restoring Baber to the history of American modernism and introducing her work to a new generation.

IN CONVERSATION: ARCMANORO NILES AND ERIC FISCHL

Join artists Arcmanoro Niles and Eric Fischl for a moderated discussion with J. Cabelle Ahn, PhD. Taking Niles’s Guild Hall exhibition Forgotten Words I Never Got to Say as its point of departure, the conversation will consider the evolution of his practice through early and recent works and mark the 10-year anniversary of his 2016 residency as the inaugural participant in Guild Hall’s Artist-in-Residence initiative, while reflecting on the role of the history of painting in contemporary practice.

Come early from 5:30-7:30 PM to enjoy extended gallery hours and live music in the garden as part of our Third Thursdays programming.

IN CONVERSATION: ROSS BLECKNER & DAVID SALLE

Join artists Ross Bleckner and David Salle for a conversation moderated by Melanie Crader, museum director and curator of visual arts at Guild Hall. The discussion will focus on Bleckner’s summer exhibition at Guild Hall, Never The Less, which spans intimate studies dating back to the 1980s and features larger, more recent paintings. Bleckner and Salle first met in the early 1970s at the California Institute of the Arts (CalArts), before moving to New York City, where they established themselves as two of the most influential painters of the last fifty years.

Come early to visit the galleries and enjoy live music in the garden from 5:30-7:30 PM as part of Third Thursdays programming.

EXHIBITION WALKTHROUGH & ARTIST TALK: CLAIRE WATSON

Join artist Claire Watson for an exhibition walkthrough and artist talk in conjunction with her exhibition Re-Paired, which spans earlier and recent works, featuring mixed-media wall works and sculptures. Watson’s practice draws on found materials; in recent work, she deconstructs salvaged leather garments and rebuilds them into new compositions using sewing and pattern-making techniques. Emphasizing leather’s tactile and structural qualities, the works transform worn, utilitarian objects into abstract reflections on the body, labor, and presence.

FREE WITH MUSEUM ADMISSION

 

LIBERTY LABS FOUNDATION: ARTIST TALK & BOOK LAUNCH

Join us for a book launch celebrating the release of Liberty Labs, a new publication tracing the birth and evolution of the shared design and fabrication studio housed in a 19th-century warehouse in Red Hook, Brooklyn. Founded as a collaborative workspace for designers, makers, and artists, Liberty Labs has grown into a dynamic creative community shaped by experimentation, shared resources, and collective exchange.

The book explores Red Hook’s early industrial history and the neighborhood’s transformation alongside the founding and ethos of Liberty Labs. Through essays, archival material, and rich visual documentation, the publication highlights the practices, biographies, and projects of both past and present members of the collective, offering insight into the studio’s collaborative model and creative output across disciplines.

Copies of Liberty Labs will be available for purchase at the event, and guests will have the opportunity to celebrate the publication with members of the Liberty Labs community.

This program is free with Museum admission.

IN CONVERSATION: JASON BARD YARMOSKY & ROSS BLECKNER

Join artists Jason Bard Yarmosky and Ross Bleckner for a conversation moderated by Melanie Crader, Museum Director and Curator of Visual Arts at Guild Hall. The discussion will focus on Yarmosky’s current exhibition, Jason Bard Yarmosky: Time Has Many Faces, exploring the evolution and history of his practice. Bleckner—one of the most influential painters of his generation and a longtime educator—will reflect on Yarmosky’s work and their artistic dialogue, offering insight into process, influence, and the broader trajectory of contemporary painting.

BYOV (BRING YOUR OWN VINYL)

A collective soundtrack created by neighbors, visitors, strangers, and friends.

Join us for a vinyl listening and music-sharing gathering hosted by Liberty Labs member Joel Seigle—industrial designer and custom sound system builder.

Remember vinyl? The weight of it. The crackle before the needle settles. This is an invitation to slow down and listen together. Bring a record or two—old favorites, rare finds, beloved classics, borrowed gems, inherited oddities, or total mysteries you’ve never actually played. If it’s on vinyl, it belongs here.

We’ll take turns and share the room. No playlists. No skipping ahead. Just sound, stories, and the quiet thrill of hearing something new through someone else’s ears.

Come as you are. Bring what you love (or what confuses you). Let’s listen together.

$12 / $10 for Seniors, 65+
Free for Members, Children, and Students



Joel Seigle is a designer and maker whose practice is shaped by a balance between nature and urban culture. Raised outside Chicago in a family connected to the lumber trade and trained in industrial design at Pratt Institute, his work spans a range of materials while maintaining a clean, modern aesthetic.

Evan Yee is a founding member of Liberty Labs and a Brooklyn-based artist and fabricator who grew up between Oakland, California, and Sag Harbor, New York. His practice evolved from painting into multimedia sculpture, installation, and metalworking, which now anchors his work.

ERIC FREEMAN: THE VOLUME OF COLOR

This exhibition marks the first major institutional solo presentation of Eric Freeman’s work in the East End, where the artist lived and worked for many years. Freeman’s radiant abstractions transform color into planes of light and pigment that construct space rather than merely depict it. Layers of luminous varnish and saturated tone generate a visual depth that feels structural—at times almost architectural—drawing viewers into fields of color defined by both intensity and calm.

The Volume of Color brings together a selection of paintings alongside a small group of furniture pieces designed by Freeman, revealing a practice shaped by the productive tension between control and emotion, precision and presence. His work enters into quiet dialogue with the legacies of Josef Albers, Dan Flavin, Donald Judd, Agnes Martin, Mark Rothko, and James Turrell. Freeman’s subtly modulated surfaces, sleek yet unmistakably hand-painted, balance intellectual rigor with sensory immediacy, collapsing distinctions between painting, object, and environment.

Presented following the artist’s death in 2021, the exhibition honors Freeman’s sustained contribution to contemporary abstraction and affirms his lasting connection to the East End’s artistic landscape, where his work quietly expanded the possibilities of color, light, and spatial experience.

This exhibition is co-curated by artist Nathan Dillworth and Melanie Crader, museum director and curator of visual arts with support from Philippa Content, museum manager and registrar and Claire Hunter, museum coordinator and curatorial associate.

GALLERY HOURS:
WEDNESDAY TO SUNDAY, 12-5 PM from August 9-September 6
THURSDAY TO SUNDAY, 12-5 PM from September 10-October 27

NEW: Third Thursdays! On the third Thursday of every month from May through September, galleries will stay open until 7:30 PM, and will include live music in the garden and exhibition-related programs to follow.

MUSEUM ADMISSION:
$12 / $10 for Seniors, 65+
Free for Members, Children, and Students

 

MICHAEL BUTLER: SOMEWHERE IN TIME

Michael Butler is the Top Honors recipient of the 85th Artist Members Exhibition, selected by Storm Ascher, independent curator, writer, and founder of Superposition Gallery and the Hamptons Black Arts Council.

A self-taught artist with a strong interest in art and history, Butler has exhibited widely over the past three decades. His small-scale narrative paintings draw on mythology, religion, dreams, and storytelling to illuminate overlooked histories—particularly those of enslaved and Indigenous communities on the East End. Rooted in the belief that the past remains a living part of the present, Butler’s work gives visual form to the lives and events often left undocumented. Descended from a Sag Harbor family whose presence dates to the 1920s, Butler has made the village his full-time home since 1988.

Working primarily in acrylic on canvas, Butler describes his practice as narrative or “intuitive” painting. Through a sense of wonder, he constructs imagined realities that merge historical fact and creative vision—echoing a poetic, dreamlike spirit while asserting a distinctly contemporary voice. Butler’s practice reimagines collective memory as an active, evolving narrative, transforming fragments of history into visual allegories that connect personal lineage with broader cultural identity.

This exhibition is organized by Melanie Crader, museum director and curator of visual arts, with support from Philippa Content, museum manager and registrar, and Claire Hunter, museum coordinator and curatorial associate.

GALLERY HOURS:
THURSDAY TO SUNDAY, 12-5 PM

MUSEUM ADMISSION:
$12 / $10 for Seniors, 65+
Free for Members, Children, and Students