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ON THE SPOT: IMPROV, TAKE 2

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Yes, And: Intro to Improv. Photo: Amy Kirwin

Tag: Community

JULY 4TH WEEKEND SILENT DISCO DANCE PARTY

We can give you 250 reasons why you should kick-off the Independence Day weekend festivities at the popular and most celebratory Silent Disco Dance Party. Let’s start with three…Mister Lama will spin iconic disco and funk tunes, ZiggaSun will drop hip-hop and rap, beats, and DJ Divina will blast the most danceable Latin and Pop hits! Get your most fun-loving group of friends together and grab some headphones, choose your channel, and dance the night away under the stars in a high-energy, all-ages celebration of sound. And for those who don’t feel like dancing, spectating is almost as fun!

Wine, beer, cocktails, and snacks will be available for purchase from Louise & Howie’s Coffee Cart in the Furman Garden.

SILENT DISCO DANCE PARTY IN THE GARDEN

The Silent Disco Dance Party returns to the Furman Garden. DJ Mister Lama will spin iconic disco and funk tunes, Schvitz-a-Lot will blast the most danceable pop hits from the ’80s to today, and welcome DJ Divina with an all-Latin music station! Get your most fun-loving group of friends together and grab some headphones, choose your channel, and dance the night away under the stars in a high-energy, all-ages celebration of sound. And for those who don’t feel like dancing, spectating is almost as fun!

Wine, beer, cocktails, and snacks will be available for purchase from Louise & Howie’s Coffee Cart.

CRUCE DE CAMINOS / CROSSROADS: A NIGHT OF SHORT PLAYS

Guild Hall and OLA of Eastern Long Island present a dynamic, original multi-lingual performance led by 2026 Guild Hall Community Artists-in-Residence Margarita Espada and Minerva Perez. Building on the spirit of Fuenteovejuna: East End(2025), this performance program brings community voices to the stage through a series of original short works.

Blending language, music, movement, and storytelling, the evening reflects contemporary issues and lived experiences from across the East End. Each piece highlights the richness of the region’s cultural and linguistic diversity, creating a shared space for expression and connection.

Join us for an inspiring evening of original theater that uplifts local voices and showcases the vibrancy of multilingual storytelling.

Come early for a pre-show reception at 6 PM in Guild Hall’s Minikes Garden. Free Entry with ticket purchase.

Guild Hall y OLA del Este de Long Island presentan una dinámica actuación multilingüe original, dirigida por las Artistas en Residencia Comunitarias 2026 de Guild Hall, Margarita Espada y Minerva Pérez. Inspirado en el espíritu de Fuenteovejuna: East End (2025), este programa escénico lleva las voces de la comunidad al escenario a través de una serie de obras cortas originales.

Combinando lenguaje, música, movimiento y narración, la velada refleja problemáticas contemporáneas y experiencias vividas en todo el East End. Cada pieza resalta la riqueza de la diversidad cultural y lingüística de la región, creando un espacio compartido para la expresión y la conexión.

Acompáñenos en una noche inspiradora de teatro original que eleva las voces locales y muestra la vitalidad de la narración multilingüe.

Llega temprano para una recepción antes del espectáculo a las 6 p. m. en el Jardín Minikes de Guild Hall. Entrada gratuita con la compra de un boleto.

 

GHTAC X LVIS: TEEN FASHION SHOW

Presented by the Guild Hall Teen Arts Council and the East Hampton Ladies’ Village Improvement Society

Sustainability meets style in this joyful celebration of creativity and care for our planet. GHTAC x LVIS: Teen Fashion Show features imaginative designs made from repurposed and upcycled materials, inspired by the Guild Hall Exhibition Claire Watson: Re-Paired.

Known for transforming found textiles and worn garments through deconstruction and reconstruction, Watson’s practice guided the creative process. Over several months, the Guild Hall Teen Arts Council (GHTAC) collaborated with the artist and LVIS volunteers, exploring recycled fabrics and patchwork-inspired techniques. They stepped into the role of designers—taking apart, reshaping, and reimagining materials into bold, wearable works.

Expect the unexpected as everyday fabrics—from worn garments to found textiles—are transformed on the runway.

A reception will follow to celebrate the culmination of the 2025-2026 Guild Hall Teen Arts Council, including complimentary frozen yogurt from Buddhaberry on Wheels!

HAMPTON BALLET THEATRE SCHOOL – SLEEPING BEAUTY

Friday, April 24, 7 PM
Saturday, April 25, 1 PM & 7 PM
Sunday, April 26, 2 PM

The Hampton Ballet Theatre School is excited to present their Spring 2026 ballet, Pyotr Ilyich Tchaikovsky’s Sleeping Beauty. The ballet is choreographed by the director of HBTS, Sara Jo Strickland, and includes beautiful costumes designed by Yuka Silvera and Kate McManus and lighting designed by Sebastian Paczynski.

The role of Aurora will be danced by Major Bovio and Lauren Rosario, partnered by guest artist James Stevko, dancing the role of Prince Désiré.  The role of The Lilac Fairy will be danced by Leila Genender and Jade Mancilla and Twyla Tracy and Olivia Quinn will be dancing the role of The Bluebird. Guest artist Nick Peregrino will be dancing “Puss and Boots” partnered with Violet McManus and Catherine Porter and Isla Moskowitz and Freida Winter will be dancing “Little Red Riding Hood” partnered with guest artist Malik Berry as the wolf. Lila D’Angelo and Summer Lillie will dance Cinderella and Prince Charming will be danced by Vincenzo James Harty.  The evil Carabosse is played by Ayla Gaites and Leila Genender.

All HBTS female dancers are Pro Student Level 9, the most advanced level at Hampton Ballet Theatre School. Sleeping Beauty will delight those of all ages, as the students of HBTS transport the audience to a magical land filled with fairies, good and evil, Kings, Queens, Princes and Princesses and beloved fairytale characters.

HAMPTON BALLET THEATRE SCHOOL – SLEEPING BEAUTY

Friday, April 24, 7 PM
Saturday, April 25, 1 PM & 7 PM
Sunday, April 26, 2 PM

The Hampton Ballet Theatre School is excited to present their Spring 2026 ballet, Pyotr Ilyich Tchaikovsky’s Sleeping Beauty. The ballet is choreographed by the director of HBTS, Sara Jo Strickland, and includes beautiful costumes designed by Yuka Silvera and Kate McManus and lighting designed by Sebastian Paczynski.

The role of Aurora will be danced by Major Bovio and Lauren Rosario, partnered by guest artist James Stevko, dancing the role of Prince Désiré.  The role of The Lilac Fairy will be danced by Leila Genender and Jade Mancilla and Twyla Tracy and Olivia Quinn will be dancing the role of The Bluebird. Guest artist Nick Peregrino will be dancing “Puss and Boots” partnered with Violet McManus and Catherine Porter and Isla Moskowitz and Freida Winter will be dancing “Little Red Riding Hood” partnered with guest artist Malik Berry as the wolf. Lila D’Angelo and Summer Lillie will dance Cinderella and Prince Charming will be danced by Vincenzo James Harty.  The evil Carabosse is played by Ayla Gaites and Leila Genender.

All HBTS female dancers are Pro Student Level 9, the most advanced level at Hampton Ballet Theatre School. Sleeping Beauty will delight those of all ages, as the students of HBTS transport the audience to a magical land filled with fairies, good and evil, Kings, Queens, Princes and Princesses and beloved fairytale characters.

HAMPTON BALLET THEATRE SCHOOL – SLEEPING BEAUTY

Friday, April 24, 7 PM
Saturday, April 25, 1 PM & 7 PM
Sunday, April 26, 2 PM

The Hampton Ballet Theatre School is excited to present their Spring 2026 ballet, Pyotr Ilyich Tchaikovsky’s Sleeping Beauty. The ballet is choreographed by the director of HBTS, Sara Jo Strickland, and includes beautiful costumes designed by Yuka Silvera and Kate McManus and lighting designed by Sebastian Paczynski.

The role of Aurora will be danced by Major Bovio and Lauren Rosario, partnered by guest artist James Stevko, dancing the role of Prince Désiré.  The role of The Lilac Fairy will be danced by Leila Genender and Jade Mancilla and Twyla Tracy and Olivia Quinn will be dancing the role of The Bluebird. Guest artist Nick Peregrino will be dancing “Puss and Boots” partnered with Violet McManus and Catherine Porter and Isla Moskowitz and Freida Winter will be dancing “Little Red Riding Hood” partnered with guest artist Malik Berry as the wolf. Lila D’Angelo and Summer Lillie will dance Cinderella and Prince Charming will be danced by Vincenzo James Harty.  The evil Carabosse is played by Ayla Gaites and Leila Genender.

All HBTS female dancers are Pro Student Level 9, the most advanced level at Hampton Ballet Theatre School. Sleeping Beauty will delight those of all ages, as the students of HBTS transport the audience to a magical land filled with fairies, good and evil, Kings, Queens, Princes and Princesses and beloved fairytale characters.

HAMPTON BALLET THEATRE SCHOOL – SLEEPING BEAUTY

Friday, April 24, 7 PM
Saturday, April 25, 1 PM & 7 PM
Sunday, April 26, 2 PM

The Hampton Ballet Theatre School is excited to present their Spring 2026 ballet, Pyotr Ilyich Tchaikovsky’s Sleeping Beauty. The ballet is choreographed by the director of HBTS, Sara Jo Strickland, and includes beautiful costumes designed by Yuka Silvera and Kate McManus and lighting designed by Sebastian Paczynski.

The role of Aurora will be danced by Major Bovio and Lauren Rosario, partnered by guest artist James Stevko, dancing the role of Prince Désiré.  The role of The Lilac Fairy will be danced by Leila Genender and Jade Mancilla and Twyla Tracy and Olivia Quinn will be dancing the role of The Bluebird. Guest artist Nick Peregrino will be dancing “Puss and Boots” partnered with Violet McManus and Catherine Porter and Isla Moskowitz and Freida Winter will be dancing “Little Red Riding Hood” partnered with guest artist Malik Berry as the wolf. Lila D’Angelo and Summer Lillie will dance Cinderella and Prince Charming will be danced by Vincenzo James Harty.  The evil Carabosse is played by Ayla Gaites and Leila Genender.

All HBTS female dancers are Pro Student Level 9, the most advanced level at Hampton Ballet Theatre School. Sleeping Beauty will delight those of all ages, as the students of HBTS transport the audience to a magical land filled with fairies, good and evil, Kings, Queens, Princes and Princesses and beloved fairytale characters.

VALENTINE’S DAY SCREENING OF THE PRINCESS BRIDE

A Tribute to Rob Reiner

This Valentine’s Day, Guild Hall invites you to fall in love all over again with a very special screening of The Princess Bride—a timeless fairytale of adventure, romance, and wit—presented as a heartfelt tribute to the film’s beloved director, Rob Reiner. Few movies have captured the imagination across generations quite like this one, blending swashbuckling heroics, unforgettable characters, and endlessly quotable lines into a story that feels as fresh and joyful today as it did upon its release.

Whether you’re arriving hand in hand for the perfect date night, sharing the magic with family, or introducing the film to a new generation on the big screen, this Valentine’s Day celebration offers something for everyone. It’s a romantic comedy without clichés, an action-adventure with heart, and a family favorite that rewards repeat viewings—especially on the big screen.

This special screening honors Rob Reiner’s enduring legacy while reminding us why The Princess Bride remains a cultural touchstone—an ideal way to spend Valentine’s Day, whether you’re coupled up, coming with friends, or simply in love with movies.

The Princess Bride
1987
90 Minutes
Rated PG

Directed by Rob Reiner
Written by William Goldman

Synopsis:
A kindly grandfather sits down with his grandson and reads him a bedtime story. The story is one that has been passed down through from father to son for generations. As the grandfather reads the story, the action comes alive. The story is a classic tale of love and adventure as the beautiful Buttercup is kidnapped and held against her will in order to marry the odious Prince Humperdinck, and Westley (her childhood beau, now returned as the Dread Pirate Roberts) attempts to save her. On the way he meets an accomplished swordsman and a huge, super strong giant, both of whom become his companions in his quest to rescue Buttercup.

Starring Cary Elwes, Mandy Patinkin, Chris Sarandon, Christopher Guest, Wallace Shawn, André the Giant, Fred Savage, Robin Wright, Peter Falk, Carol Kane, and Billy Crystal.

YES, AND: INTRO TO IMPROV – SOLD OUT

SIX-WEEK COURSE
TUESDAYS, FEBRUARY 3-MARCH 10, 6-7:30 PM
 
Join Guild Hall’s Kayla Matters and Amy Kirwin for a six-week improv adventure—perfect for adult learners of every experience level. This course dives into the sacred principles of improv (like saying “Yes, and…” even when you deeply disagree) while helping you flex collaboration, creativity, and bold, glorious spontaneity.
 
After six weeks of controlled nonsense, you’ll present an invited sharing for friends and family—an evening where your loved ones will witness your transformation and whisper, “We don’t know what happened, but we support them.” Applause will be given. Identities may be shed. Someone might become a mailbox.
 
Bring your imagination, your humor, and a willingness to look ridiculous. (Trust us—that’s a good thing.)
 
 
Improv is distinct from stand-up comedy (which uses pre-written jokes and is performed solo) and sketch comedy (which is scripted and rehearsed). It is a team-based art form that emphasizes support, trust, and shared creativity. We will explore these core principles:
  • Yes, and…: The foundational rule of improv. Performers agree with what their partner has presented (the “yes”) and then add new information to build the scene (the “and”). This fosters a collaborative environment and keeps the scene moving forward, rather than shutting down ideas.
  • Active Listening: Since everything is unplanned, performers must listen closely to their scene partners and be present in the moment to react to new information.
  • Making Choices: Improvisers make strong, specific choices about who their character is, where they are, and what the central conflict is to establish the scene’s reality quickly.
  • Embracing Mistakes: There are no “mistakes” in improv, only unexpected offers. Performers justify whatever happens and weave it into the narrative, which helps maintain momentum and can lead to hilarious and creative turn.