ARCMANORO NILES: FORGOTTEN WORDS I NEVER GOT TO SAY

Arcmanoro Niles, 3AM My Mind Won’t Rest Again (From a Distance I Look Organized and Brave), 2024. Oil, acrylic, and glitter on canvas, 23 x 35 inches. Collection of Jonathan Travis. Courtesy of the artist and Lehmann Maupin, New York, Seoul, and London.

EXHIBITION CLOSING CELEBRATION

Join us on Thursday, May 2 for a pre-closing celebration of our current exhibitions: Darlene Charneco: Field Mappings—Weaves and TouchmapsA Creative Retreat—Portraits of Artists, and Look Alive.

All three exhibitions will close on May 6. If you haven’t had a chance to visit, this will be a fun opportunity to meet and mingle with participating artists. You can also enjoy a glass of wine at our Louise & Howie’s Coffee Bar, where members receive a 10% discount.

Cheers to art and artists! We hope to see you there.

CONVERSATIONS ACROSS TIME: FIBER ARTS THEN AND NOW

CONVERSATIONS ACROSS TIME: FIBER ARTS THEN AND NOW
with Estrellita Brodsky & Joanne Pillsbury

To close out the exhibition Spin A Yarn, Joanne Pillsbury, specialist in the art and archaeology of the ancient Americas, will discuss with exhibition curator Estrellita Brodsky two extraordinary textile traditions separated by at least 500 years to explore the striking connections between artist of the ancient Andes and those of the 20th and 21st centuries.

This program will take place in Guild Hall’s newly renovated theater.


Spin a Yarn takes its title from an expression believed to have originated in sailors’ practice of telling stories, often tall tales, while repairing ropes during long sea voyages. Delving into the complex relationship between textile labor and storytelling, the exhibition examines the use of textiles as vehicles for the preservation of memories and knowledge. The terms textile and text are derived from the Latin texere (to weave), and while Western cultures have historically prioritized the written word, many others, particularly in Latin America, have relied on a rich tradition of using threads, knots, and woven materials to record and transmit information.

Spin a Yarn brings together a diverse selection of fiberbased works dating from ancient Andean times to the present. Some of the artists featured reflect on the weavings and feather works of pre-Hispanic cultures as precursors of geometric abstraction, while others explore and build on the embroidery and weaving techniques employed by indigenous peoples across Latin America as a means of advocating for the protection of these communities and the environment. Spin a Yarn casts light on the enduring significance of fiber arts in the modernist canon and the profound impact of indigenous and pre-Hispanic weaving traditions on the development of contemporary art.

This exhibition is curated by Estrellita Brodsky, founder and director of ANOTHER SPACE, New York, with Raul Martinez.

CURATOR TALK: MATTHEW NICHOLS

$12.00 ($10.00 Members)

In conjunction with the exhibition, Ted Carey: Queer as Folk, guest curator Matthew Nichols will discuss the art historical and cultural contexts of Ted Carey’s life and work.  The queer content of Carey’s New York paintings and his tributes to other gay artists will also be examined.

This program, recommended for ages 18 & up, will take place in Guild Hall’s Boots Lamb Education Center.


Born and raised in Chester, Pennsylvania, Edward “Ted” Fawcett Carey (1932–1985) moved to New York in 1955. There he pursued a career in graphic design, forged a close friendship with Andy Warhol, and later developed a distinctive mode of painting informed by his keen interest in American folk art. While living between New York and East Hampton in the 1970s and 1980s, Carey produced a small yet compelling body of work that mimics aspects of vernacular painting, chronicles his life and relationships, and pictures facets of queer culture. Sharply observed and highly detailed, Carey’s faux-naïf paintings depict some of his favorite haunts in New York and celebrate the creative lives of other gay men.

Indebted to the foresight and generosity of Carey’s longtime partner, this exhibition draws from the Tito Spiga Bequest to Guild Hall. It surveys Ted Carey’s art for the first time since 1985, when an East Hampton gallery mounted a memorial show of his paintings in the days following his death from AIDS.

This exhibition is organized by Matthew Nichols, PhD, independent curator.

Galleries are open Friday to Monday, 12-5 PM. Museum admission is always free.

IN CONVERSATION: ANNE BUCKWALTER & MATTHEW NICHOLS

$12.00 ($10.00 Members)

In conjunction with the exhibition, Ted Carey: Queer as Folk, guest curator Matthew Nichols will discuss aspects of the show with artist Anne Buckwalter.  Their talk will explore how Carey and Buckwalter share roots in southeastern Pennsylvania, draw inspiration from regional folk art traditions, and address gender and sexuality in their paintings.

 

This program, recommended for ages 18 & up, will take place in Guild Hall’s Boots Lamb Education Center.
 

Born and raised in Chester, Pennsylvania, Edward “Ted” Fawcett Carey (1932–1985) moved to New York in 1955. There he pursued a career in graphic design, forged a close friendship with Andy Warhol, and later developed a distinctive mode of painting informed by his keen interest in American folk art. While living between New York and East Hampton in the 1970s and 1980s, Carey produced a small yet compelling body of work that mimics aspects of vernacular painting, chronicles his life and relationships, and pictures facets of queer culture. Sharply observed and highly detailed, Carey’s faux-naïf paintings depict some of his favorite haunts in New York and celebrate the creative lives of other gay men.

Indebted to the foresight and generosity of Carey’s longtime partner, this exhibition draws from the Tito Spiga Bequest to Guild Hall. It surveys Ted Carey’s art for the first time since 1985, when an East Hampton gallery mounted a memorial show of his paintings in the days following his death from AIDS.

This exhibition is organized by Matthew Nichols, PhD, independent curator.

Galleries are open Friday to Monday, 12-5 PM. Museum admission is always free.

ERIC FISCHL: A DAY AT THE BEACH

BOOTS LAMB EDUCATION CENTER

Eric Fischl, mainly known for his large-scale, naturalistic images of middle-class American life, has created this interactive work where the public is invited into the studio during gallery hours to create their own “paintings” with provided precut magnetic figures—or make new figures—to develop compositions that play with changing perspective, narrative, and the history of painting.


Galleries are open Wednesday to Sunday, 12-5 PM. Enter the Boots Lamb Education Center from Pondview Lane. 

TEEN FASHION SHOW

Join us for the Second Annual Guild Hall Teen Arts Council Fashion Show!

Led by guest artist, Amanda Cappabianca, the Guild Hall Teen Arts Council (GHTAC) has designed and curated a line of repurposed fashion appropriate for any summer night in the Hamptons – from galas to a beach day. The evening will begin with a runway show hosted by members of the Teen Arts Council where each GHTAC member will walk the runway in their very own design and will conclude with a reception in Guild Hall’s Furman Garden. 

Note: Advance registration is encouraged but not required.


ABOUT GUILD HALL TEEN ARTS COUNCIL

The Guild Hall Teen Arts Council (GHTAC) is the region’s first paid teen arts program. As employees of Guild Hall, GHTAC members work to curate public programming, advance their creativity, increase Guild Hall’s outreach to local teens, and learn through collaboration with Guild Hall staff.
Click HERE for more info.

LINDA REVILLE EISENBERG: STILL

EXTENDED THROUGH JANUARY 26!

MARKS FAMILY GALLERY NORTH/TITO SPIGA EXHIBITION SPACE

Linda Reville Eisenberg is the 2021 Top Honors winner of the 83rd Artist Members Exhibition, selected by Antwaun Sargent, Gagosian director and curator.

Eisenberg explores a variety of genres within the art historical canon as a form of meditation and a means to establish a personal connection to her subject matter. She drew inspiration initially from 1920s German portraiture and later from the Dutch still-life tradition and the concept of the memento mori. Both her portraits and her still-life paintings have minimal backgrounds—in contrast to the opulence and abundance characteristic of seventeenth-century still-lifes—placing the focus on a singular subject or object. The final compositions combine painting from life, from personal photographs, and from imagery collected from various sources. The objects she paints are accentuated by the negative space surrounding them, which is as important as the objects themselves. The works selected for the presentation Still emphasize the intimate connection between creator and subject matter, as for Eisenberg, painting is an act of discovery and curiosity, akin to meeting a new person. Capturing the timeless and universal qualities of still life, her spare paintings elevate her subjects, celebrating quiet simplicity and offering calm amid the clamor of contemporary life.

This exhibition is organized by Melanie Crader, director of visual arts, with Philippa Content, museum registrar and exhibition coordinator.


Galleries will be open Thursday to Sunday, 12-5 PM. Museum admission is always free.

 

HOLIDAY COOKIE DECORATING WITH CITARELLA

Get into the holiday spirit, and drop into Guild Hall’s Boots Lamb Education Center for a festive session of gingerbread cookie decorating with the holiday cookie artists from Citarella. All materials, including freshly baked cookies and decorating supplies, will be provided.

This program is taking place in conjunction with East Hampton Village Foundation’s SantaFest.

FREE
Advance registration is recommended but not required

2024 GEORGE D. YATES GOLF OUTING AT THE MAIDSTONE CLUB

Golf at the historic, ocean-front Maidstone Club in East Hampton. Practice on the gorgeously maintained grounds while you work up an appetite for a delicious lunch served on the Clubhouse veranda overlooking one of the most beautiful ocean beaches in America. A shotgun tournament will be followed by cocktails and hors d’oeuvres and an awards ceremony honoring the top golfers at the outing.

The outing is currently at capacity. 

For more information on tickets and Corporate Sponsorship Opportunities, contact Kendra Korczak at 631.324.0806 X 116 or by email at events@guildhall.org

Sponsor a Tee at the Golf Outing. Hole Sponsorship is $750 and includes signage at the event and a listing on the webpage.

 

2024 GARDEN AS ART

Garden as Art returns on Sunday, September 8. The event will begin with a 10 AM talk by Charlie Marder, owner of Marders, in Guild Hall’s Hilarie and Mitchell Morgan Theater and will continue from 12-4 PM with self-guided tours of spectacular gardens in Wainscott and East Hampton.

10 AM TALK at Guild Hall: Charlie Marder, Marders

12-4 PM Self-Guided Garden Tours

Talk Only: $25
Full Event: $200 ($150 for Members)

View images of the gardens HERE.

Garden of Carl Bengtsson and Kathy Sutherland

Designed and installed by Harmonia Inc

Abundance of Nature Warms Sanctuary on Georgica Road
This newly built contemporary construction required a landscape design and installation to make it feel like home. The extensive New York stone entrance of earth tone hues, which is lined by river birch, early blooming Helleborus, and Annabelle hydrangea, greet you as you ascend to the entrance of the home. A beautiful allée of white blooming crepe myrtles is the entrée of the extended views of the vast reserve in the distance. The circular patio, complimented by casual seating and a fire pit, is a perfect spot to enjoy the fireflies in the reserve. One of the property’s added features is a custom-built life-size treehouse.  

Garden in Wainscott

Garden design: Hollander Design Landscape Architects
Architect: Merrell Soule Architects
Construction:  SilverLining Inc.
Interior Design: Eve Robinson Associates
Exterior Lighting Consultant: Orsman Design
Green Roof: Sempergreen

Drawing on a distinctive and historically significant part of Long Island’s agricultural history, this home links a Peconic Land Trust area with an agricultural reserve and draws its inspiration from a 1938 potato barn originally on the site. The landscape creates comfortable, easy outdoor living for alfresco dining and cooking, lounging by the pool, and a workout space. Naturalized meadows and native plantings throughout the site help the home feel timeless. Green roofs on the home are aesthetically appealing while offering temperature regulation and encouraging biodiversity. A stepped garden between the house and pool invites glimpses of butterflies and birds along the path.

Behind the Brick Wall on Main Street

Peek behind the ivy-covered brick wall of this beautiful Main Street property, and you will find an immense 90-year-old crimson weeping Japanese maple, a perennial garden bordering the croquet court which is surrounded by 36 giant boxwoods, and a bubbling pond with lilies and water hyacinths.  A putting green adds playfulness to this pristine garden, which includes recent additions of a hidden fort and theater to the delight of the owner’s grandchildren.

The first flower show of the Garden Club of East Hampton was held here in 1916, then the home of May Groot Manson, a leading suffragette for whom there is a historic marker in front of this house on Main Street. The garden was originally designed by Galen Williams but today is cared for by Elizabeth Gardens.

The Woodhouse Playhouse

Garden tour-goers will be invited to view The Playhouse interior as well as tour the gardens.

Designed by Guild Hall founder Mrs. Lorenzo Woodhouse in 1916, expressly to showcase performance art, The Playhouse was praised by noted architect Robert A.M. Stern, as “the most perfectly preserved” of the Woodhouse family properties. Mrs. Woodhouse’s public gifts to the community include Guild Hall and the East Hampton Public Library. From 1917-1933, The Playhouse served as a lively performing arts hall whose varied presentations included stage classics by first-tier actors; concerts by string quartets and The Westminster Choir; and dance, including works by Isadora Duncan, and by Ruth St. Denis – whose gauze-clad Denishawn dancers transformed the Playhouse gardens into an ethereal outdoor stage in 1932. Years later, when Elizabeth & David Brockman became its owners, they brought to The Playhouse their intense love of classical music and performance. The family has maintained The Playhouse as both a residence and arts venue since 1958.

The grounds of this nearly three-acre property feature a gunite pool, a serene fountain, and a variety of mature specimen trees such as beech, sycamore, and elm, kept since Mrs. Woodhouse’s days and still providing a private oasis of natural beauty today. The property’s southern border is flanked by acres of reserve land, nature trails, and a wildlife sanctuary, ensuring tranquility and seclusion.

Landscape Details’ Office Gardens

Visit the exquisite gardens at Landscape Details. The landscape was carefully designed with an eye for detail and aesthetics, featuring intricate stonework that complements the building’s architecture, a serene meditation pool that provides a tranquil retreat, and a variety of beautiful plantings that add color and texture throughout the property. Each element of the landscape was chosen to enhance the overall ambiance, creating a harmonious blend of nature and structure.

If you are interested in being a sponsor of Garden as Art, email Kendra Korczak at events@guildhall.org or call 631.324.0806 x116.