Estimated Run Time: 4 hours and 5 minutes with two intermissions
Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly, soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young heroine in this ardent operatic adaptation of Pushkin, which will be transmitted live from the Metropolitan Opera stage to cinemas worldwide on May 2. Baritone Igor Golovatenko is the urbane Onegin, who realizes his affection for her all too late. The Met’s evocative production, directed by Tony Award–winner Deborah Warner, “offers a beautifully detailed reading of … Tchaikovsky’s lyrical romance” (The Telegraph).
Estimated Run Time: 5 hours 10 minutes with two intermissions
After years of anticipation, a truly unmissable event arrives in cinemas worldwide on March 21 as the electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner’s transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite Davidsen as the love-drunk Tristan. The momentous occasion also marks the advent of a new, Met-debut staging by Yuval Sharon—hailed by The New York Times as “the most visionary opera director of his generation” and the first American to direct an opera at the famed Wagner festival in Bayreuth—as well as Music Director Yannick Nézet-Séguin’s first time leading Tristan und Isolde at the Met. Mezzo-soprano Ekaterina Gubanova reprises her signature portrayal of Brangäne, alongside bass-baritone Tomasz Konieczny, who sings Kurwenal after celebrated Met appearances in Wagner’s Der Fliegende Holländer and Ring cycle. Bass-baritone Ryan Speedo Green makes an important role debut as King Marke.
Estimated Run Time: 3 hours and 45 minutes with one intermission
For gorgeous melody, spellbinding coloratura, and virtuoso vocal fireworks, IPuritani has few equals. On January 10, the first new Met production of Bellini’s final masterpiece in nearly 50 years—a striking staging by Charles Edwards, who makes his company directorial debut after many successes as a set designer—arrives in cinemas worldwide. The Met has assembled a world-beating quartet of stars, conducted by Marco Armiliato, for the demanding principal roles. Soprano Lisette Oropesa and tenor Lawrence Brownlee are Elvira and Arturo, brought together by love and torn apart by the political rifts of the English Civil War, with baritone Artur Ruciński as Riccardo, betrothed to Elvira against her will, and bass-baritone Christian Van Horn as Elvira’s sympathetic uncle, Giorgio.
Estimated Run Time: 3 hours and 30 minutes with two intermissions
Giordano’s passionate tragedy stars tenor Piotr Beczała as the virtuous poet who falls victim to the intrigue and violence of the French Revolution. Following their celebrated recent partnership in Giordano’s Fedora in the 2022–23 Live in HD season, Beczała reunites with soprano Sonya Yoncheva as Chénier’s aristocratic lover, Maddalena di Coigny, with baritone Igor Golovatenko as Carlo Gérard, the agent of the Reign of Terror who seals their fates. Met Principal Guest Conductor Daniele Rustioni takes the podium to lead Nicolas Joël’s gripping staging, which will be transmitted live from the Met stage to cinemas on December 13.
Estimated Run Time: 4 hours and 10 minutes with two intermissions
On November 22, Strauss’s elegant romance brings the glamour and enchantment of 19th-century Vienna to cinemas worldwide in a sumptuous production by legendary director Otto Schenk that “is as beautiful as one could hope” (TheNewYorkTimes). Soprano Rachel Willis-Sørensen stars as the title heroine, a young noblewoman in search of love on her own terms. Radiant soprano Louise Alder is her sister, Zdenka, and bass-baritone Tomasz Konieczny is the dashing count who sweeps Arabella off her feet.
Estimated Run Time: 3 hours and 30 minutes with two intermissions
With its enchanting setting and spellbinding score, the world’s most popular opera is as timeless as it is heartbreaking. Franco Zeffirelli’s picture-perfect production brings 19th-century Paris to the Met stage as Puccini’s young friends and lovers navigate the joy and struggle of bohemian life. Soprano Juliana Grigoryan is the feeble seamstress Mimì, opposite tenor Freddie De Tommaso as the ardent poet Rodolfo. Keri-Lynn Wilson conducts the November 8 performance, which will be transmitted live from the Met stage to cinemas worldwide.
Estimated Run Time: 3 hours and 15 minutes with one intermission
Following triumphant Live in HD performances in Gounod’s RoméoetJuliette, Verdi’s La Traviata, and Donizetti’s LuciadiLammermoor, Nadine Sierra summits another peak of the soprano repertoire as Amina, who sleepwalks her way into audiences’ hearts in Bellini’s poignant tale of love lost and found. In his new production, Rolando Villazón—the tenor who has embarked on a brilliant second career as a director—retains the opera’s original setting in the Swiss Alps but uses its somnambulant plot to explore the emotional and psychological valleys of the mind. Tenor Xabier Anduaga co-stars as Amina’s fiancé, Elvino, alongside soprano Sydney Mancasola as her rival, Lisa, and bass Alexander Vinogradov as Count Rodolfo. Riccardo Frizza takes the podium for one of opera’s most ravishing works, which will be transmitted live from the Met stage to cinemas on October 18.
This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe. A co-production of the Metropolitan Opera, Opéra de Nice Côte d’Azur, Semperoper Dresden, and Théâtre des Champs-Elysées.
Mrs. Warren’s Profession
by Bernard Shaw directed by Dominic Cooke
Five-time Olivier Award winner Imelda Staunton (The Crown) joins forces with her real-life daughter Bessie Carter (Bridgerton) for the very first time, playing mother and daughter in Bernard Shaw’s incendiary moral classic.
Vivie Warren is a woman ahead of her time. Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune – but at what cost?
Filmed live from the West End, this new production reunites Staunton with director Dominic Cooke (Follies, Good), exploring the clash between morality and independence, traditions and progress.
Oscar-nominated Rosamund Pike (Gone Girl, Saltburn) is Jessica inthemuch-anticipated next play from the team behind Prima Facie.
Jessica Parks is a smart Crown Court Judge at the top of her career. Behind the robe, she is a karaoke fiend, a loving wife and a supportive parent. When an event threatens to throw her life completely off balance, can she hold her family upright?
Writer Suzie Miller and director Justin Martin reunite following their global phenomenon Prima Facie, with this searing examination of modern motherhood and masculinity.
Please note:Inter Alia contains a sequence of flashing lights which might affect customers who are susceptible to photosensitive epilepsy.
Guild Hall William P. Rayner Artists-in-Residence, kNoname Artists | Roderick George return to Guild Hall for an in-process presentation of The Missing Fruit (Part I), ahead of its premiere at New York City Center’s Fall For Dance Festival.
The Missing Fruit explores the impacts of racial violence and racism in public health through an interdisciplinary production rooted in dance and set to an original score by the musical duo Slowdanger. First conceptualized during the most recent Black Lives Matter protests, The Missing Fruit examines the experiences of Black and indigenous people and people of color, particularly addressing their struggles to combat oppression, death, financial insecurity, and health vulnerabilities while making space for Black joy to thrive.
The in-process presentation will be followed by a conversation between choreographer and kNoname Artist founder, Roderick George, and Bill T. Jones, Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts.
The Missing Fruit is a YoungArts Fellow project, supported by the Rockefeller Brothers Fund & Mertz Gilmore Foundation. The work was developed and previewed during a creative residency at Kaatsbaan Cultural Park in September 2023. Additional residency support provided by New York Live Arts and the 2025 Guild Hall William P. Rayner Artist-in-Residence program in September 2025.
The Missing Fruit (Part I) has been commissioned by New York City Center for the Fall for Dance Festival. Support for new dance works at New York City Center is provided by the Virginia B. Toulmin Foundation and the Arlene Shuler Artistic Innovation Fund.
Produced by kNoname Artist in collaboration with Pomegranate Arts. Worldwide tour representation by Pomegranate Arts.
