Virtual Art Salon: Alice Hope & Tripoli Patterson

Photo by Jenny Gorman
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Join Guild Hall Curatorial Assistant, Casey Dalene as she engages with one of our most valuable resources during this time (and at all times): Artists. What better profession to teach us how to be at home, often times solitary, alone with our thoughts, finding ways to express ourselves, and looking towards the future. 

This week Casey ZOOMs with gallerist Tripoli Patterson and artist, Alice Hope, for a tour and conversation on her exhibition, Surge at Tripoli Gallery in Wainscott, NY. Trip’s large barn space expands the possibilities; allowing Alice to utilize a 17ft wall to complete a commission for the American Embassy in Mozambique and to work on a new 10 x 10 ft Tyvek and copper painting. All while amidst a pandemic, Casey, Trip and Alice find a way to continue the conversation and unite over a common essential: Art. 

  • Alice Hope

    Alice Hope works with materials that have cultural references. She intends her materials to be both the object and the subject of her work, while she also  aspires  to  transform the materials to a-materiality, into experience.

    For the last seven years she has been immersed in using the used can tab about which she states:

    The used can tab can be looked at from a multiplicity of perspectives - that its proportion is in the Golden Mean like the Parthenon; that it’s a tool - a lever; that it’s trash; that it’s an icon; that it’s an anti-phallus with its equal negative and positive space; that as a floor plan it emulates Renaissance cathedrals with its apse and nave; its ergonomics; its timed obsolescence; its demographically democratic use -,  but in my work I focus on the used tab as a relic of consumption and as a token for redemption.

    She has created numerous site specific public and residential installations. Some highlights include Camp Hero State Park in Montauk, New York for the Parrish Art museum, Pier 92 Lobby for the Armory Show, WNYC’s Greene Space lobby,  Queens Museum, US Embassy’s lobby in Mozambique for Art in Embassies, the National Museum for Women in the Arts, and Guild Hall. She shows with Tripoli Gallery in Wainscott, New York and Ricco Maresca in NYC.

     

  • Tripoli Patterson

    Since 2005 Tripoli Patterson has organized, produced and curated contemporary art shows in various innovative locations around the East End of Long Island and New York City.

    Tripoli Gallery Southampton, founded in 2009 as The Tripoli Gallery of Contemporary Art, has been serving as a dynamic platform for artistic dialogue between local and international artists and the East End community since its inception. 

    Trip believes that each exhibition he curates acts as a frozen moment of those artists' history - recorded, preserved, and globalized into perpetuity.

  • Casey Dalene

    Casey Dalene grew up in Charlotte, North Carolina with a noticeable passion for the Arts from a very young age. Studying Painting, Drawing and Art History throughout High School and College, Casey received a BFA in Studio Art and Art History from the University of North Carolina at Chapel Hill in 2005. Continuing her education, Casey attended the Fashion Institute of Technology State University of New York and received an Associate’s Degree in Textile/Surface Design in 2006. In 2007 Casey relocated to East Hampton and spent the next 5 years as Creative Director of Fabric and Wallcovering at the Elizabeth Dow Studio in Amagansett. With a passion for the arts as a common thread throughout her education and professional career, she has always been inspired by and involved in the local art community on the East End of Long Island. From the emerging Artists she met working in the Elizabeth Dow handmade wallcovering studio to the rich Art History of our community, she began to insert herself in the art world by creating an Online Art Gallery, artUNPRIMED.com, curating emerging and mid-career artists online as well as through 2 different pop-up exhibitions, one in Sag Harbor and one in East Hampton. Casey has also developed strong curatorial and marketing experience by working for a handful of Art Galleries on the East End including RJD Gallery in Bridgehampton, Markel Fine Arts in Bridgehampton, Roman Fine Art in East Hampton, and Sara Nightingale Gallery in Water Mill (now in Sag Harbor).

    With young children entering school in East Hampton, and strong ties to the Local Art Community, Casey brings a fresh perspective to the Educational programming, Curatorial Department, and responsibilities of the Registrar. She hopes to enhance the programming at Guild Hall to include the local community and beyond, ensuring everyone has access to and can take advantage of all the resources that we have to offer, as their community Museum, Theater and Educational Center.

Sponsors

All Museum Programming supported in part by The Melville Straus Family Endowment, The Michael Lynne Museum Endowment, Vital Projects Fund, Hess Philanthropic Fund, Crozier Fine Arts, The Lorenzo and Mary Woodhouse Trust, and public funds provided by New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and Suffolk County.
Free admission is generously funded by BNB Bank and Landscape Details.
All Education Programming supported by The Patti Kenner Arts Education Fellowship and Lucy and Steven Cookson, with additional funding by Kate W. Cassidy Foundation, Lewis B. and Dorothy Cullman Endowment Fund, The Melville Straus Family Endowment, and Catherine Freudenberg Traykovski – The Freudenberg Arts Foundation.

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