Music From the Sole. Photo: SaulZ
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Recommended for ages 4+

4:30PM Pre-show workshop
5-6PM Performance

This program will take place outdoors.
Thursday, August 4

Music From The Sole is a tap dance and live music company that celebrates tap’s Afro-diasporic roots, particularly its connections to Afro-Brazilian dance and music, and its lineage to forms like house dance and passinho (Brazilian funk). Led by Brazilian choreographer Leonardo Sandoval and by composer Gregory Richardson, their work embraces tap’s unique nature as a blend of sound and movement, incorporating wide-ranging influences like samba, passinho, Afro-Cuban, jazz, and house.

Specially curated for Guild Hall’s KidFEST@CMEE series, Music from the Sole artist directors, Leonardo Sandoval and Gregory Richardson have created a show that introduces our youngest listeners to the rhythms of Brazilian music. Throughout the performance, Music from the Sole will have audience members dancing and responding to rhythmic prompts, embracing the fact that in the realm of percussive dance, like tap, flamenco, body percussion, and more, the dancer is not just a mover, but a musician. Come ready to clap, shout, and move your body!

A ticket to Guild Hall’s KidFEST @CMEE provides entry into a free pre-show workshop beginning a half-hour before curtain. Designed and led by educators at both Guild Hall & CMEE, this workshop will have audience members create their own shakers and rhythm sticks to be used during the performance. Audience members will also receive a take-home kit with activities, listening recommendations, and an event-themed cookie from Citarella to bring the dancing home with them.

Click HERE for CMEE COVID-19 protocol.


Guild Hall’s KidFEST returns for the 2022 Summer Season. Designed specifically for our youngest audiences and their families, KidFEST connects our Hamptons communities to new cultures, new artists, and new stories through playful, participatory, and tailor-made performances.

The Summer 2022 KidFEST series is in collaboration with our sister organization, the Children’s Museum of the East End (CMEE). All performances will be held outdoors in the CMEE Amphitheater, 376 Bridgehampton-Sag Harbor Turnpike, Bridgehampton.

  • Leonardo Sandoval

    ​Brazilian tap dancer and choreographer Leonardo Sandoval is renowned for blending America’s great tap tradition with Brazil’s rich rhythmic and musical heritage. A true dancer-musician, he is one of Dance Magazine’s “25 To Watch” for 2021 and the recipient of a 2022 Vilcek Foundation Prize for Creative Promise in Dance. 

    In 2015, with composer Gregory Richardson, he founded Music From The Sole, and their work has been presented at venues like Jacob’s Pillow, Lincoln Center, and The Yard, Kaatsbaan, the 92Y, and Works & Process at the Guggenheim. In addition, he is a dancer with acclaimed tap company Dorrance Dance, touring across the US and abroad. Leonardo has also toured extensively as a solo artist, including at the National Folk Festival and Jazz at Lincoln Center. He is deeply committed to community engagement and education, and has brought performances and workshops to schools, prisons, hospitals, and parks, including through partnerships with Lincoln Center Education and the National Dance Institute, where he was the inaugural artist in residence.

  • Gregory Richardson

    Gregory Richardson is a composer, performer, and multi-instrumentalist focusing on upright, electric bass, and guitar. Along with Leonardo Sandoval, he's the co-creator and artistic director of Music from the Sole, as well as the musical director of the award winning tap dance company, Dorrance Dance. 

    As a composer for dance, he’s premiered original compositions at The Guggenheim, BAM, The Joyce, and several times at The City Center of New York, most recently in collaboration with actor Bill Irwin. Gregory has participated in creative residencies at Lincoln Center Education, Jacob’s Pillow, The Yard, National Dance Institute, Guggenheim's Works and Process, and Kaatsbaan Cultural Park. Other credits include performing with Toshi Reagon in her opera of Octavia Butler’s “Parable of the Sower,” touring with the indie band Darwin Deez, and playing with Grammy Award winning artists, Keyon Harrold and Marcus Gilmore.

  • Music From The Sole

    Music from the Sole

    Music From The Sole is a tap dance and live music company that celebrates tap's Afro-diasporic roots, particularly its connections to Afro-Brazilian dance and music, and its lineage to forms like house dance and passinho (Brazilian funk). Led by Brazilian dancer/ choreographer Leonardo Sandoval (2022 Vilcek Foundation Prize for Creative Promise) and by bassist/ composer Gregory Richardson, their work embraces tap’s unique nature as a blend of sound and movement, incorporating wide-ranging influences like samba, passinho, Afro-Cuban, jazz, and house.

    Since their first performances in 2015 at Baltimore’s Creative Alliance, Music From The Sole has grown to a group of 15 dancers and musicians, touring and engaging with communities across the US and abroad. They have received support from the New England Foundation for the Arts (2021 National Dance Project grantees), New York State Council on the Arts, Mid Atlantic Arts Foundation, The Lower Manhattan Cultural Council, the Jerome Foundation, Mertz Gilmore Foundation, O’Donnell-Green Music and Dance Foundation, and Dance/ NYC, and were recently commissioned new works by Works & Process at the Guggenheim.

    As part of its mission to bring tap dance, America's original vernacular dance form, to new audiences, they appear as both a dance company and a percussive-led band at dance and music venues. Recent credits include appearances at Lincoln Center, Jacob’s Pillow, The Yard, Kaatsbaan, Portland Ovations, Caramoor Jazz Festival, Bryant Park, the 92Y, and Tap in Rio; they are 2022 resident artists at Chelsea Factory.

    Highlighting a commitment to community-centered artistic practice, the company partners frequently with organizations like the National Dance Institute and Lincoln Center Education, engaging through dance and music with communities across NYC and beyond.

  • Guggenheim Works & Process

    Described by The New York Times as “forward thinking” and “an exceptional opportunity to understand something of the creative process,” since 1984 Works & Process has welcomed New Yorkers to see, hear, and meet the most acclaimed performers and creators of the performing arts. Led by Producer Caroline Cronson and General Manager Duke Dang, Works & Process nurtures and champions new works, shapes representation, amplifies underrepresented voices and performing arts cultures, and offers audiences unprecedented access to generations of leading creators and performers. Artist-driven programs blending performance highlights with insightful discussions are, when permitted, followed by receptions in the rotunda, producing an opportunity for collective learning and community building, while also helping to cultivate a more inclusive, fair, and representative world.

    Approximately fifty performances take place annually in the Guggenheim’s Frank Lloyd Wright–designed, 273-seat Peter B. Lewis Theater. Every summer Works & Process produces a program at the Guggenheim Bilbao as well. In 2017 Works & Process established a residency program inviting artists to create newly commissioned performances made in and for the iconic Guggenheim rotunda. In 2020 Works & Process Artists (WPA) Virtual Commissions was created financially support 84 new works and over 280 artists and nurture their creative process during the pandemic. To forge a path for artists to safely gather, create, and perform during the pandemic, from summer 2020 through spring 2021 Works & Process pioneered and produced 25 bubble residencies supporting 247 artists, made possible through the generous support of The Andrew W. Mellon Foundation and the Doris Duke Charitable Foundation. On March 20, 2021, after over a year of shuttered indoor performances, with special guidance from New York State’s Department of Health, Works & Process, in the rotunda of the Solomon R. Guggenheim Museum, was the first cultural organization to reopen live indoor ticketed performances.

    About Works & Process LaunchPAD “Process as Destination”
    An artistic incubator, Works & Process LaunchPAD pairs creators of the performing arts with a region-wide constellation of residency centers throughout New York State to develop new work and share works-in-progress. LaunchPAD supports today’s leading performing artists, and equally will support a wide variety of performing arts disciplines and artists from historically marginalized backgrounds. Recognizing that performing artists continue to face vulnerabilities, such as unstable income, lack of access to rehearsal space, and difficulty in compensating collaborating artists to develop their craft outside of specifc product-driven work, LaunchPAD will provide artists with a sequence of “made to measure” and fully-funded, one to tree week residencies throughout the Hudson Valley and Long Island. With residency partners, LaunchPAD will provide artist fees, devoted rehearsal space, living accommodations for collaborators, transportation, and healthcare insurance coverage.

    To foster greater understanding for the artistic process, LaunchPAD will include open rehearsals, classes, and conclude each residency with local in-process presentations and discussions designed to promote appreciation for the complexities of the artistic process, but also to build future audiences for its performing artists. Select works will also be presented in New York City at Works & Process at the Guggenheim.


KidFEST is sponsored, in part, by Dime Community Bank and Citarella.

Music from the Sole comes to Guild Hall through an ongoing collaboration with Works & Process at the Guggenheim, and the company’s ongoing project, I Didn’t Come to Stay. Commissioned by Works & Process at the Guggenheim, I Didn’t Come to Stay was created with the support of a summer 2020 Works & Process bubble residency at Kaatsbaan Cultural Park. This culminated in preview performances that were among the first outdoor performances permitted by New York State. I Didn’t Come to Stay was featured in a Works & Process at Lincoln Center video performance and will receive a Works & Process LaunchPAD “Process as Destination” residency at Catskill Mountain Foundation, with additional residency support by The Yard, Jacob’s Pillow, and Chelsea Factory. I Didn’t Come to Stay is a National Dance Project Production Grantee and has received support from The O’Donnell-Green Music and Dance Foundation.

Theater Programming supported in part by The Schaffner Family Foundation and funding from The Melville Straus Family Endowment. Music Programming is supported in part by The Ellen and James S. Marcus Endowment for Musical Programming.

Learning & Public Engagement programming is supported by The Patti Kenner Arts Education Fellowship, The Hearthland Foundation, Stephen Meringoff, Susan and Stephen Scherr, and funding from the Lewis B. and Dorothy Cullman Endowment Fund, and The Melville Straus Family Endowment.

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