LIVING WITH CHAMBERLAIN: A CONVERSATION WITH ALEXANDRA FAIRWEATHER

Chamberlain Couch. Photo: Jason Schmidt Ventura
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Guild Hall, in collaboration with the John Chamberlain Estate, invites you to explore Living with Chamberlain, a visually stunning and deeply personal exploration of John Chamberlain’s legacy published by ASSOULINE

This compelling new volume goes beyond the museum walls to explore how Chamberlain’s work transforms the lives of those who live with it. Featuring a foreword by Rick Owens, and interviews and conversations with family, friends, gallerists, and collectors, this intimate and personal volume uncovers how Chamberlain’s art has impacted the lives of so many, including personalities as diverse as Chamberlain’s wide-ranging artistic expressions. 

The evening will feature a conversation with Alexandra Fairweather, Director of the Chamberlain Estate, and special guests, Gabriela Palmieri, and Yvonne Force for a discussion on the intersection of art, design, and the impact of Chamberlain’s work moderated by Guild Hall Museum Director and Curator of Visual Arts, Melanie Crader.

The conversation is programmed in tandem with the exhibition, Functional Relationships on view from May 4 – July 13 at Guild Hall. 

  • ALEXANDRA FAIRWEATHER

    As Director of the John Chamberlain Estate since 2017, Alexandra Fairweather is dedicated to preserving the life, work, and legacy of the late artist. She skillfully navigates the intersection of reverence and strategic business management, having expanded the estate's archival, management, and marketing teams to amplify awareness and appreciation of Chamberlain's work. Alexandra has assembled a team of professionals responsible for the operational aspects of the estate, from overseeing the maintenance of physical properties, including Chamberlain’s former home and studio, to managing financial affairs and legal considerations, allowing the estate to thrive as a dynamic and sustainable entity within the art world. By strategically expanding the archival team and implementing new conservation protocols, Fairweather ensures meticulous preservation, digitization, and cataloging of Chamberlain's work and archives, providing a rich resource for researchers, scholars, and collectors.

    As the stepdaughter of John Chamberlain, Fairweather brings a deeply intimate and nuanced understanding of the artist to her work and the estate. In keeping with Chamberlain’s spirit, she is committed to honoring his relentlessly inventive and fearless practice through the estate’s projects. Fariweather has fostered notable partnerships with major art institutions organizing exhibitions and events that showcase Chamberlain's work in new contexts to a global audience. Recognizing the power of contemporary marketing techniques, she has adeptly combined traditional methods with digital and social media strategies to propel Chamberlain’s work into new realms of public consciousness and appreciation. Fairweather is interested in exploring new mediums to share his work and continue his rich legacy of inspiration among notable creatives. Most recently, she helped organize Chamberlain’s first museum show in over a decade, THE TIGHTER THEY’RE WOUND, THE HARDER THEY UNRAVEL, curated by Urs Fischer in collaboration with Dia Art Foundation for the Aspen Art Museum that celebrates Chamberlain’s love of discovery and fitting together of disparate parts.

    Through her efforts in exhibitions, activations, events, and digital content creation, Fairweather actively steers the John Chamberlain Estate in a direction that honors the artist’s legacy and ensures its perpetual significance in the evolving landscape of contemporary art.

    Alexandra Fairweather completed her undergraduate education at Columbia University. She is currently based between Shelter Island and New York City, and sits on the board of various Hamptons educational and arts organizations.

  • Gabriela Palmieri

    GABRIELA PALMIERI is the Founder and Principal of Palmieri Fine Art, Inc. Prior to establishing PFA, Inc., Ms. Palmieri led a distinguished 17-year career at Sotheby’s, where she rose to Chairman of Contemporary Art, Americas, and was recognized as one of the most respected in the auction industry as a leading specialist in Post-War Art.

    Ms. Palmieri founded PFA, Inc. in order to unequivocally provide her clients with unbiased, objective and transparent counsel in the increasingly complex and nuanced art market. In her independent role she is committed to providing impartial advice and counsel for established and new collectors aimed at making informed acquisitions, which requires careful analysis and due diligence. As a seasoned researcher and scholar, Gabriela brings to bear all the relevant factors about the artist, the market trajectory for the artist’s work, the particular work taken in the context of the artist’s career, provenance, condition, literature and comparative uniqueness.

    In the evolving art market, Ms. Palmieri recognizes that client advocacy is as important as advisory, a role that she spearheaded during her tenure at Sotheby’s where she was the client advocate on every transaction. Among the many highlights during her tenure at Sotheby’s included heading Sotheby’s May 2008 Day Sale to realize $107,800,000, a record total for a Day Sale at any auction house at the time, which followed a $102,800,000 performance from November 2007. As the Head of the Evening Sale, she curated the bespoke Allan Stone Collection, which fetched $55,000,000 in 2011. This role culminated in her stewardship of the prestigious Ahead of the Curve: The Sender Collection sale in May 2014 at Sotheby’s, which sold in excess of $86,000,000.

    This unparalleled auction house experience uniquely positions Ms. Palmieri to assess the market and deliver the most comprehensive secondary market expertise both on the buying and selling side of the transaction. Still very much part of the auction world, in her present capacity, she advised every aspect of the prestigious Visionaries: Works from the Collection of Emily and Jerry Spiegel, which sold at Christie’s in May 2017 for $128,000,000. In November 2017, she counseled Barbaralee Diamonstein-Spielvogel and Ambassador Carl Spielvogel’s Collection, Magnificent Gestures, which sold at Sotheby’s in November 2017 for $54,700,000, with all proceeds benefiting a Not-For-Profit Charitable Foundation that will supports science and medicine, educational reform and cultural projects.

  • Yvonne Force Villareal

    Yvonne Force Villareal began her public career in the arts in 1995 as the President of Yvonne Force Inc. (YFI), an art advisory firm specializing in building and managing private collections and foundations. As President of YFI, Ms. Force was backed in-part by the late Mr. Laurance S. Rockefeller to form a collection in support of contemporary artists. In 2000, Ms. Force co-founded Art Production Fund (APF), a non-profit organization dedicated to commissioning and producing significant public art projects, reaching new audiences and expanding awareness through contemporary art. Together with co-founder Doreen Remen, the leaders grew APF into an ambitious national program of outdoor installations that include: Ugo Rondinone’s Seven Magic Mountains in Las Vegas, NV; Elmgreen & Dragset’s Prada Marfa in Marfa, Texas.

    Expanding on their role as cultural entrepreneurs, in 2014 the duo established Culture Corps, a creative consultancy firm offering art advisory, artist brand collaboration, and cultural programming services with a focus in the hospitality, retail, entertainment, corporate and real estate industries. In working with private sector clientele and acclaimed artists to curate custom programs, their consistent goal is (and always has been) to create opportunities for artistic expression and viewer participation.

    Ms. Force graduated from the Rhode Island School of Design in 1988 with a degree in Fine Arts and serves on the Boards of Art Production Fund, White Columns and RISD’s President’s Alumni Advisory Council. Ms. Force has spoken on panels at many institutions and media outlets including Frieze Art Fair, Design Miami, Crystal Bridges Museum of American Art, Yale University, School of Visual Arts (SVA), Massachusetts Institute of Technology (MIT), The Today Show, and Bravo’s Work of Art, among others.

    Publication features include: Vogue, New York Magazine, W, Cultured, Avenue and Manhattan Magazine.

  • Melanie Crader

    Melanie Crader joined Guild Hall in Summer of 2023 as the inaugural director of visual arts as Guild Hall opened its newly renovated galleries. Recently, she served as deputy director at the Parrish Art Museum, Water Mill, NY, where she also served as interim director. For 8 years prior, Melanie held the role of Director of Exhibitions and Publication Management at the Hammer Museum, UCLA, Los Angeles, where she was responsible for financial and administrative oversight of all curatorial initiatives, exhibitions, and publications. Managing the institution’s renowned exhibition program, she collaborated with local, national, and international institutional partners including The Met, Museum of Modern Art, Whitney Museum of American Art, Brooklyn Museum, MCA Chicago; Walker Art Center, Stedelijk Museum, and Pinacoteca de São Paulo.

    During six years at the Menil Collection in Houston, she managed the operating budget and exhibition program, led a variety of special projects including institutional publications, oversaw major digital infrastructure initiatives, and implemented long-term budget planning for building projects and a capital campaign. Before entering the non-profit sector, Melanie worked in the marketing and communications department of an international investment company.

    Originally from Louisiana, Melanie Crader, an artist and educator who taught at the university level, holds MFA from Ohio University, Athens; BA from McNeese State University, Lake Charles, LA; and attended the Banco Santander W30 Program, UCLA Anderson School of Management. She is a member of the American Exhibition Organizers and served on the Steering Committee from 2017 to 2021. For several years, she served on the Board of Directors and was an Artist Board Member of DiverseWorks Art Space, Houston.

    Photo: Lori Hawkins

Sponsors

Visual Arts programs are supported by funding from Barbara and Richard S. Lane, Lucio and Joan Noto, The Michael Lynne Museum Endowment, and The Melville Straus Family Endowment. 

Additional support provided by Friends of the Museum: Sara Amani and Timothy Ward, Danielle Anderman, Shari and Jeff Aronson, The Artist Profile Archive, Amalia Dayan and Adam Lindemann, Cara and John Fry, Susan Lacy, Robert Longo and Sophie Chahinian, Onna House, Lisa and Richard Perry, Laurie and Martin Scheinman, Jeff and Audrey Spiegel, Hillary and Jeff Suchman, Barbara Tober, Jane Wesman and Don Savelson, Neda Young, and an anonymous donor. 

Free gallery admission is sponsored, in part, by Landscape Details. 

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