A Jules Feiffer Celebration
Starring F. Murray Abraham, Tedra Millan, Mercedes Ruehl, and Harris Yulin.
The legendary cartoonist and playwright celebrates his 90th birthday with a concert reading of his play A Bad Friend, candid conversation, and maybe even a little cake… come celebrate the end of summer with an East End legend!
F. Murray AbrahamHis first job in NY was as a Macy’s Santa, he then replaced in several shows in town: The Fantasticks, Elaine May’s Adaption, and Jules Feifer’s Little Murders; (he will do Rev. Dupas monologue at the drop of a hat.) He’s done a lot of movies and plays and been given some awards: an Oscar, a Golden Globe, the LA Film Critics Award, The John Gielgud Award for Excellence in Shakespeare, The Moscow Art Stanislavski Award, 2 Emmie nominations, 2 OBIEs, and is in the NY Theater Hall of Fame., He was The Mentor, and Tolstoy on the West End, and is the only American actor to have performed Barabas and Shylock in rep, and was Shylock as part of the RSC’s Complete Works Festival in Stratford on Avon, He’s been in 4 of Ethan Cohen’ plays and has done more Terrence McNally plays than any other actor. Recent films and TV include Grand Budapest Hotel, The Isle of Dogs, Inside Llewen Davis, The Good Wife, The Good Fight, Louis CK, Curb Your Enthusiasm, and the new Apple series Heros' Quest. He’ll soon be seen as Norman Mailer in an adaptation of recorded conversations between Mailer and his son John Buffalo. His book on A Midsummer Nights Dream is published by Faber and Faber.
Tedra Millan is an accomplished actress. She originated the role of "#46" in Sarah DeLappe's THE WOLVES, directed by Lila Neugebauer (*Drama Desk & Obie Award for Best Ensemble*). Tedra made her Broadway Debut as "Daphne Stillington" in Noel Coward's PRESENT LAUGHER opposite Kevin Kline, directed by Moritz von Stuelpnagel at The St. James Theatre. She has done readings, workshops and productions at Lincoln Center Theater, Manhattan Theater Club, Atlantic Theater Company, Barrow Street Theatre, The Acting Company, 2nd Stage, Playwrights Horizons, The Duke on 42nd, The New Group, New York Stage & Film, The Huntington, The International Shakespeare Center, SPACE on Ryder Farm, Ensemble Studio Theater and The Flea, among other theaters. She holds an MA in Classical Acting from The London Academy of Music & Dramatic Art (LAMDA) and a BFA in Acting from the University of Michigan. Tedra recently finished an off-Broadway run of Jesse Eisenberg's play HAPPY TALK, opposite Susan Sarandon and Marin Ireland. In film, Tedra was cast in Jonathan Lisecki's MODERN PERSUASION, the screen adaptation of Jane Austen's novel. In television, she recently appeared on ABC's THE GOLDBERGS and FX's FOSSE/VERDON, opposite Sam Rockwell and Michelle Williams. Tedra can now be seen in Armistead Maupin's TALES OF THE CITY on Netflix.
Mercedes Ruehl has appeared in the films The Fisher King (Academy Award, Golden Globe Award, Los Angeles and Chicago Film Critics Association Awards), Married to the Mob, The Warriors, Big, Heartburn, Slaves of New York, Another You, Last Action Hero, Lost in Younkers, What’s Cooking?, The Amati Girls, Roseanna’s Grave, Chu and Blossom, Zedya and the Hitman, Spooky House, More Dogs Than Bones, and The Minus Man. She has been seen on Broadway in Neil Simon’s Lost in Younkers (Tony, Drama Desk, Outer Critics Circle, and Helen Hayes Awards), The Goat, or Who is Sylvia? (Outer Critics Circle Award, Tony nomination), The Rose Tattoo, The Shadow Box (Tony nomination), and I’m Not Rappaport. Her Off Broadway credits include Woman Before a Glass (Obie Award), Other People’s Money (Clarence Derwent Award), The Marriage of Bette and Boo (Obie Award), Coming of Age in Soho, The Vagina Monologues, and Edward Albee’s The Occupant. Ruehl’s television credits include HBO’s Indictment: The McMartin Trial, Gia, Hallmark Hall of Fame’s The Lost Child and Loving Leah, El Jefe, Doubt, Star Spangled Banners, Showtime’s North Shore Fish, Guilt by Association, and A Girl Like Me. She also made guest appearances on Entourage, Law & Order, Monday Mornings, Luck, Psych, and Frasier, among others.
After studying in Los Angeles with the splendid, black-listed actor Jeff Corey, Yulin spent 20 months living in Europe and Israel, dubbing films into English, and performing a night club show with William Burroughs at the Club Montparnasse in Paris.
He made his New York debut in 1963 in James Saunders’ Next Time I’ll Sing To You, with James Earl Jones and Estelle Parsons at the Phoenix Theatre. Many plays, Broadway, off-Broadway and elsewhere followed.
Recent appearances: Long Day’s Journey into Night at the Court Theatre, Chicago; Death of a Salesman at the Gate Theatre, Dublin; Cat on a Hot Tin Roof at the Chautauqua Festival, and ever trying to get it right, his third try at Claudius in Hamlet at the Classic Stage Company in New York.
He has appeared in and presented many evenings at Guild Hall including the initial production after the renovation in 2009, The Glass Menagerie with Amy Irving, and last September Are You Now or Have You Ever Been.
His production of Horton Foote’s The Trip to Bountiful with Lois Smith and Hallie Foote played an extended run at the Signature Theatre in New York, receiving four Lucille Lortel Awards (Outstanding Lead Actress, Outstanding Featured Actress, Outstanding Production, Outstanding Director), and subsequently moved to The Goodman Theatre, Chicago.
His first film was in 1968, an adaptation by Terry Southern of John Barth’s End of The Road, directed by Adam Avakian with longtime friends James Earl Jones and Stacy Keach. Other fondly remembered but not necessarily widely seen efforts include Candy Mountain directed by Robert Frank and Rudy Wurlitzer; Short History of Decay script by Michael Maren; 75% In July by Hyatt Bass; and more widely seen production including Clear and Present Danger directed by Philip Noyce; and Scarface directed by Brian de Palma.
He has many TV appearances including WIOU, about a CBS newsroom where he played a troubled anchorman; and Mister Sterling, set in the U.S. Senate, written by Lawrence O’Donnell.
He has taught, acted and directed at the Juilliard School for ten years.
He has narrated many films for PBS and others and done extensive work on radio including dramatizations of Ross MacDonald detective novels with casts of fifty subsequently released as audio books as was Norman Mailer’s last novel, The Castle and
He has worked in all the venues and mediums available to him, even singing and dancing in John Osborne’s The Entertainer, in which his efforts in these disciplines were properly third-rate.