
Co-Presented by Guild Hall & Pomegranate Arts
Guild Hall William P. Rayner Artists-in-Residence, kNoname Artists | Roderick George return to a Guild Hall for an in-process presentation of The Missing Fruit (Part I), ahead of its premiere at New York City Center’s Fall For Dance Festival.
The Missing Fruit explores the impacts of racial violence and racism in public health through an interdisciplinary production rooted in dance and set to an original score by the musical duo Slowdanger. First conceptualized during the most recent Black Lives Matter protests, The Missing Fruit examines the experiences of Black and indigenous people and people of color, particularly addressing their struggles to combat oppression, death, financial insecurity, and health vulnerabilities while making space for Black joy to thrive.
The in-process presentation will be followed by a conversation between choreographer and kNoname Artist founder, Roderick George, and Bill T. Jones, Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts.
The Missing Fruit is a YoungArts Fellow project, supported by the Rockefeller Brothers Fund & Mertz Gilmore Foundation. The work was developed and previewed during a creative residency at Kaatsbaan Cultural Park in September 2023. Additional residency support provided by New York Live Arts and the 2025 Guild Hall William P. Rayner Artist-in-Residence program in September 2025.
The Missing Fruit (Part I) has been commissioned by New York City Center for the Fall for Dance Festival. Support for new dance works at New York City Center is provided by the Virginia B. Toulmin Foundation and the Arlene Shuler Artistic Innovation Fund.
Produced by kNoname Artist in collaboration with Pomegranate Arts. Worldwide tour representation by Pomegranate Arts.
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Roderick George
Roderick George was born and raised in Houston, Texas. He has trained at Ben Stevenson’s Houston Ballet Academy, The Alvin Ailey School, and the High School for the Performing and Visual Arts (HSPVA). George was a bronze winner of the Youth American Grand Prix in 2005 and a YoungArts Winner and Presidential Scholar of the Arts in 2003. He has danced for Cedar Lake Contemporary Ballet, Basel Ballet/Theater Basel, Göteborgs Operans Danskompani, and The Forsythe Company. In addition, he has performed the work of choreographers such as Marie Chouinard, Peeping Tom, Jorma Elo, Jacopo Godani, William Forsythe, Johan Inger, Jiří Kylian, Sharon Eyal, Ohan Naharin, Benoit Swan-Pouffer, and Richard Wherlock. In 2012, George. was a part of the Emerging Choreographer Series for the Youth American Grand Prix and an Emerging Choreographer for Springboard Danse Montréal in 2013. In addition, he has been commissioned by dance companies, institutions, and festivals, including Bodytraffic, Los Angeles Contemporary Dance Company, Festival Quartiers Danses, Suzanne Dellal, Zurich Tanzhaus, Pavillon Noir| Ballet Prejlocaj, Ballett Basel, L.A. Contemporary Dance Company, Canadian Contemporary Dance Theatre and Fall for Dance North/ NIGHTSHIFT. Most recently, George was a YoungArts Fellow Winner Awardee for the 2021-2022 season. In Jan 2024 he created Venom, a piece commissioned by Gibney as part of the organization’s DoublePlus program in collaboration with New York Live Arts. In August 2024 Roderick was recipient of two major US awards: The Princess Grace Aware – Choreography and the inaugural Jacob's Pillow Men Dancers Award. In 2025, George is an inaugural recipient of The Princess Grace Fellow.
Photo: Monica Nyenkan
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kNoname Artist
kNoname Artist is a Berlin-founded, now New York City-based company created in 2015 by Roderick George. kNoname Artist is a collective that strives to use art as a form of protest and healing method to find agency. The company invests in reflecting the times, both past and current events, and using the culture of origins as a vessel for creative expression. The knowledge of division created by colorism, class, and social-economic differences provoked the mind of George, yet also with joy and hope to motivate the growth of kNoname Artist. The mission of this multidisciplinary company is to gift its spectators’ evocative stories told through raw, percussive, and fluid movement interspersed with dialogue and humor. The iterative and evolving vision for the company melds dynamic movement, music, and scenic landscapes into experiential works exploring themes of queerness, blackness, and human rights. kNoname Artist has performed at festivals such as Festival Quartiers Danses, Suzanne Dellal, Kaatsbaan Cultural Park, Zurich Tanzhaus, Hollins University, New York Live Arts, Pavillon Noir| Ballet Prejlocaj, Sophiensæle Festspiele, Pocantico Art Center, and Fall for Dance North/NIGHTSHIFT.
Photo: Rebecca Hurson
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Bill T. Jones
Bill T Jones (Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts) was the Associate Artist of the 2020 Holland Festival and recipient of the 2014 Doris Duke Performing Artist Award; the 2013 National Medal of Arts; the 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed Fela!; a 2007 Tony Award, 2007 Obie Award, and 2006 Stage Directors and Choreographers Foundation Callaway Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; 2007 USA Eileen Harris Norton Fellowship; 2006 Lucille Lortel Award for Outstanding Choreography for The Seven; 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; 2005 Harlem Renaissance Award; 2003 Dorothy and Lillian Gish Prize; and a 1994 MacArthur “Genius” Award. In 2010, Jones was recognized as Officier de l’Ordre des Arts et des Lettres by the French government, and in 2000, The Dance Heritage Coalition named Jones “An Irreplaceable Dance Treasure.” Bill has been nominated for the 2022 Tony Awards for his work on Paradise Square.
Jones choreographed and performed worldwide with his late partner, Arnie Zane, before forming the Bill T. Jones/Arnie Zane Dance Companyin 1982. He has created more than 140 works for his company. Jones is Artistic Director of New York Live Arts, an organization that strives to create a robust framework in support of the nation’s dance and movement-based artists through new approaches to producing, presenting, and educating.
Bill T. Jones photo courtesy of NYLA.
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Pomegranate Arts
Since 1998, Pomegranate Arts has worked in close collaboration with a small group of contemporary artists and arts institutions to bring bold and ambitious artistic ideas to fruition. Creative and executive producers Linda Brumbach and Alisa E. Regas, along with their committed team at Pomegranate Arts, have produced the Olivier Award-winning revival of Einstein on the Beach; Taylor Mac’s epic A 24-Decade History of Popular Music, Holiday Sauce, and now – their third collaboration together, along with composer Matt Ray – a rock opera meditation on queerness called Bark of Millions; the touring production of Ambrose Akinmusire and Aszure Barton’s A a | a B : B E N D; Available Lightby John Adams, Lucinda Childs and Frank Gehry; Robin Frohardt’s The Plastic Bag Store and Home Depot Parking Lot; Phelim McDermott and Julian Crouch’s Shockheaded Peter; and the Drama Desk Award-winning production of Charlie Victor Romeo. In recent years, Pomegranate has expanded into non-performative mediums, including the feature documentary film Taylor Mac’s 24-Decade History of Popular Music (HBO Original Doc), the film short Taylor Mac: Whitman in the Woods (ALL ARTS), and museum installations for Machine Dazzle. Pomegranate Arts is proud to support North American touring for Batsheva Dance Company and Sankai Juku. pomegranatearts.com
Creative & Executive Producer, Linda Brumbach
Creative & Executive Producer, Alisa E. Regas
General Manager, Rachel Katwan
Operations Consultant, Kaleb Kilkenny
Line Producer & Company Manager, Florent Trioux
Administrative Assistant, Elena Messinger
Production Consultant, Jeremy Lydic
Sponsors
Guild Hall William P. Rayner Artist-in-Residence
Principal Sponsor: Kathy Rayner in memory of her husband, Billy Rayner.
Learning + New Works programs are supported in part by funding from Bobbie Braun -The Neuwirth Foundation, the Lewis B. and Dorothy Cullman Endowment Fund, The Melville Straus Family Endowment, and additional support by Collegiate Gateway.
Additional support provided by Friends of Learning + New Works: Julie Raynor Gross, Stephanie Joyce and Jim Vos, S. Kutler Foundation, N. Glickberg, D. Glickberg, and J. Abrahams, Andrea and Jeffrey Lomasky, Peter Marino, Meringoff Family, Eva Sandler, and Barbara Toll.
Performing Arts programs are supported in part by Galia Meiri-Stawski and Axel Stawski, Henry and Peggy Schleiff, The Melville Straus Family Endowment, Monica and Peter Tessler, and Vital Projects Fund. Music Programming is supported in part by The Ellen and James S. Marcus Endowment for Musical Programming.
Additional support provided by Friends of the Theater: Natascia Ayers and Jim Ciquera, Bonnie and Joel Bergstein, Christine and Bill Campbell, John and Joan D’Addario, Gabrielle and Gianpaolo de Felice, Debbie and Henry Druker, Lena Kaplan, Hilarie and Mitchell Morgan, Steve Pesner, in memory of his wife, Michèle Pesner, whose entire life was devoted to all aspects of culture, The Schaffner Family Foundation, Lisa Schultz and Ezriel Kornel, Jayne Baron Sherman and Deborah Zum, Stacey and Oliver Stanton, Susi and Peter Wunsch, and Andrew Yuder and Kyle Glaeser.