Wunetu Wequai Tarrant. Photo: Phil Lehans
$15.00 ($10.00 Members)
Free for Members of the Shinnecock Nation
In conjunction with the exhibition, First Literature Project, Guild Hall Community Artists-in-Residence, Christian Scheider and Wunetu Wequai Tarrant will join Anthony Madonna, Guild Hall Patti Kenner director of learning + new works for a conversation on the project, and their two-year residency with Guild Hall.
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Christian Scheider
Christian Scheider is an independent filmmaker and theatermaker living between New York City and the East End of Long Island. In addition to his original film and theater work, Scheider heads video production for The Sunny Center in Ireland, the world’s only post-exoneration residential community, and produces films for the Bard Prison Initiative, his alma mater. As a theatermaker, Scheider co-adapted, produced, and directed Ray Bradbury’s short story, The Murderer, and Kurt Vonnegut’s novel, Galápagos into fully staged productions, and premiered with his collaborators an original slapstick comedy, The Summit.
For film, Scheider has produced and directed the documentary The Sunny Center about death row exonerees, and co-produced and directed the documentary The Tree Prophet about a self-identified climate prophet, which won the Audience Award at the San Francisco Independent Film Festival. Scheider is in perpetual pre-production on the quixotic feature comedy film Animal Party about human-animal rituals all over the world, the original screenplay for which was honored by the Redford Center as part of their 2016 grants program. Scheider is currently writing and producing a limited series, Pullman, about the eponymous railroad baron and the epochal national labor uprising of 1894.
https://www.christianscheider.com
Photo: Phil Lehans
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Wunetu Wequai Tarrant
Wunetu Wequai Tarrant is a member of the Shinnecock Indian Nation, located on the East End of Long Island, NY. She grew up with her family on the Shinnecock reservation peninsula. Wunetu has been inspired by her grandmother and matriarch of the ThunderBird clan, Elizabeth ‘Chee Chee’ ThunderBird Haile, to promote cultural preservation and education. She received a Bachelor of Fine Arts degree from Alfred University in 2011, a Masters of Native American Linguistics and Languages from the University of Arizona 2020 and is currently a Linguistics Ph.D. candidate at the University of Arizona focusing on the reconstruction and revitalization of the Shinnecock dialect of Southern New England Algonquian.
Wunetu has worked closely with the Algonquian Language Revitalization Project on designing curriculum and activities for teaching Shinnecock and related dialects and continues to research best practices in language research and production of materials that will be accessible to community members and teachers regardless of linguistic education experience. She has continued to advocate for Indigenous students as the Julia & Bernard Bloch fellow (2019-2022) and special interest groups through the Linguistic Society of America.
Wunetu is a 2022 – 2024 Guild Hall Community Artist-in-Residence (CAiR). With support from the competitive Creatives Rebuild New York grant, Wunetu and filmmaker, Christian Scheider will spend the next two years developing the First Literature Project (FLP) work. The FLP aims to support the preservation of Indigenous stories, culture, and language by utilizing immersive 3D, VR, and holographic technology to create two immersive orations to be exhibited at Guild Hall in Spring 2024. Additionally, another component of this project will include a compilation of all materials utilized to help with Shinnecock language research to create a centralized database that will help with future research, as well as a video archive for the Padoquohan Medicine Lodge to document the interviews with Shinnecock Tribal members.
Photo: Phil Lehans
Sponsors
Guild Hall’s Learning + New Works programs are made possible through The Patti Kenner Arts Education Fellowship, Vital Projects Fund, the Glickberg/Abrahams S. Kutler Foundation, Stephanie Joyce and Jim Vos, the Lewis B. and Dorothy Cullman Endowment Fund, and The Melville Straus Family Endowment.
The exhibition First Literature Project is supported by The Robert David Lion Gardiner Foundation.
Guild Hall’s Community Artist-in-Residence Program and collaboration with Wunetu Wequai Tarrant, Christian Scheider, and the Padoquohan Medicine Lodge was made possible through support from CRNY’s Artist Employment Program. Creatives Rebuild New York (CRNY), a project of the Tides Center, is a three-year, $125 million investment in the financial stability of New York State artists and the organizations that employ them.
Additional project support was provided by the Long Island Community Foundation, the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and an anonymous donor.
The formation of Ayim Kutoowonk was made possible through the Library of Congress’s Connecting Communities Digital Initiative, part of the Library’s Mellon-funded program Of the People: Widening the Path. The program provides funds to projects that offer creative approaches to the Library’s digital collections and center Black, Indigenous, Hispanic or Latino, Asian American and Pacific Islander, and other communities of color.
First Literature Project’s VR installation was developed by Khora, a leading Scandinavian virtual reality (VR) and augmented reality (AR) production studio, creating cutting-edge content within multiple application areas.
Guild Hall’s Learning + New Works programs are made possible through The Patti Kenner Arts Education Fellowship, Vital Projects Fund, the Glickberg/Abrahams S. Kutler Foundation, Stephanie Joyce and Jim Vos, the Lewis B. and Dorothy Cullman Endowment Fund, and The Melville Straus Family Endowment.
Visual Arts programs are supported by funding from The Michael Lynne Museum Endowment and The Melville Straus Family Endowment.
Free gallery admission is sponsored, in part, by Landscape Details.
