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DTSTART;VALUE=DATE:20181020
DTEND;VALUE=DATE:20181217
DTSTAMP:20260516T091209
CREATED:20180810T184834Z
LAST-MODIFIED:20200406T231741Z
UID:10001530-1539993600-1545004799@www.guildhall.org
SUMMARY:Syd Solomon: Concealed and Revealed
DESCRIPTION:Moran Gallery \nPrivate Member Reception – October 20\, 2018\nGallery Talk with Mike Solomon – October 21\, 2018\nLecture with Gail Levin\, Ph.D – Novermber 3\, 2018 \nThe late painter Syd Solomon once described himself as an “Abstract Impressionist” alluding to the fact that his work infused Impressionism into the processes\, scale and concepts of Abstract Expressionism. While his paintings have often been framed as an extension of Abstract Expressionism\, a current cataloging project of Solomon’s archives has revealed new information about the singular artist and his milieu. The exhibition Concealed and Revealed\, coming to Guild Hall in October 2018\, is the first to examine Solomon’s work through the lens of his personal archive. For example\, the artist worked as a camoufleur (a person who designs and implements military camouflage) during WWII\, but just how expert Solomon was in this field\, and more significantly\, how this exceptional skill came to inform the development of his painting techniques is just now being understood. After returning from the Western Front at the end of the war with five Bronze Stars\, Solomon joined a coterie of artists whose wartime experience undoubtedly transformed their art. \nAdditionally\, the archive uncovers that Solomon’s high school training in “technical arts” and lettering led to early work in advertising\, creating signs and promotions for stores\, ads for newspapers\, magazines and brochures\, and political campaigns. Like his close colleague James Brooks\, the influence of typography becomes a significant factor in his latter brushwork\, calligraphy\, handwriting and other gestural aspects of his paintings. \nThese discoveries and more allow us to see Solomon’s achievements in a new and more accurate way\, leading us to understand layers of his work not previously or totally appreciated. Concealed and Revealed is presented in partnership with the Estate of Syd Solomon and accompanied by a 96-page exhibition catalogue with essays by Michael Auping\, George S. Bolge\, Gail Levin\, and the artist’s son Mike Solomon. \nThis exhibition is organized by the Estate of Syd Solomon
URL:https://www.guildhall.org/events/fall-exhibition-syd-solomon/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20181020
DTEND;VALUE=DATE:20181217
DTSTAMP:20260516T091209
CREATED:20180906T233511Z
LAST-MODIFIED:20200406T230842Z
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SUMMARY:Sara Mejia Kriendler: In Back of Beyond
DESCRIPTION:Spiga Gallery\nCurated by Casey Dalene – Registrar/Curatorial Assistant/Lewis B. Cullman Associate for Museum Education \nPrivate Member Reception – October 20\, 2019\nGallery Talk with the Artist – December 8\, 2019\nSara Mejia Kriendler’s solo exhibition in the Spiga Gallery was awarded in 2016 when she received the Top Honors Prize in Guild Hall Museum’s 78th Annual Artist Members Exhibition. Kriendler’s work was chosen out of 424 artists by the guest awards judge Jia Jia Fei\, Director of Digital at the Jewish Museum in New York City. \nKriendler’s installation at Guild Hall will consist of all new works\, variations on her current body of work\, exhibited for the first time at the Museo de Arte de Pereira (The Museum of Fine Arts of Pereira) this past Spring. This body of work investigates her maternal Colombian roots inspired by pre-Columbian gold\, the history of the Spanish conquest of the new world\, and the legend of the el dorado. \nAt first glance Kriendler’s sculptures are reverent artifacts in gold leaf\, terracotta and plaster\, but after closer consideration recognizable mass-produced contemporary products make up the basic forms.  Historical references in material choice and color palette give way to ideas of consumerism\, a reminder that the products of today will tell the story of our time.
URL:https://www.guildhall.org/events/fall-exhibition-sara-mejia-kriendler/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181020T110000
DTEND;TZID=America/New_York:20181216T170000
DTSTAMP:20260516T091209
CREATED:20180906T234209Z
LAST-MODIFIED:20200406T232134Z
UID:10001385-1540033200-1544979600@www.guildhall.org
SUMMARY:Please Send To: Ray Johnson
DESCRIPTION:Please Send To: Ray Johnson\, Selections from the Permanent Collection\nWoodhouse Gallery\nCurated by Jess Frost\, Associate Curator/Registrar of the Permanent Collection \nPrivate Member Reception – October 20\, 2018\nHow to Draw a Bunny (2002) – November 25\, 2018\nGallery Talk with Jess Frost – December 2\, 2018\nDrawn from Guild Hall’s permanent collection\, Please Send To: Ray Johnson features over 30 works by the famously reclusive artist\, the majority of which are classified as Mail Art\, a movement pioneered by Johnson in the 1950s. The artist sent small\, mixed-media works to a network of fellow artists through the post\, instructing them to intervene in the original work or forward the materials to another person. Mail Art offered Johnson alternative modes of circulating ideas and gaining recognition\, and one could argue that these subversive methods anticipated the digital dissemination of images through platforms like Instagram and Facebook. \nThe cryptic arrangements of notes\, doodles\, newspaper clippings and rubber stamped texts in these works offer great insights into the shifting social dynamics of this fertile period in American art. As viewers try to decode the visual information presented\, they are drawn into Johnson’s complex observations about his immediate art orbit and society at large. Despite regular exhibitions with Feigen Gallery and a 1970 show of his Mail Art at the Whitney Museum of American Art\, the artist remained wary of the public eye. When he retreated to a suburb on Long Island\, limiting his communications to the telephone and post\, his work became increasingly populated by narratives surrounding the celebrities and members of the art scene he had vacated. \nIn January of 1995\, Johnson ended his life by jumping off the Sag Harbor – North Haven Bridge\, a mysterious gesture that was true to his life’s work. This final performance was orchestrated to include a legacy in the form of thousands of works\, carefully arranged in his otherwise empty home in Locust Valley. In Johnson’s absence\, his works became more readily available for public consumption\, and historians began to recognize these works as early examples of Pop art and Conceptual art. \nThis extensive and important cache of material entered Guild Hall’s Permanent Collection through the Tito Spiga Bequest\, for whom one of the museum’s galleries is named. As with all of the museum’s holdings\, the works reveal the rich culture and relationships to the region\, and the museum’s commitment to preserving that history.
URL:https://www.guildhall.org/events/fall-exhibition-ray-johnson/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20181116
DTEND;VALUE=DATE:20190225
DTSTAMP:20260516T091209
CREATED:20181010T032630Z
LAST-MODIFIED:20200403T184819Z
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SUMMARY:Aubrey Roemer: Blue it!
DESCRIPTION:Roemer’s mural project Blue It! draws attention to the health of the intricate waterways surrounding the East End. This three-part project began with a public beach clean-up in partnership with The Surfrider Foundation\, which took place at Main Beach in East Hampton on October 20 from 11am-1pm. Materials collected on the beach will be used to expose silhouette imagery onto recycled fabric in the rich blue cyanotype process. The printed fabric created at the beach will contribute to a larger collection of cyanotypes created by Roemer and used in a 30-foot mural in the Guild Hall Education Corridor. Altogether\, these blue images will amass themselves like the sea\, which upon closer examination\, will reveal the human-created waste that pollutes it. \n*Beach Clean-Up in partnership with The Surfrider Foundation \n*Additional support and fabric donations from the East Hampton Ladies Village Improvement Society. \nCurated by Casey Dalene\, Registrar/Curatorial Assistant/Lewis B. Cullman Associate for Museum Education
URL:https://www.guildhall.org/events/aubrey-roemers-blue-it/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181202T123000
DTEND;TZID=America/New_York:20181202T123000
DTSTAMP:20260516T091209
CREATED:20180919T184539Z
LAST-MODIFIED:20190322T023341Z
UID:10001542-1543753800-1543753800@www.guildhall.org
SUMMARY:Gallery Talk with Jess Frost
DESCRIPTION:
URL:https://www.guildhall.org/events/gallery-talk-with-jess-frost/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Talk
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181208T113000
DTEND;TZID=America/New_York:20181208T113000
DTSTAMP:20260516T091209
CREATED:20180919T185320Z
LAST-MODIFIED:20190322T023319Z
UID:10001544-1544268600-1544268600@www.guildhall.org
SUMMARY:Gallery Talk with Sara Mejia Kriendler
DESCRIPTION:
URL:https://www.guildhall.org/events/gallery-talk-with-sara-mejia-kriendler/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Talk
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181208T113000
DTEND;TZID=America/New_York:20181208T113000
DTSTAMP:20260516T091209
CREATED:20181029T212006Z
LAST-MODIFIED:20181210T163934Z
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SUMMARY:Citarella Gingerbread House Workshop
DESCRIPTION:The aroma of cinnamon and spice is in the air — it’s time for our annual gingerbread house decorating event! Children ages 5-12 are invited to join Citarella’s merry team of confectionary experts and make festive displays using frosting\, candy\, and a fully assembled\, freshly baked cookie house. Seating is limited\, so reserve your space today!
URL:https://www.guildhall.org/events/citarella-gingerbread-house-workshop/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Learning
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181214T190000
DTEND;TZID=America/New_York:20181214T190000
DTSTAMP:20260516T091209
CREATED:20180807T225242Z
LAST-MODIFIED:20181228T160300Z
UID:10001528-1544814000-1544814000@www.guildhall.org
SUMMARY:National Theatre Live Screening: The Madness of George III by Alan Bennett
DESCRIPTION:Multi-award-winning drama The Madness of George III will be broadcast live to cinemas\, in National Theatre Live’s first ever broadcast from Nottingham Playhouse.  \nWritten by one of Britain’s best-loved playwrights Alan Bennett (The History Boys\, The Lady in the Van)\, this epic play was also adapted into a BAFTA Award-winning film following its premiere on stage in 1991.  \nThe cast of this new production includes Olivier Award-winners Mark Gatiss (Sherlock\, Wolf Hall\, NT Live Coriolanus) in the title role\, and Adrian Scarborough (Gavin and Stacey\, Upstairs Downstairs\, After the Dance).  \nIt’s 1786 and King George III is the most powerful man in the world. But his behavior is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unraveling at a dramatic pace\, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown\, and expose the fine line between a King and a man. 
URL:https://www.guildhall.org/events/national-theatre-live-screening-the-madness-of-george-iii-by-alan-bennett/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Film
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181215T130000
DTEND;TZID=America/New_York:20181215T170000
DTSTAMP:20260516T091209
CREATED:20180715T200133Z
LAST-MODIFIED:20181228T160327Z
UID:10001518-1544878800-1544893200@www.guildhall.org
SUMMARY:The Met: Live in HD - Verdi's La Traviata
DESCRIPTION:New Production \n1 p.m. ET / Approx. runtime: 3:32 [2 Intermissions] \nYannick Nézet-Séguin; Diana Damrau (Violetta Valéry)\, Juan Diego Flórez (Alfredo Germont)\, Quinn Kelsey (Giorgio Germont). Michael Mayer (Production); Christine Jones (Set Designer)\, Susan Hilferty (Costume Designer)\, Kevin Adams (Lighting Designer)\, Lorin Latarro (Choreographer) \n\n\nWorld premiere: Venice\, Teatro la Fenice\, 1853. \n\n\n\nACT I\n\nVioletta Valéry knows that she will die soon\, exhausted by her restless life as a courtesan. At a party she is introduced to Alfredo Germont\, who has been fascinated by her for a long time. Rumor has it that he has been enquiring after her health every day. The guests are amused by this seemingly naïve and emotional attitude\, and they ask Alfredo to propose a toast. He celebrates true love\, and Violetta responds in praise of free love. She is touched by his candid manner and honesty. Suddenly she feels faint\, and the guests withdraw. Only Alfredo remains behind and declares his love. There is no place for such feelings in her life\, Violetta replies. But she gives him a camellia\, asking him to return when the flower has faded. He realizes this means he will see her again the following day. Alone\, Violetta is torn by conflicting emotions—she doesn’t want to give up her way of life\, but at the same time she feels that Alfredo has awakened her desire to be truly loved. \n\n\n\nACT II\n\nVioletta has chosen a life with Alfredo\, and they enjoy their love in the country\, far from society. When Alfredo discovers that this is only possible because Violetta has been selling her property\, he immediately leaves for Paris to procure money. Violetta has received an invitation to a masked ball\, but she no longer cares for such distractions. In Alfredo’s absence\, his father\, Giorgio Germont\, pays her a visit. He demands that she separate from his son\, as their relationship threatens his daughter’s impending marriage. But over the course of their conversation\, Germont comes to realize that Violetta is not after his son’s money—she is a woman who loves unselfishly. He appeals to Violetta’s generosity of spirit and explains that\, from a bourgeois point of view\, her liaison with Alfredo has no future. Violetta’s resistance dwindles and she finally agrees to leave Alfredo forever. Only after her death shall he learn the truth about why she returned to her old life. She accepts the invitation to the ball and writes a goodbye letter to her lover. Alfredo returns\, and while he is reading the letter\, his father appears to console him. But all the memories of home and a happy family can’t prevent the furious and jealous Alfredo from seeking revenge for Violetta’s apparent betrayal. \nAt the masked ball\, news has spread of Violetta and Alfredo’s separation. There are grotesque dance entertainments\, ridiculing the duped lover. Meanwhile\, Violetta and her new lover\, Baron Douphol\, have arrived. Alfredo and the baron battle at the gaming table and Alfredo wins a fortune: lucky at cards\, unlucky in love. When everybody has withdrawn\, Alfredo confronts Violetta\, who claims to be truly in love with the baron. In his rage Alfredo calls the guests as witnesses and declares that he doesn’t owe Violetta anything. He throws his winnings at her. Giorgio Germont\, who has witnessed the scene\, rebukes his son for his behavior. The baron challenges his rival to a duel. \n\n\n\nACT III\n\nVioletta is dying. Her last remaining friend\, Doctor Grenvil\, knows that she has only a few more hours to live. Alfredo’s father has written to Violetta\, informing her that his son was not injured in the duel. Full of remorse\, Germont has told his son about Violetta’s sacrifice. Alfredo wants to rejoin her as soon as possible. Violetta is afraid that he might be too late. The sound of rampant celebrations are heard outside while Violetta is in mortal agony. But Alfredo does arrive and the reunion fills her with a final euphoria. Her energy and exuberant joy of life return. All sorrow and suffering seem to have left her—a final illusion\, before death claims her.
URL:https://www.guildhall.org/events/the-met-live-in-hd-verdis-la-traviata/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Film
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181215T140000
DTEND;TZID=America/New_York:20181215T160000
DTSTAMP:20260516T091209
CREATED:20181119T154613Z
LAST-MODIFIED:20190321T013042Z
UID:10001563-1544882400-1544889600@www.guildhall.org
SUMMARY:Guild Hall Teen Arts Council presents Zines & 'Za
DESCRIPTION:Zines & ‘Za is an art workshop for teens. They’ll work with local artist\, Brianna Ashe\, on creating their own Zines using a variety of mediums. There will be pizza served and raffle prizes to win. Teens are encouraged to bring magazines for collaging. The event is free and open to all teens!   \nPoster Design by Rachel Osborne
URL:https://www.guildhall.org/events/zines-za/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Learning
ATTACH;FMTTYPE=image/jpeg:https://www.guildhall.org/wp-content/uploads/2018/11/zines-and-za.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181215T180000
DTEND;TZID=America/New_York:20181215T200000
DTSTAMP:20260516T091209
CREATED:20181206T144955Z
LAST-MODIFIED:20181228T160114Z
UID:10001412-1544896800-1544904000@www.guildhall.org
SUMMARY:Guild Hall Contemporaries Circle at Johannes Vogt Gallery
DESCRIPTION:Dust off your velvets and tartans and join Johannes Vogt Gallery and the Guild Hall Contemporaries Circle for cocktails\, holiday cheer\, and the opening of Walter Robinson’s Salad\, Candles\, Money.  \nFeaturing a Pop-Up Shop in collaboration with Artware\, Dieu Donné\, Dashwood Books\, Printed Matter\, Inc.\, Exhibition A\, and artbook– for all your imminent gift-giving needs! \nJohannes Vogt Gallery is committed to bringing attention to the complex artistic and cultural ties that bind New York to Europe\, the Americas\, and beyond. The gallery program features a strong roster of emerging to mid-career artists and has become known for reintroducing established artists to new audiences\, including Garth Evans\, Mernet Larsen\, and Abby Leigh\, among others. Founded in 2011\, Johannes Vogt first opened at 526 West 26th Street in New York City’s Chelsea neighborhood\, where it resided before relocating to 55 Chrystie Street in the Lower East Side. In September 2018\, the gallery relocated to the Upper East Side.
URL:https://www.guildhall.org/events/guild-hall-contemporaries-circle-at-johannes-vogt-gallery/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Member Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181216T160000
DTEND;TZID=America/New_York:20181216T160000
DTSTAMP:20260516T091209
CREATED:20181127T173719Z
LAST-MODIFIED:20231013T181639Z
UID:10001565-1544976000-1544976000@www.guildhall.org
SUMMARY:Scrooge...The Relapse
DESCRIPTION:And Scrooge became as good a friend\, as good a master\, and as good a man\, as the good old city knew. – A Christmas Carol \nBut did it stick? In an homage to Charles Dickens and his classic holiday ghost story\, co-creators John McCaffrey and Jack Gwaltney conjure up a comic drama that imagines Scrooge backsliding into bitterness and miserdom after his holiday breakthrough\, with Jacob Marley forced to send three new “spirits”…Sigmund Freud\, Karl Marx\, and Charles Darwin. Can they help Scrooge rekindle love in his heart for mankind? Can they help Scrooge learn about the past\, the present and the future? \nWith: Gerard Doyle\, Tina Jones\, Brian Keane\, and Jack Gwaltney \n  \nJack Gwaltney was born in Virginia\, went to UVa and lives in New York City. He is fortunate to perform as an actor on stage\, television and in film. Jack spent nine years as a director and dramaturge for The Greylock Project at the Williamstown Theater Festival\, an offshoot of Willie Reale’s 52nd St. Project. Collaborating with John McCaffrey is one of the wisest things Jack does. Thanks to Josh\, Guild Hall and all their team! \nJohn McCaffrey grew up in Rochester\, New York\, attended Villanova University\, and received his MA in Creative Writing from the City College of New York. He is the author of The Book of Ash and Two Syllable Men. He is the Director of Development for the Training Institute for Mental Health in New York City\, and teaches creative writing at the College of New Rochelle’s Rosa Parks Campus. He lives part-time in Wainscott\, NY. \n  \nTina Jones (Woman\, Sigmund Freud) has performed on the east end at Guild Hall\, Bay Street Theater and Hampton Theater Company. Ms. Jones has worked across the country. Regional theaters include Berkeley Repertory Theatre\, Baltimore Center Stage\, Cleveland Playhouse\, American Conservatory Theatre\, San Jose Repertory Theatre\, Idaho Shakespeare Company\, Arizona Theatre Company; as well as Broadway\, Off-Off Broadway\, film\, and television. She holds a Masters Degree from the American Conservatory Theatre in San Francisco and studies with the Barrow Group in New York City. \nBrian Keane (Jacob Marley\, Karl Marx\, Man 3) appeared in the North American tour of the National Theatre’s War Horse. New York credits include Timon of Athens (Public/NYSF)\, Happy Now? (Primary Stages)\, The Misanthrope (Classic Stage Company)\, Cyrano de Bergerac and All My Sons (Roundabout). Regional credits include Frost/Nixon (Bay Street Theater)\, A Streetcar Named Desire (Guthrie)\, Macbeth (Old Globe)\, The Winters Tale (Yale Rep)\, Book of Days (Arena Stage)\, How I Learned to Drive (Centerstage). Television and film credits include House of Cards\, Ray Donovan\, The Young Pope\, Chicago PD\, Gypsy\, The Blacklist\, Elementary\, Brain Dead\, Gotham\, The Good Wife\, Person of Interest\, Lights Out\, Law & Order series\, Queens Supreme\, Downsized\, Hustling\, Urbania\, Going Under\, Brain Off\, Public Property\, and the BearCity trilogy.
URL:https://www.guildhall.org/events/scrooge-the-relapse/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Theater
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GEO:40.9578404;-72.1902723
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181222T100000
DTEND;TZID=America/New_York:20181222T150000
DTSTAMP:20260516T091209
CREATED:20181109T202008Z
LAST-MODIFIED:20181228T160137Z
UID:10001562-1545472800-1545490800@www.guildhall.org
SUMMARY:Holiday Bazaar
DESCRIPTION:  \nOne Day Only! Come by Guild Hall to finish up your holiday shopping in our beautiful Moran Gallery\, featuring: \n\n20+ local artisans\nThe Shop at Guild Hall\nFree gift wrapping table\nHoliday movies screening all day long\nSeason backdrops for fun and memorable photos\nFestive treats available\nAnd so much more!\n\nThe Holiday Bazaar will feature ceramics\, jewelry\, textiles\, and other locally sourced handmade items. Non-perishable food sellers are also welcome. \nEmail Kathleen Mulcahy at kmulcahy@guildhall.org if interested in being considered for the market. There is no registration fee and all sales will be shared 50/50 with Guild Hall. \n  \nCome Volunteer! Come spread holiday cheer and sign up as a cashier\, wrapper\, or greeter.
URL:https://www.guildhall.org/events/the-last-minute-holiday-bazaar/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Learning
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181222T180000
DTEND;TZID=America/New_York:20181222T180000
DTSTAMP:20260516T091209
CREATED:20181109T195000Z
LAST-MODIFIED:20190401T035121Z
UID:10001560-1545501600-1545501600@www.guildhall.org
SUMMARY:HIFF Now Showing: Maria by Callas
DESCRIPTION:Throughout the winter and spring\, HIFF presents NOW SHOWING\, a series of screenings that brings notable films currently in theaters to the East End. Curated by HIFF\, NOW SHOWING features acclaimed first-run art house\, independent\, and world cinema at Guild Hall of East Hampton. \nSynopsis:\nUpon her untimely death in 1977\, the name Maria Callas was inseparable from the art form that she helped to define in the 20th century. One of the most celebrated opera singers of the modern era\, Callas rose to prominence in the years following World War II\, as her unrivaled voice—and much discussed private life—captivated audiences worldwide. Culled from a treasure trove of archival footage\, interviews\, rare live footage\, and personal Super 8 recordings\, director Tom Volf creates a loving portrait of Maria through her own words\, never losing sight of the woman behind the voice.
URL:https://www.guildhall.org/events/hiff-now-showing-1/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://www.guildhall.org/wp-content/uploads/2018/11/MariaByCallas.jpeg
ORGANIZER;CN="Hamptons International Film Festival":MAILTO:info@hamptonsfilmfest.org
GEO:40.9578404;-72.1902723
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Guild Hall 158 Main Street East Hampton NY 11937 United States;X-APPLE-RADIUS=500;X-TITLE=158 Main Street:geo:-72.1902723,40.9578404
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181229T180000
DTEND;TZID=America/New_York:20181229T200000
DTSTAMP:20260516T091209
CREATED:20181109T195309Z
LAST-MODIFIED:20181207T214006Z
UID:10001561-1546106400-1546113600@www.guildhall.org
SUMMARY:HIFF Now Showing: Maria by Callas
DESCRIPTION:Throughout the winter and spring\, HIFF presents NOW SHOWING\, a series of screenings that brings notable films currently in theaters to the East End. Curated by HIFF\, NOW SHOWING features acclaimed first-run art house\, independent\, and world cinema at Guild Hall of East Hampton. \nSynopsis:\nUpon her untimely death in 1977\, the name Maria Callas was inseparable from the art form that she helped to define in the 20th century. One of the most celebrated opera singers of the modern era\, Callas rose to prominence in the years following World War II\, as her unrivaled voice—and much discussed private life—captivated audiences worldwide. Culled from a treasure trove of archival footage\, interviews\, rare live footage\, and personal Super 8 recordings\, director Tom Volf creates a loving portrait of Maria through her own words\, never losing sight of the woman behind the voice.
URL:https://www.guildhall.org/events/hiff-now-showing-2/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://www.guildhall.org/wp-content/uploads/2018/11/MariaByCallas.jpeg
ORGANIZER;CN="Hamptons International Film Festival":MAILTO:info@hamptonsfilmfest.org
GEO:40.9578404;-72.1902723
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END:VEVENT
END:VCALENDAR