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DTSTART;VALUE=DATE:20181020
DTEND;VALUE=DATE:20181217
DTSTAMP:20260516T092353
CREATED:20180810T184834Z
LAST-MODIFIED:20200406T231741Z
UID:10001530-1539993600-1545004799@www.guildhall.org
SUMMARY:Syd Solomon: Concealed and Revealed
DESCRIPTION:Moran Gallery \nPrivate Member Reception – October 20\, 2018\nGallery Talk with Mike Solomon – October 21\, 2018\nLecture with Gail Levin\, Ph.D – Novermber 3\, 2018 \nThe late painter Syd Solomon once described himself as an “Abstract Impressionist” alluding to the fact that his work infused Impressionism into the processes\, scale and concepts of Abstract Expressionism. While his paintings have often been framed as an extension of Abstract Expressionism\, a current cataloging project of Solomon’s archives has revealed new information about the singular artist and his milieu. The exhibition Concealed and Revealed\, coming to Guild Hall in October 2018\, is the first to examine Solomon’s work through the lens of his personal archive. For example\, the artist worked as a camoufleur (a person who designs and implements military camouflage) during WWII\, but just how expert Solomon was in this field\, and more significantly\, how this exceptional skill came to inform the development of his painting techniques is just now being understood. After returning from the Western Front at the end of the war with five Bronze Stars\, Solomon joined a coterie of artists whose wartime experience undoubtedly transformed their art. \nAdditionally\, the archive uncovers that Solomon’s high school training in “technical arts” and lettering led to early work in advertising\, creating signs and promotions for stores\, ads for newspapers\, magazines and brochures\, and political campaigns. Like his close colleague James Brooks\, the influence of typography becomes a significant factor in his latter brushwork\, calligraphy\, handwriting and other gestural aspects of his paintings. \nThese discoveries and more allow us to see Solomon’s achievements in a new and more accurate way\, leading us to understand layers of his work not previously or totally appreciated. Concealed and Revealed is presented in partnership with the Estate of Syd Solomon and accompanied by a 96-page exhibition catalogue with essays by Michael Auping\, George S. Bolge\, Gail Levin\, and the artist’s son Mike Solomon. \nThis exhibition is organized by the Estate of Syd Solomon
URL:https://www.guildhall.org/events/fall-exhibition-syd-solomon/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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DTSTART;VALUE=DATE:20181020
DTEND;VALUE=DATE:20181217
DTSTAMP:20260516T092353
CREATED:20180906T233511Z
LAST-MODIFIED:20200406T230842Z
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SUMMARY:Sara Mejia Kriendler: In Back of Beyond
DESCRIPTION:Spiga Gallery\nCurated by Casey Dalene – Registrar/Curatorial Assistant/Lewis B. Cullman Associate for Museum Education \nPrivate Member Reception – October 20\, 2019\nGallery Talk with the Artist – December 8\, 2019\nSara Mejia Kriendler’s solo exhibition in the Spiga Gallery was awarded in 2016 when she received the Top Honors Prize in Guild Hall Museum’s 78th Annual Artist Members Exhibition. Kriendler’s work was chosen out of 424 artists by the guest awards judge Jia Jia Fei\, Director of Digital at the Jewish Museum in New York City. \nKriendler’s installation at Guild Hall will consist of all new works\, variations on her current body of work\, exhibited for the first time at the Museo de Arte de Pereira (The Museum of Fine Arts of Pereira) this past Spring. This body of work investigates her maternal Colombian roots inspired by pre-Columbian gold\, the history of the Spanish conquest of the new world\, and the legend of the el dorado. \nAt first glance Kriendler’s sculptures are reverent artifacts in gold leaf\, terracotta and plaster\, but after closer consideration recognizable mass-produced contemporary products make up the basic forms.  Historical references in material choice and color palette give way to ideas of consumerism\, a reminder that the products of today will tell the story of our time.
URL:https://www.guildhall.org/events/fall-exhibition-sara-mejia-kriendler/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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DTSTART;TZID=America/New_York:20181020T110000
DTEND;TZID=America/New_York:20181216T170000
DTSTAMP:20260516T092353
CREATED:20180906T234209Z
LAST-MODIFIED:20200406T232134Z
UID:10001385-1540033200-1544979600@www.guildhall.org
SUMMARY:Please Send To: Ray Johnson
DESCRIPTION:Please Send To: Ray Johnson\, Selections from the Permanent Collection\nWoodhouse Gallery\nCurated by Jess Frost\, Associate Curator/Registrar of the Permanent Collection \nPrivate Member Reception – October 20\, 2018\nHow to Draw a Bunny (2002) – November 25\, 2018\nGallery Talk with Jess Frost – December 2\, 2018\nDrawn from Guild Hall’s permanent collection\, Please Send To: Ray Johnson features over 30 works by the famously reclusive artist\, the majority of which are classified as Mail Art\, a movement pioneered by Johnson in the 1950s. The artist sent small\, mixed-media works to a network of fellow artists through the post\, instructing them to intervene in the original work or forward the materials to another person. Mail Art offered Johnson alternative modes of circulating ideas and gaining recognition\, and one could argue that these subversive methods anticipated the digital dissemination of images through platforms like Instagram and Facebook. \nThe cryptic arrangements of notes\, doodles\, newspaper clippings and rubber stamped texts in these works offer great insights into the shifting social dynamics of this fertile period in American art. As viewers try to decode the visual information presented\, they are drawn into Johnson’s complex observations about his immediate art orbit and society at large. Despite regular exhibitions with Feigen Gallery and a 1970 show of his Mail Art at the Whitney Museum of American Art\, the artist remained wary of the public eye. When he retreated to a suburb on Long Island\, limiting his communications to the telephone and post\, his work became increasingly populated by narratives surrounding the celebrities and members of the art scene he had vacated. \nIn January of 1995\, Johnson ended his life by jumping off the Sag Harbor – North Haven Bridge\, a mysterious gesture that was true to his life’s work. This final performance was orchestrated to include a legacy in the form of thousands of works\, carefully arranged in his otherwise empty home in Locust Valley. In Johnson’s absence\, his works became more readily available for public consumption\, and historians began to recognize these works as early examples of Pop art and Conceptual art. \nThis extensive and important cache of material entered Guild Hall’s Permanent Collection through the Tito Spiga Bequest\, for whom one of the museum’s galleries is named. As with all of the museum’s holdings\, the works reveal the rich culture and relationships to the region\, and the museum’s commitment to preserving that history.
URL:https://www.guildhall.org/events/fall-exhibition-ray-johnson/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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DTSTART;TZID=America/New_York:20181103T120000
DTEND;TZID=America/New_York:20181103T120000
DTSTAMP:20260516T092353
CREATED:20180919T183847Z
LAST-MODIFIED:20190322T023448Z
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SUMMARY:Lecture with Gail Levin
DESCRIPTION:
URL:https://www.guildhall.org/events/lecture-with-gail-levin/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Talk
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DTSTART;TZID=America/New_York:20181109T190000
DTEND;TZID=America/New_York:20181109T190000
DTSTAMP:20260516T092353
CREATED:20180807T212020Z
LAST-MODIFIED:20181112T145601Z
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SUMMARY:National Theatre Live Screening: King Lear by William Shakespeare
DESCRIPTION:★★★★★ “Ian McKellen reigns supreme in this triumphant production.” – Daily TelegraphBroadcast live from London’s West End\, see Ian McKellen’s “extraordinarily moving portrayal” (Independent) of King Lear in cinemas.  \nChichester Festival Theatre’s production received five-star reviews for its sell-out run\, and transfers to the West End for a limited season.  Jonathan Munby directs this “nuanced and powerful” (The Times) contemporary retelling of Shakespeare’s tender\, violent\, moving\, and shocking play.  \nConsidered by many to be the greatest tragedy ever written\, King Lear sees two aging fathers – one a King\, one his courtier – reject the children who truly love them.  Their blindness unleashes a tornado of pitiless ambition and treachery\, as family and state are plunged into a violent power struggle with bitter ends. 
URL:https://www.guildhall.org/events/national-theatre-live-screening-king-lear-by-william-shakespeare/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Film
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181110T130000
DTEND;TZID=America/New_York:20181110T163000
DTSTAMP:20260516T092353
CREATED:20180715T194606Z
LAST-MODIFIED:20181112T145620Z
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SUMMARY:The Met: Live in HD - Muhly's Marnie
DESCRIPTION:New Production/Met Premiere \n1 p.m. ET / Approx. runtime: 3:17 [1 Intermission] \nRobert Spano; Isabel Leonard (Marnie)\, Janis Kelly (Mrs. Rutland)\, Denyce Graves (Marnie’s mother)\, Iestyn Davies (Terry Rutland)\, \nChristopher Maltman (Mark Rutland) Michael Mayer (Production); Julian Crouch and 59 Productions (Set and Projection Designers)\, Arianne Phillips (Costume Designer)\, Kevin Adams (Lighting Designer)\, Lynne Page (Choreographer) \nComposer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel\, set in the 1950s\, about a beautiful\, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving\, cinematic world for this exhilarating story of denial and deceit\, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie\, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts. \nCommissioned by the Metropolitan Opera \nMusic by Nico Muhly\, libretto by Nicholas Wright\, based on the novel by Winston Graham \nBy special arrangement with Universal Pictures
URL:https://www.guildhall.org/events/the-met-live-in-hd-muhlys-marnie/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Film
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181115T113000
DTEND;TZID=America/New_York:20181115T143000
DTSTAMP:20260516T092353
CREATED:20180825T014107Z
LAST-MODIFIED:20190916T184835Z
UID:10001381-1542281400-1542292200@www.guildhall.org
SUMMARY:2018 Visionaries Luncheon
DESCRIPTION:Photo Gallery\n\n			\n				\n			\n				\n				The 2018 Visionaries Benefit Luncheon and Panel Discussion will take place at Tom Colicchio’s beautiful Riverpark \n				\n			\n				\n			\n				\n				Zoe Buckman\, a multi-disciplinary artist\, will speak about her work at the 2018 Visionaries Luncheon \n				\n			\n				\n			\n				\n				Jayma Cardoso\, owner of The Surf Lodge and panelist at the 2018 Visionaries Luncheon\n				\n			\n				\n			\n				\n				Marcela Sapone\, co-founder and CEO of Hello Alfred\, will join the conversation at the Visionaries Luncheon\n				\n			\n				\n			\n				\n				Andrea Grover\, Executive Director of Guild Hall will moderate the Visionaries panel\n				\n		\n\nVisionaries Luncheon\nJoin us for an afternoon of compelling stories from creative visionaries who are charting new territory in design and the arts. \nThe panel spotlights artistic and tech vanguards who bring into play disruptive and innovative ideas in art\, lifestyle\, and conceptual design. Moderated by Andrea Grover\, panelists include Zoë Buckman\, Jayma Cardoso and Marcela Sapone. Enjoy the afternoon at Tom Colicchio’s stunning Riverpark overlooking the East River.  To learn more about the panelists\, see their bio’s and websites below. \nHosts\nToni Bernstein\, Phyllis Hollis\, Christina Isaly Liceaga \nCo-Chairs\nTaylor Barton-Smith\, Deborah Buck\, Michele Cohen\, Brian and Sarah Halweil\, Susan Jacobson\, Vajra Kingsley\, Rachel Libeskind\, NancyJane Loewy\, Alice Netter\, Pamela Pantzer\, Toni Ross\, Sheri Sandler\, Rabbi Barton and Jane Shallat\, Mary A. Susnjara\, Fern Tessler\, Madison Utendahl\, Janet Winter\, Joey Wölffer\, Nina Yankowitz\, Almond Zigmund \nThe Location\nRiverpark is nestled on a unique garden plaza with romantic East River views. The restaurant represents a dynamic culinary destination reflecting Chef Tom Colicchio’s overall vision as a restaurateur. The modern American menus highlight seasonal ingredients from their own Riverpark Farm.  The Farm is located just a few feet away from the kitchen as well as other local farms and green-markets.
URL:https://www.guildhall.org/events/visionaries-luncheon/
LOCATION:Riverpark\, 450 East 29th Street\, New York\, NY\, 10016\, United States
CATEGORIES:Galas & Events
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20181116
DTEND;VALUE=DATE:20190225
DTSTAMP:20260516T092353
CREATED:20181010T032630Z
LAST-MODIFIED:20200403T184819Z
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SUMMARY:Aubrey Roemer: Blue it!
DESCRIPTION:Roemer’s mural project Blue It! draws attention to the health of the intricate waterways surrounding the East End. This three-part project began with a public beach clean-up in partnership with The Surfrider Foundation\, which took place at Main Beach in East Hampton on October 20 from 11am-1pm. Materials collected on the beach will be used to expose silhouette imagery onto recycled fabric in the rich blue cyanotype process. The printed fabric created at the beach will contribute to a larger collection of cyanotypes created by Roemer and used in a 30-foot mural in the Guild Hall Education Corridor. Altogether\, these blue images will amass themselves like the sea\, which upon closer examination\, will reveal the human-created waste that pollutes it. \n*Beach Clean-Up in partnership with The Surfrider Foundation \n*Additional support and fabric donations from the East Hampton Ladies Village Improvement Society. \nCurated by Casey Dalene\, Registrar/Curatorial Assistant/Lewis B. Cullman Associate for Museum Education
URL:https://www.guildhall.org/events/aubrey-roemers-blue-it/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181124T130000
DTEND;TZID=America/New_York:20181124T130000
DTSTAMP:20260516T092353
CREATED:20181109T185852Z
LAST-MODIFIED:20231013T192905Z
UID:10001559-1543064400-1543064400@www.guildhall.org
SUMMARY:Staged Reading of Little Light by Marina Gregory
DESCRIPTION:A reading of Marina Gregory’s new play\, Little Light\, followed by a talk back with the Gregory and the cast.
URL:https://www.guildhall.org/events/staged-reading-of-little-light-by-marina-gregory/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Theater
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181125T130000
DTEND;TZID=America/New_York:20181125T160000
DTSTAMP:20260516T092353
CREATED:20181003T004721Z
LAST-MODIFIED:20181126T162258Z
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SUMMARY:artXchange
DESCRIPTION:A celebration of cultural diversity at Guild Hall! Join us for a fun\, family-oriented afternoon of creative activities centered on the exchange of traditions\, ideas\, and stories to further advance inclusion\, foster respect\, and ignite interaction within our community. The day features collaborative workshops led by local visual and performing artists. This year\, Golden Eagle Art Supply will offer two free art workshops inspired by our fall museum exhibitions. You can also enjoy the free empanada truck\, bilingual gallery tour\, family scavenger hunt\, lobby project hosted by the Teen Arts Council\, theater performances\, and more! \n1pm – 3:30pm: Free Empanada Truck\n1pm – 3:30pm: Lobby Community Art Project led by the Guild Hall Teen Arts Council\n1pm – 3:30pm: Guild Hall Family Scavenger Hunt\n1:30pm – 2:30pm: Performances in the theater by local groups including the East Hampton High School and Middle School Dance Teams\, East Hampton High School bilingual student films\, The Jaime Ruiz Salsa Dancers\, and Our Fabulous Variety Show.\n2pm – 3:30pm: Art Workshops in partnership with the Golden Eagle in the Green Room and Boots Lamb Education Center\n2:45pm: Bilingual Gallery Talk with Esperanza Leon and Casey Dalene
URL:https://www.guildhall.org/events/artxchange/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Kids
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DTSTART;TZID=America/New_York:20181125T160000
DTEND;TZID=America/New_York:20181125T160000
DTSTAMP:20260516T092353
CREATED:20180917T220143Z
LAST-MODIFIED:20190322T023408Z
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SUMMARY:How to Draw a Bunny
DESCRIPTION:How to Draw a Bunny (2002)\, 90 min \nIn conjunction with the exhibition Please Send To: Ray Johnson\, Guild Hall presents a free screening of John Walter and Andrew Moore’s award-winning documentary\, which explores the fascinating world of artist and underground icon Ray Johnson. When Johnson jumped off the Sag Harbor – Noyac Bridge in 1995 he was last seen backstroking into the distance. His suicide left both his intimate admirers and the general public wondering if this was a final “performance.” The film begins to unravel this mystery\, but more so it celebrates the influence Johnson had on generations to come. Film score by Max Roach.
URL:https://www.guildhall.org/events/how-to-draw-a-bunny/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Film
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181126T180000
DTEND;TZID=America/New_York:20181126T193000
DTSTAMP:20260516T092353
CREATED:20181108T213158Z
LAST-MODIFIED:20181127T154532Z
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SUMMARY:Guild Hall Game Night
DESCRIPTION:Out with the old\, in with the new! In the past couple decades\, game designers have been creating fascinating\, immersive games that make Monopoly seem like it was designed in 1905. Game night no longer means suffering through hours of rolling dice in Monopoly or Risk. Today’s games cultivate creativity\, problem solving\, social skills\, and dexterity through clever game design. Join Guild Hall and Game Master Noah Salaway in embracing the tabletop revolution as we play some of the best modern games on the market the last Monday of each month. Ages 16 and up only. \nThis month at Game Night we will be playing Bohnanza\, designed by Uwe Rosenberg. Bohnanza is a game about bean farming\, and it is one of Noah’s favorite games of all time. In Bohnanza\, players trade\, plant\, grow\, harvest\, and sell beans to make as much money as possible. The heart of this game is haggling and arguing with your friends over whose beans are more valuable and shouting things like\, “Who’s got a green bean for my two wax beans?” This is one of the best negotiation and trading games out there\, and shows that great games can be made about anything…even beans. \nEntry fee includes snacks generously donated by Carissa’s Breads and Cavaniola’s Gourmet and your first drink free courtesy of Montauk Brewing Company!\nSpace is limited – purchase tickets in advance!
URL:https://www.guildhall.org/events/guild-hall-game-night-8/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Learning
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