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DTSTART;TZID=America/New_York:20181004T080000
DTEND;TZID=America/New_York:20181008T235900
DTSTAMP:20260516T093110
CREATED:20180913T175747Z
LAST-MODIFIED:20180913T214332Z
UID:10001389-1538640000-1539043140@www.guildhall.org
SUMMARY:Hamptons International Film Festival
DESCRIPTION:
URL:https://www.guildhall.org/events/hamptons-international-film-festival/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Film
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ORGANIZER;CN="Hamptons International Film Festival":MAILTO:info@hamptonsfilmfest.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181011T110000
DTEND;TZID=America/New_York:20181011T200000
DTSTAMP:20260516T093110
CREATED:20180314T172038Z
LAST-MODIFIED:20181011T222835Z
UID:10001233-1539255600-1539288000@www.guildhall.org
SUMMARY:2018 Golf Outing
DESCRIPTION:Due to impending inclement weather\, the outing will be rescheduled for 2019. New date will be announced soon! \nGolf at the historic\, ocean-front Maidstone Club in East Hampton! The outing begins at 11am with registration and practice. At noon a delicious lunch will be served on the Clubhouse veranda overlooking the ocean. The shotgun tournament following at 1pm. After the tournament\, golfers enjoy cocktails on the Clubhouse veranda followed by dinner and the awards ceremony. Always a day to remember! \nThis year there are three exclusive golf packages up for auction. Click the button below to bid on these incredible golf experiences. \nBID NOW \nNew Corporate Sponsorship Offer Includes: \n\nOne golf foursome\, logo/name on printed materials and hole sponsorship.\nGreat exposure for your business and a great way to entertain clients\n\nFor more info\, contact Kristen Lee Curcie at (631) 324-0806 ext. 24 or by email at kcurcie@guildhall.org.
URL:https://www.guildhall.org/events/2018-golf-outing/
LOCATION:Maidstone Club\, 50 Old Beach Lane\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Galas & Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181012T190000
DTEND;TZID=America/New_York:20181012T190000
DTSTAMP:20260516T093110
CREATED:20180713T071905Z
LAST-MODIFIED:20181022T235451Z
UID:10001506-1539370800-1539370800@www.guildhall.org
SUMMARY:National Theatre Live Screening: Julie by Polly Stenham After Strindberg 
DESCRIPTION:Vanessa Kirby (The Crown\, NT Live: A Streetcar Named Desire) and Eric Kofi Abrefa (The Amen Corner) feature in the cast of this brand new production\, directed by Carrie Cracknell (NT Live: The Deep Blue Sea) and broadcast live from the National Theatre to cinemas. Wild and newly single\, Julie throws a late night party. In the kitchen\, Jean and Kristina clean up as the celebration heaves above them. Crossing the threshold\, Julie initiates a power game with Jean – which rapidly descends into a savage fight for survival. This new version of August Strinberg’s play Miss Julie\, written by Polly Stenham\, remains shocking and fiercely relevant in its new setting of contemporary London.
URL:https://www.guildhall.org/events/national-theatre-live-screening-julie-by-polly-stenham-after-strindberg/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Film
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181013T120000
DTEND;TZID=America/New_York:20181013T123000
DTSTAMP:20260516T093110
CREATED:20180907T192148Z
LAST-MODIFIED:20181022T235437Z
UID:10001387-1539432000-1539433800@www.guildhall.org
SUMMARY:Operatif Lecture: Biography or Myth? With Victoria Bond
DESCRIPTION:Before the Met Live screening of Verdi’s Aida on Saturday\, October 13\, at 12 pm\, opera lecturer extraordinaire Victoria Bond will give a presentation Biography or Myth: Do opera composers modify history to tell a better story?  Bond will speak about historically-themed operas\, including those by Donizetti and Rossini as well as Aida and Bellini’s Norma.  Join us for this Season Opener “Operatif” which includes a light buffet brunch. \nGuild Hall opera donors at the $200 level and above enjoy these lectures at no charge. Half-price tickets are available for Met Opera donors of $100. Tickets to the lecture are $30 for all other patrons and may be purchased at the Box Office. \nBond is a powerful force in 21st century concert music\, having distinguished herself both as a composer and conductor\, being commissioned by major symphonies\, chamber orchestras\, ballet companies\, dance festivals\, and opera houses\, Ms. Bond is the founder of Cutting Edge Concerts New Music Festival which she produces each spring at Symphony Space in New York. She is also a frequent pre-concert lecturer for the New York Philharmonic.
URL:https://www.guildhall.org/events/operatif-lecture-biography-or-myth/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Talk
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181013T130000
DTEND;TZID=America/New_York:20181013T170000
DTSTAMP:20260516T093110
CREATED:20180715T170200Z
LAST-MODIFIED:20181022T235513Z
UID:10001510-1539435600-1539450000@www.guildhall.org
SUMMARY:The Met: Live in HD - Verdi's Aida (Encore Screening)
DESCRIPTION:1 p.m. ET / Approx. runtime: 3:56 [2 Intermissions]\nNicola Luisotti; Anna Netrebko (Aida)\, Anita Rachvelishvili (Amneris)\, Aleksandrs Antonenko (Radamès)\, Quinn Kelsey (Amonasro)\, Dmitry Belosselskiy (Ramfis)\, Ryan Speedo Green (The King) \nIn what should be a highlight of the new season\, soprano Anna Netrebko sings her first Met Aida\, going toe-to-toe with mezzo-soprano Anita Rachvelishvili as Amneris. Later in the season\, a second star-studded cast takes over\, with Sondra Radvanovsky and Dolora Zajick as the leading ladies.Tenors Aleksandrs Antonenko and Yonghoon Lee alternate as Radamès\, and Nicola Luisotti and Plácido Domingo take the podium for the Met’s monumental production. \nThe libretto indicates merely that the opera takes place in “ancient Egypt\, in the time of the pharaohs.” This may sound vague\, but it was a clear direction to approach the drama as myth rather than anthropology or history. \nIn a remarkable career spanning six decades in the theater\, Giuseppe Verdi (1813–1901) composed 28 operas\, at least half of which are at the core of today’s repertoire. His role in Italy’s cultural and political development has made him an icon in his native country. The story of Aida is thought to be the creation of Auguste Mariette (1821–1881)\, an extraordinary French archaeologist who was the founder of the Egyptian Museum of Cairo. Camille du Locle (1832–1903)\, who collaborated on the scenario with Mariette and suggested the story to Verdi\, had worked with the composer on the libretto of Don Carlos. Aida’s librettist\, Antonio Ghislanzoni (1824–1893)\, was a novelist and poet as well as the creator of some 85 libretti. \n\n\n\nThe score of Aida is a sophisticated example of Italian Romanticism\, imbued with a convincingly mysterious and exotic hue. Making no claims to authenticity\, Verdi created a unique musical palette for this opera. The grandeur of the subject is aptly conveyed with huge patriotic choruses\, most notably the unforgettable Triumphal Scene in Act II. These public moments often serve as frames for the solos of the leading tenor and soprano: his soaring “Celeste Aida” right at the beginning of Act I\, her impassioned “Ritorna vincitor!” that follows\, and her great internal journey\, “Qui Radamès verrà! … O patria mia” in Act III.
URL:https://www.guildhall.org/events/the-met-live-in-hd-verdis-aida-encore-screening/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Film
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181015T100000
DTEND;TZID=America/New_York:20181015T123000
DTSTAMP:20260516T093110
CREATED:20180823T201204Z
LAST-MODIFIED:20181004T194533Z
UID:10001377-1539597600-1539606600@www.guildhall.org
SUMMARY:Fall Adult Painting Workshop at Guild Hall - Color: Inspired by Ellsworth Kelly with Barbara Thomas
DESCRIPTION:Fall Painting Workshop at Guild Hall: Color: Inspired by Ellsworth Kelly with Barbara Thomas \nMondays\, October 1-November 5 \nNew and experienced painters and artists: this workshop will study the work of Ellsworth Kelly in the Guild Hall galleries\, and explore color theory and practice in a variety of artistic processes \nOctober 1: 11-1:30 Tour Ellsworth Kelly in the Hamptons and sketch from works in the gallery \nOctober 15-November 5: 10-12:30 Work in the Guild Hall studio on aspects of color theory and practice \nThis will be a stimulating workshop which will produce unique results for your portfolio and future practice. \n  \nMondays: \nOctober 1\, 11am-1:30pm\, in Galleries \nOctober 15\, 10am-12:30pm \nOctober 22\, 10am-12:30pm \nOctober 29\, 10am-12:30pm \nNovember 5\, 10am-12:30pm
URL:https://www.guildhall.org/events/fall-painting-workshop-at-guild-hall-color-inspired-by-ellsworth-kelly-with-barbara-thomas/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Learning
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181020
DTEND;VALUE=DATE:20181217
DTSTAMP:20260516T093110
CREATED:20180810T184834Z
LAST-MODIFIED:20200406T231741Z
UID:10001530-1539993600-1545004799@www.guildhall.org
SUMMARY:Syd Solomon: Concealed and Revealed
DESCRIPTION:Moran Gallery \nPrivate Member Reception – October 20\, 2018\nGallery Talk with Mike Solomon – October 21\, 2018\nLecture with Gail Levin\, Ph.D – Novermber 3\, 2018 \nThe late painter Syd Solomon once described himself as an “Abstract Impressionist” alluding to the fact that his work infused Impressionism into the processes\, scale and concepts of Abstract Expressionism. While his paintings have often been framed as an extension of Abstract Expressionism\, a current cataloging project of Solomon’s archives has revealed new information about the singular artist and his milieu. The exhibition Concealed and Revealed\, coming to Guild Hall in October 2018\, is the first to examine Solomon’s work through the lens of his personal archive. For example\, the artist worked as a camoufleur (a person who designs and implements military camouflage) during WWII\, but just how expert Solomon was in this field\, and more significantly\, how this exceptional skill came to inform the development of his painting techniques is just now being understood. After returning from the Western Front at the end of the war with five Bronze Stars\, Solomon joined a coterie of artists whose wartime experience undoubtedly transformed their art. \nAdditionally\, the archive uncovers that Solomon’s high school training in “technical arts” and lettering led to early work in advertising\, creating signs and promotions for stores\, ads for newspapers\, magazines and brochures\, and political campaigns. Like his close colleague James Brooks\, the influence of typography becomes a significant factor in his latter brushwork\, calligraphy\, handwriting and other gestural aspects of his paintings. \nThese discoveries and more allow us to see Solomon’s achievements in a new and more accurate way\, leading us to understand layers of his work not previously or totally appreciated. Concealed and Revealed is presented in partnership with the Estate of Syd Solomon and accompanied by a 96-page exhibition catalogue with essays by Michael Auping\, George S. Bolge\, Gail Levin\, and the artist’s son Mike Solomon. \nThis exhibition is organized by the Estate of Syd Solomon
URL:https://www.guildhall.org/events/fall-exhibition-syd-solomon/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181020
DTEND;VALUE=DATE:20181217
DTSTAMP:20260516T093110
CREATED:20180906T233511Z
LAST-MODIFIED:20200406T230842Z
UID:10001383-1539993600-1545004799@www.guildhall.org
SUMMARY:Sara Mejia Kriendler: In Back of Beyond
DESCRIPTION:Spiga Gallery\nCurated by Casey Dalene – Registrar/Curatorial Assistant/Lewis B. Cullman Associate for Museum Education \nPrivate Member Reception – October 20\, 2019\nGallery Talk with the Artist – December 8\, 2019\nSara Mejia Kriendler’s solo exhibition in the Spiga Gallery was awarded in 2016 when she received the Top Honors Prize in Guild Hall Museum’s 78th Annual Artist Members Exhibition. Kriendler’s work was chosen out of 424 artists by the guest awards judge Jia Jia Fei\, Director of Digital at the Jewish Museum in New York City. \nKriendler’s installation at Guild Hall will consist of all new works\, variations on her current body of work\, exhibited for the first time at the Museo de Arte de Pereira (The Museum of Fine Arts of Pereira) this past Spring. This body of work investigates her maternal Colombian roots inspired by pre-Columbian gold\, the history of the Spanish conquest of the new world\, and the legend of the el dorado. \nAt first glance Kriendler’s sculptures are reverent artifacts in gold leaf\, terracotta and plaster\, but after closer consideration recognizable mass-produced contemporary products make up the basic forms.  Historical references in material choice and color palette give way to ideas of consumerism\, a reminder that the products of today will tell the story of our time.
URL:https://www.guildhall.org/events/fall-exhibition-sara-mejia-kriendler/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181020T100000
DTEND;TZID=America/New_York:20181020T170000
DTSTAMP:20260516T093110
CREATED:20181002T234248Z
LAST-MODIFIED:20181019T195049Z
UID:10001546-1540029600-1540054800@www.guildhall.org
SUMMARY:Second Annual East Hampton Village Fall Festival
DESCRIPTION:Please join us and bring the family! It’s the Second Annual East Hampton Village Fall Festival and we’ll be there! Our Guild Hall staff will be onsite making friendly monster puppets with you kids to perform on our mini John Drew Theater stage! \n  \nCome celebrate the beauty of Fall in the Hamptons with your extended family… Guild Hall.
URL:https://www.guildhall.org/events/second-annual-east-hampton-village-fall-fair/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Kids
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181020T110000
DTEND;TZID=America/New_York:20181216T170000
DTSTAMP:20260516T093110
CREATED:20180906T234209Z
LAST-MODIFIED:20200406T232134Z
UID:10001385-1540033200-1544979600@www.guildhall.org
SUMMARY:Please Send To: Ray Johnson
DESCRIPTION:Please Send To: Ray Johnson\, Selections from the Permanent Collection\nWoodhouse Gallery\nCurated by Jess Frost\, Associate Curator/Registrar of the Permanent Collection \nPrivate Member Reception – October 20\, 2018\nHow to Draw a Bunny (2002) – November 25\, 2018\nGallery Talk with Jess Frost – December 2\, 2018\nDrawn from Guild Hall’s permanent collection\, Please Send To: Ray Johnson features over 30 works by the famously reclusive artist\, the majority of which are classified as Mail Art\, a movement pioneered by Johnson in the 1950s. The artist sent small\, mixed-media works to a network of fellow artists through the post\, instructing them to intervene in the original work or forward the materials to another person. Mail Art offered Johnson alternative modes of circulating ideas and gaining recognition\, and one could argue that these subversive methods anticipated the digital dissemination of images through platforms like Instagram and Facebook. \nThe cryptic arrangements of notes\, doodles\, newspaper clippings and rubber stamped texts in these works offer great insights into the shifting social dynamics of this fertile period in American art. As viewers try to decode the visual information presented\, they are drawn into Johnson’s complex observations about his immediate art orbit and society at large. Despite regular exhibitions with Feigen Gallery and a 1970 show of his Mail Art at the Whitney Museum of American Art\, the artist remained wary of the public eye. When he retreated to a suburb on Long Island\, limiting his communications to the telephone and post\, his work became increasingly populated by narratives surrounding the celebrities and members of the art scene he had vacated. \nIn January of 1995\, Johnson ended his life by jumping off the Sag Harbor – North Haven Bridge\, a mysterious gesture that was true to his life’s work. This final performance was orchestrated to include a legacy in the form of thousands of works\, carefully arranged in his otherwise empty home in Locust Valley. In Johnson’s absence\, his works became more readily available for public consumption\, and historians began to recognize these works as early examples of Pop art and Conceptual art. \nThis extensive and important cache of material entered Guild Hall’s Permanent Collection through the Tito Spiga Bequest\, for whom one of the museum’s galleries is named. As with all of the museum’s holdings\, the works reveal the rich culture and relationships to the region\, and the museum’s commitment to preserving that history.
URL:https://www.guildhall.org/events/fall-exhibition-ray-johnson/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181020T130000
DTEND;TZID=America/New_York:20181020T163000
DTSTAMP:20260516T093110
CREATED:20180715T175759Z
LAST-MODIFIED:20181011T234818Z
UID:10001512-1540040400-1540053000@www.guildhall.org
SUMMARY:The Met: Live in HD - Saint-Saëns' Samson et Dalila
DESCRIPTION:https://www.guildhall.org/wp-content/uploads/2018/07/Samson-et-Dalila_-Trailer.mp4\nNew Production \n1 p.m. ET / Approx. runtime: 3:29 [2 Intermissions] \nSir Mark Elder; Elīna Garanča (Dalila)\, Roberto Alagna (Samson)\, Laurent Naouri (High Priest)\, Elchin Azizov (Abimélech)\, Dmitry Belosselskiy (The Old Hebrew). Darko Tresnjak (Production); Alexander Dodge (Set Designer)\, Linda J. Cho (Costume Designer)\, Donald Holder (Lighting Designer)\, Austin McCormick (Choreographer) \nWhen mezzo-soprano Elīna Garanča and tenor Roberto Alagna joined forces for a new production of Carmen at the Met\, the results were electrifying. Now this star duo reunites for another sensual French opera when they open the season in the title roles of Saint-Saëns’s biblical epic Samson et Dalila. Darko Tresnjak\, who won a Tony Award for Best Direction of a Musical in 2014 for A Gentleman’s Guide to Love & Murder\, makes his Met debut directing a vivid\, seductive staging\, featuring a monumental setting for the last-act Temple of Dagon\, where the hero crushes his Philistine enemies. Sir Mark Elder conducts the first new Met production of the work in 20 years.
URL:https://www.guildhall.org/events/the-met-live-in-hd-saint-saens-samson-et-dalila/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Film
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181020T170000
DTEND;TZID=America/New_York:20181020T190000
DTSTAMP:20260516T093110
CREATED:20180411T221200Z
LAST-MODIFIED:20190322T024021Z
UID:10001465-1540054800-1540062000@www.guildhall.org
SUMMARY:Fall Exhibition Private Member Reception
DESCRIPTION:
URL:https://www.guildhall.org/events/fall-exhibition-private-member-reception/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Member Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181021T130000
DTEND;TZID=America/New_York:20181021T130000
DTSTAMP:20260516T093110
CREATED:20180913T180822Z
LAST-MODIFIED:20200406T231849Z
UID:10001391-1540126800-1540126800@www.guildhall.org
SUMMARY:Gallery Talk with Mike Solomon
DESCRIPTION:
URL:https://www.guildhall.org/events/gallery-talk-with-mike-solomon/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Talk
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181027T120000
DTEND;TZID=America/New_York:20181027T133000
DTSTAMP:20260516T093110
CREATED:20181004T210347Z
LAST-MODIFIED:20181029T185507Z
UID:10001550-1540641600-1540647000@www.guildhall.org
SUMMARY:FREE Portfolio Review Workshop for Students
DESCRIPTION:Michael Combs\, Artist and Professor at The School of Visual Arts\, will conduct a free portfolio workshop for students\, grades 10–12\,  interested in pursuing a college level art degree. Combs will provide valuable guidance and insightful tips on how to best present and curate your artwork for art school admission. Spending time with each individual student Combs will review individual works as well as the overall principals to consider when organizing a body of work.
URL:https://www.guildhall.org/events/free-portfolio-review-workshop-for-students/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Learning
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181027T130000
DTEND;TZID=America/New_York:20181027T170000
DTSTAMP:20260516T093110
CREATED:20180715T193603Z
LAST-MODIFIED:20181029T185600Z
UID:10001514-1540645200-1540659600@www.guildhall.org
SUMMARY:The Met: Live in HD - Puccini's La Fanciulla del West
DESCRIPTION:1 p.m. ET / Approx. runtime: 3:42 [2 Intermissions] \nMarco Armiliato; Eva-Maria Westbroek (Minnie)\, Jonas Kaufmann (Dick Johnson)\, Carlo Bosi (Nick)\, Željko Lučić (Jack Rance)\, Michael Todd Simpson (Sonora)\, Matthew Rose (Ashby)\, Oren Gradus (Jake Wallace) \n\nACT I\n\n\n\nA miners’ camp in California\, 1849–50. At sunset at the Polka Saloon\, Nick\, the bartender\, prepares for the miners’ return from the hills. Jake Wallace\, a traveling minstrel\, sings a sentimental song that causes Jim Larkens to break down in tears. The men collect money for his passage back home. Trin and Sonora both bribe Nick to help them win the heart of Minnie\, the owner of the bar\, with whom all the men are in love. Sid cheats at cards\, and Jack Rance\, the camp’s cynical sheriff\, marks him as an outcast. The Wells Fargo agent Ashby arrives with news of the imminent capture of the Mexican bandit Ramerrez and his band. An argument breaks out between Rance and Sonora\, each claiming Minnie will be his wife. Things almost get out of hand when Minnie herself appears. The men calm down and sit to listen to Minnie’s bible teaching. Later\, alone with her\, Rance confesses his love to Minnie (“Minnie\, della mia casa”). But she is not interested and\, recalling her happy childhood\, paints a different picture of her ideal love (“Laggiù nel Soledad”). \nA stranger appears in the bar\, introducing himself as Dick Johnson from Sacramento. Minnie recognizes him as a man she once met on the road. The jealous Rance orders Johnson to leave town\, but when Minnie declares that she knows him\, the others welcome Johnson. As he and Minnie dance\, the miners drag in a man named Castro\, one of Ramerrez’s band. Castro pretends that he will lead them to their hideout. He then whispers to Johnson—who is in fact Ramerrez—that he let himself be captured to lure the miners away from the saloon\, in order for Johnson to rob it. The men depart with Castro\, and Minnie and Johnson are left alone. She tells him about her simple life and that she is still waiting for her first kiss. When she shows him the hiding place where the miners keep their gold\, he replies that as long as he is nearby\, nobody will harm her or touch the gold. She shyly invites him to visit her in her cabin later that evening. \n\n\n\n\n\nACT II\n\n\n\nIn Minnie’s cabin in the mountains\, the Indian woman Wowkle sings a lullaby to her baby and bickers with the child’s father\, Billy Jackrabbit. Minnie arrives and excitedly prepares for her meeting with Johnson. Alone with him\, she gives in to his declarations of love and they kiss. Johnson\, full of doubt as to how to tell her about his true identity\, is about to leave\, but she asks him to stay for the night as it has begun to snow. When several shots are heard\, Johnson hides in the closet. Rance appears with some of the men and tells Minnie that they are concerned for her safety—they have discovered that Johnson is Ramerrez. Minnie claims to know nothing and the men leave. She then angrily confronts Johnson\, who makes excuses about his past and declares that when he met her he decided to give up his former life. Deeply hurt\, Minnie sends him away. Another shot rings out. Johnson\, wounded\, staggers back into the cabin and Minnie hides him in the attic. Rance returns\, certain he has found his man\, and demands to search the room. Minnie refuses and the sheriff is about to give up when a drop of blood falls on his hand from above. Johnson is forced to surrender\, but Minnie has an idea—she challenges Rance to a game of poker. If he defeats her\, she will give herself to him; if he loses\, Johnson goes free. Minnie cheats and wins. Rance leaves. \n\n\n\n\n\nACT III\n\n\n\nJohnson has been nursed back to health by Minnie. Again on the run from Rance and his men\, he is eventually captured in the forest. As the miners prepare to hang him\, Johnson asks for one last mercy—that Minnie believe him free and far away (“Ch’ella mi creda”). Rance is enraged\, but the men hesitate. At that moment\, Minnie rides in\, wielding a pistol. When her pleas to spare Johnson prove fruitless\, she reminds then men how much they owe her. The miners finally give in and release Johnson. He and Minnie ride away to start a new life together.
URL:https://www.guildhall.org/events/the-met-live-in-hd-puccinis-la-fanciulla-del-west/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Film
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181029T180000
DTEND;TZID=America/New_York:20181029T180000
DTSTAMP:20260516T093110
CREATED:20181012T002013Z
LAST-MODIFIED:20181112T145525Z
UID:10001553-1540836000-1540836000@www.guildhall.org
SUMMARY:Guild Hall Game Night
DESCRIPTION:Out with the old\, in with the new!  \nIn the past couple decades\, game designers have been creating fascinating\, immersive games that make Monopoly seem like it was designed in 1905. Game night no longer means suffering through hours of rolling dice in Monopoly or Risk. Today’s games cultivate creativity\, problem solving\, social skills\, and dexterity through clever game design. Join Guild Hall and Game Master Noah Salaway in embracing the tabletop revolution as we play some of the best modern games on the market the last Monday of each month. Ages 16 and up only.  \nThis month at Guild Hall Game Night we will be playing Sheriff of Nottingham\, designed by Sérgio Halaban and André Zatz. Sheriff of Nottingham is a game of bluffing\, interrogation\, bribery\, and\, occasionally\, telling the truth. Players assume the role of city merchants\, with one player acting as the sheriff each round. The merchants each hand the sheriff a bag of goods\, declaring what is inside. While the merchants can make a living honestly\, it is much more profitable to smuggle contraband in their pouch… if you can convince the sheriff not to look inside. Join us on October 29 at 6pm and try to smuggle some contraband under your friend’s nose. Don’t forget to bring your poker face.
URL:https://www.guildhall.org/events/guild-hall-game-night-7/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
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