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DTSTART;VALUE=DATE:20210612
DTEND;VALUE=DATE:20210727
DTSTAMP:20260407T034028
CREATED:20201201T112519Z
LAST-MODIFIED:20210622T140406Z
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SUMMARY:Alexis Rockman: Shipwrecks
DESCRIPTION:Guild Hall is proud to present Alexis Rockman: Shipwrecks. This exhibition of new paintings and works on paper by American artist Alexis Rockman looks at the world’s waterways as a network by which all of history has traveled. The transport of language\, culture\, art\, architecture\, cuisine\, religion\, disease\, and warfare can be traced along the routes of seafaring vessels dating back to and in some cases predating the earliest recorded civilizations. Through depictions of historic and imagined shipwrecks and their lost cargoes\, Alexis Rockman addresses the impact—both factual and extrapolated—that the migration of material culture\, people\, plants\, and animals has on the planet. The artist’s virtuosity with paint and his appreciation for the marine landscape genre connect this body of work to maritime art history and its abundant sociological themes. This timely exhibition is propelled by impending climate disaster and the current largest human migration in history\, which is taking place in part by water. \nAn excellent platform for the discussion of the 2020 global pandemic\, Alexis Rockman: Shipwrecks examines the long history leading up to globalization\, including the exploitation of humans\, animals\, and natural resources\, and the ways in which all parts of the planet are now inextricably connected. \nInclusive of non-Western depictions of waterborne vessels and journeys\, Alexis Rockman: Shipwrecks departs from traditional euro-centric maritime images associated with the Age of Exploration and embraces other periods and global regions that contributed to the history of seafaring. \nCurator\nAndrea Grover\, Executive Director of Guild Hall \n\n\n\nMarch 6 to May 31\, 2021: Peabody Essex Museum\, Salem\, MA \nJune 12 to July 26\, 2021: Guild Hall\, East Hampton\, NY \nPer CDC and state guidelines\, people who are not fully vaccinated must continue to wear face coverings while indoors.
URL:https://www.guildhall.org/events/alexis-rockman-shipwrecks/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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DTSTART;VALUE=DATE:20210613
DTEND;VALUE=DATE:20210706
DTSTAMP:20260407T034028
CREATED:20210615T202556Z
LAST-MODIFIED:20210701T153202Z
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SUMMARY:Aurelio Torres: Valparaíso\, 2021
DESCRIPTION:A Guild Hall Education Initiative \nValparaíso by Aurelio Torres is on view in the Minikes Garden\, June 13–July 5\, during Museum hours. \nFor the first Guild Hall After Hours immersive event\, Artist\, Aurelio Torres\, brought us a new participatory installation allowing visitors to contribute in the creation of one of his largescale sculptures. The sculpture\, Valparaíso\, is reflective of Aurelio’s larger body of work which references ships\, sailboats\, and other maritime symbols. Chosen as a complement to the exhibition within the museum galleries\, Alexis Rockman: Shipwrecks\, Aurelio’s piece is made up of 4 main ‘totems’ or ‘masts’ with attached abstract hull-shaped elements consisting of repurposed building materials. The sculpture was located at the front of Guild Hall during the After Hours event on June 12\, where patrons were invited to contribute by creating and attaching a message-in-a-bottle. The bottles consisted of recycled water bottles\, wine corks\, and a piece of brightly colored fabric. Visitors were prompted to write or illustrate a response to the question: If you could tell the plastics industry something what would it be? The assembled bottle was then attached with twine to the rope system of the sculpture. \nThe sculpture will be on view in Guild Hall’s Minikes Garden\, just off of Dunemere Lane\, from June 13–July 5 during Museum hours. Enjoy refreshments from our newly expanded eAT Coffee Bar while you sit and view the installation.
URL:https://www.guildhall.org/events/aurelio-torres-valparaiso-2021/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210622
DTEND;VALUE=DATE:20210728
DTSTAMP:20260407T034028
CREATED:20210629T144157Z
LAST-MODIFIED:20210721T105950Z
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SUMMARY:Moments Choisis by Josephine Meckseper
DESCRIPTION:Guild Hall and the Elaine de Kooning House are pleased to present a new digital film series by Josephine Meckseper\, entitled Moments Choisis. \nDuring her residency at the Elaine de Kooning House\, Meckseper will share weekly three to five-minutes film clips — produced and edited by the artist — chronicling the non-linear process of her new works in the studio. The studio’s architecture will be featured in various cinematic modes with layered shots of the artist’s works in progress and the surrounding landscape. The short films will create a unique view of her residency as well as the space and its history. \nEach new installment from the film series will become available for viewing on guildhall.org at 12PM EST on Tuesdays\, June 22\, June 29\, July 6\, July 13\, July 20. \nMeckseper’s large-scale installations and films have been exhibited in numerous international biennials and museum shows worldwide\, including solo-exhibitions at: Frac des Pays de la Loire\, Nantes\, France (2019); MOSTYN Contemporary Art Gallery\, Wales (2018); Neuer Aachener Kunstverein\, Aachen\, Germany (2014); Kunsthalle Münster\, Germany (2009); Migros Museum für Gegenwartskunst\, Zurich (2009); and Museum of Modern Art\, New York (2008). Her works are in the permanent collections of numerous institutions\, including the Guggenheim Museum\, New York\, The Museum of Modern Art\, New York\, the Metropolitan Museum\, New York\, the Whitney Museum of American Art\, New York\, and the Hammer Museum\, Los Angeles. The artist lives and works in New York. \nConcurrent with the inclusion of her film Mall of America\, 2010 in the Whitney Biennial\, she was commissioned to create a short film (Amalgamated\, 2010) for the museum’s website featuring the museum’s Marcel Breuer architecture. In 2013\, Andrea Grover organized Josephine Meckseper: Platform at The Parrish Art Museum in Watermill\, NY. The exhibition challenged traditional disciplinary boundaries by utilizing the entire Museum as a “canvas.” \n \n \n \n \n \nAbout Josephine Meckseper \n \nJosephine Meckseper\, born in Lilienthal\, Germany\, lives and works in New York. She received her MFA at the California Institute of the Arts\, Los Angeles. Her large-scale installations\, vitrines and films create a window into the collective unconscious of our time. Meckseper’s recent narrative movie Pellea[s]\, 2018 includes footage of the historical event of the 45th Presidential Inauguration and concurrent protests filmed\nby the artist. The artist’s first public project in New York\, Manhattan Oil Project\, commissioned by Art Production Fund was installed adjacent to Times Square in 2012. Meckseper’s works have been exhibited in numerous international solo museum shows worldwide\, including her most recent survey exhibition at the Frac des Pays de la Loire (2019); and Neuer Aachener Kunstverein\, Aachen\, Germany\n(2014); The Parrish Art Museum\, Water Mill\, NY (2013); Kunsthalle Münster\, Germany (2009); Migros Museum für Gegenwartskunst\, Zurich (2009); and Museum of Modern Art\, (with Mikhael Subotzky) New York (2008). Her work was included in numerous biennales\, such as the Taipei Biennial 2014\, Taiwan\, curated by Nicolas Bourriaud (2014); Sharjah Biennial\, United Arab Emirates\, curated by Suzanne\nCotter (2011); Whitney Biennale 2010\, New York\, curated by Francesco Bonami and Gary Carrion-Murayari (2010); the 2nd International Biennial of Contemporary Art of Seville\, Spain\, curated by Okwui Enwezor (2006); Whitney Biennial 2006\, New York\, curated by Chrissie Iles and Philippe Vergne. Her works are in the permanent collections of many major institutions\, including the Whitney Museum of American Art\, the Solomon R. Guggenheim Museum\, New York\, The Museum of Modern Art\, New York\, the Metropolitan Museum\, New York and the Hammer Museum\, Los Angeles. \nElaine de Kooning House\nIn 1975\, Elaine de Kooning reconciled with her husband Willem and purchased a house on Alewive Brook Road. She added the studio three years later and created her last important bodies of work — the Cave Walls and Cave Paintings (1985-88). She also painted the portrait of the Brazilian soccer player Pele\, Motown mogul Berry Gordy\, and many others at this time. After her death\, the sculptor John Chamberlain owned the property\, followed by the painter Richmond Burton. \nSince 2011\, the Elaine de Kooning House has hosted events\, exhibitions\, and informal artist residencies with the artists Charles Andresen\, Aaron Aujla\, Katherine Bernhardt\, Lizzi Bougatsos\, Joe Bradley\, Jessie Dunahoo\, Chris Duncan\, Jonah Freeman and Justin Lowe\, Mike Goodlett\, Eric Haze\, Lonnie Holley\, Sedrick Huckaby\, Kim “Mudman” Jones\, Susan Te Kahurangi King\, Laura and Rachel Lancaster\, Sadie Laska\, Jose Lerma\, Liz Markus\, Adam Marnie\, Katherine McMahon\, Scott and Tyson Reeder\, John Riepenhoff\, Kambel Smith\, Celeste Dupuy-Spencer\, Jerry “The Marble Faun” Torre\, Michael Williams\, and Anke Weyer.
URL:https://www.guildhall.org/events/moments-choisis-by-josephine-meckseper/
LOCATION:No Venue
CATEGORIES:Visual Arts
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