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DTSTART;VALUE=DATE:20200618
DTEND;VALUE=DATE:20200807
DTSTAMP:20260407T194546
CREATED:20200611T172249Z
LAST-MODIFIED:20200710T131058Z
UID:10002078-1592438400-1596758399@www.guildhall.org
SUMMARY:Sag Harbor Elementary School: Remote Impressions
DESCRIPTION:With the online exhibition Remote Impressions\, Sag Harbor Elementary School (SHES) 4th & 5th Grade students share the objects\, images\, and expressions of their ‘shelter-in-place’ experience.  \nLed by guest artist Clarence Sheppard and their classroom art teacher Gary Osborne\, SHES students have been introduced to the tenets and techniques of digital photography and self-portrait\, while visually reflecting their time during the COVID pandemic.  \n\n			\n				\n			\n				\n				4th Grade\n				\n			\n				\n			\n				\n				Window View\, Addison Wayne\n				\n			\n				\n			\n				\n				Window View\, Alexis Salazar\n				\n			\n				\n			\n				\n				Reflection\, Alina Bandelier\n				\n			\n				\n			\n				\n				Repetition\, Amelia Burnside\n				\n			\n				\n			\n				\n				Shadows\, Antonia Vogel\n				\n			\n				\n			\n				\n				Shadows\, Campbelle Kinney\n				\n			\n				\n			\n				\n				Reflection\, Cyrus Halweil\n				\n			\n				\n			\n				\n				Patterns\, Georgi Finelli\n				\n			\n				\n			\n				\n				Ant-size View\, Giovanna Papazian\n				\n			\n				\n			\n				\n				Shadows\, Julian Bird\n				\n			\n				\n			\n				\n				Patterns\, Kacey Cottrell\n				\n			\n				\n			\n				\n				Repetition\, Keegan Reilly\n				\n			\n				\n			\n				\n				Reflection\, Kim Nguyen\n				\n			\n				\n			\n				\n				Repetition\, Layla Garypie\n				\n			\n				\n			\n				\n				Ant-size View\, Leontyne Macgowan\n				\n			\n				\n			\n				\n				Reflection\, Lila Osborn\n				\n			\n				\n			\n				\n				Shadows\, Luca Jauffrineau\n				\n			\n				\n			\n				\n				Patterns\, Lucy Schlemmer\n				\n			\n				\n			\n				\n				Shadows\, Madilyn Donahue\n				\n			\n				\n			\n				\n				Shadows\, Margaret Greenwald\n				\n			\n				\n			\n				\n				Ant-size View\, Mia Luna\n				\n			\n				\n			\n				\n				Shadows\, Quinlan Reilly\n				\n			\n				\n			\n				\n				Shadows\, Ryan Tedesco\n				\n			\n				\n			\n				\n				Shadows\, Sebastian Cardenas\n				\n			\n				\n			\n				\n				Shoshana Sobey\n				\n			\n				\n			\n				\n				Ant-size View\, Theodore Robinson\n				\n			\n				\n			\n				\n				Close-up\, Vanessa Rizzo\n				\n			\n				\n			\n				\n				Window View\, Watts Comly Bolick\n				\n			\n				\n			\n				\n				Shadows\, Zandar Schiavoni\n				\n			\n				\n			\n				\n				Window View\, Ziomara Villacis Tacuri\n				\n			\n				\n			\n				\n				Reflection\, Zoe McDonald\n				\n			\n				\n			\n				\n				Window View\, Zoe Theotocatos\n				\n		\n\n4th Grade Students learned the tenets of digital photography: composition\, shadow\, reflection\, repetition\, and angle. In past years\, students explored these tenets by capturing images while on field trips to LongHouse Reserve\, Pollock-Krasner House\, or walks through Sag Harbor. This year their online course took them to places closer to home; revealing the creative potential in our everyday.  \n\n			\n				\n			\n				\n				5th Grade\n				\n			\n				\n			\n				\n				Ant-size View\, Aiden Labue\n				\n			\n				\n			\n				\n				Puppy Portrait\, Ananya Oza\n				\n			\n				\n			\n				\n				Ant-size View\, Avery Austin\n				\n			\n				\n			\n				\n				Reflection\, Benjamin Kriegsman\n				\n			\n				\n			\n				\n				Ant-size Portrait\, Brian Schroeder\n				\n			\n				\n			\n				\n				Mask Portrait\, Calogero Sferrazza\n				\n			\n				\n			\n				\n				Abstract Portrait\, Casey Finelli\n				\n			\n				\n			\n				\n				Patterns\, Cyrus Halweil\n				\n			\n				\n			\n				\n				B&W Portrait\, Isla McLean\n				\n			\n				\n			\n				\n				Mirror Portrait\, Joel Mather\n				\n			\n				\n			\n				\n				Ant-size View\, Kai Greene\n				\n			\n				\n			\n				\n				Reflection\, Lauren Batiste Silva\n				\n			\n				\n			\n				\n				B&W Portrait\, Lucas Martin\n				\n			\n				\n			\n				\n				Shadow Portrait\, Lucia Beres\n				\n			\n				\n			\n				\n				Light Portrait\, Maria Zoumas\n				\n			\n				\n			\n				\n				Shadow Portrait\, Martin Milazzo\n				\n			\n				\n			\n				\n				Mask Portrait\, Matthis Jauffrineau\n				\n			\n				\n			\n				\n				Mask Portrait\, Maxwell Vogel\n				\n			\n				\n			\n				\n				Reflection\, Meadow Osborn\n				\n			\n				\n			\n				\n				Shadow Portrait\, Mia Borland\n				\n			\n				\n			\n				\n				Shadows\, Mia Fleming-Vaccari\n				\n			\n				\n			\n				\n				Ant-size View\, Nathaniel Culver\n				\n			\n				\n			\n				\n				Ant-size View\, Nicholas Chavez\n				\n			\n				\n			\n				\n				Mirror Portrait\, Nicholas D’Angelo\n				\n			\n				\n			\n				\n				Mirror Portrait\, Olivia Quinn\n				\n			\n				\n			\n				\n				Shadow Portrait\, Orion Aubry\n				\n			\n				\n			\n				\n				Reflection\, Paige Francis\n				\n			\n				\n			\n				\n				Reflection Portrait\, Thuy Nguyen\n				\n			\n				\n			\n				\n				Shadows\, Veronica Denkewitz\n				\n		\n\nSimilar to the 4th Grade\, 5th Grade Students reacquainted themselves with the tenets of digital photography while being introduced to self-portrait. Experimenting with these techniques\, their work spans from self-portrait to reflected landscapes; expanding on the past years’ annual portrait series.  \nAn annual program\, Clarence Sheppard has been leading a digital photography project with Sag Harbor Elementary students for the past 17 years. The project is made possible in part by the Reutershan Educational Trust\, a privately funded art program created by Sag Harbor resident and architect Hobart “Hobbie” Betts.
URL:https://www.guildhall.org/events/sag-harbor-elementary-school-remote-impressions/
LOCATION:No Venue
CATEGORIES:Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200801T150000
DTEND;TZID=America/New_York:20200801T180000
DTSTAMP:20260407T194546
CREATED:20200721T132436Z
LAST-MODIFIED:20200727T001944Z
UID:10001743-1596294000-1596304800@www.guildhall.org
SUMMARY:Free Clean Money\, performance art piece by Katherine McMahon with pianist Ray Angry
DESCRIPTION:Free Clean Money\, a collaborative piece by Katherine McMahon and Ray Angry\, is an outdoor art installation and performance that will debut at Guild Hall of East Hampton\, NY during the Phase 4 reopening in New York State. Exploring the powerful emotional response triggered by money\, “Free Clean Money” evaluates the perception of value\, privilege\, and the ethics associated with a dollars’ origins and who has access to it. It is an exploration into the freedom that money offers as well as the mental and societal barriers it imposes. “Free Clean Money\,” presented outdoors at Guild Hall\, will feature $500 of the artist’s own money on silver platters while a composition entitled “The Protest” by Ray Angry plays on loop. The money is on offer to visitors of the exhibition with no other conditions. The dollars will be routinely disinfected by the artist. This project contends with the individual’s hardwired attraction to money\, the hoarding of wealth and an attempt at detachment from it. It is an exploration of the principle of reciprocity and the quandaries that arise when money is offered in unconventional ways\, devoid of any obligation of repayment. Presented in the wealthy enclave of the Hamptons\, the piece will also function as a social experiment and an opportunity to expand and transform the participants sense of place.
URL:https://www.guildhall.org/events/free-clean-money-performance-art-piece-by-katherine-mcmahon-with-pianist-ray-angry/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200808
DTEND;VALUE=DATE:20210104
DTSTAMP:20260407T194546
CREATED:20200709T143521Z
LAST-MODIFIED:20201231T223709Z
UID:10001739-1596844800-1609718399@www.guildhall.org
SUMMARY:All for the Hall
DESCRIPTION:﻿ \nCLICK HERE TO PURCHASE WORKS FROM THE EXHIBITION\n\n\n\nEver since I was a child\, I have been envious of birds.\nThe feeling of flight–the gesture of simply outstretching my arms and lifting up to fly\, the rush of air underneath–it is a feeling I find myself contemplating far more during these strange trying days of the virus as I imagine us all being lifted up out of this dark storm. \nThe first version I made of this drawing was not translucent or bright enough to successfully evoke that sensation; I re-made the drawing so it would appear to softly glow from within\, playing on the light as it passes through the translucent vellum to the paper behind it. In making this work\, I referenced several different images of swan wings so the drawing would have an uncanny artificiality\, conjuring a utopic dream. I wanted this drawing to possess an ethereal quality\, a real image of Hope. \n – Robert Longo \n\n\n\nRenowned American artist Robert Longo has mobilized 60 artists to donate artworks for a special benefit exhibition supporting Guild Hall\, the historic multidisciplinary center that has long served the artist community of Long Island’s East End. In response to the ongoing impact of the COVID-19 pandemic\, All for the Hall includes painting\, sculpture\, photography and new site-responsive installations by such artists as Laurie Anderson\, Philippe Cheng\, Jeremy Dennis\, Eric Fischl\, Rashid Johnson\, Shirin Neshat\, Enoc Perez\, Dorothea Rockburne\, Ugo Rondinone\, Clifford Ross\, Cindy Sherman\, Kiki Smith\, Karin Waisman\, and Robert Wilson\, among many others. The museum exhibition will be on view at Guild Hall from August 8 through December 31\, 2020\, with a corresponding virtual gallery here. All works are available for purchase at accessible price points starting at $500\, with all proceeds benefiting Guild Hall.  \nPrior to the COVID-19 pandemic\, Guild Hall had planned a solo exhibition dedicated to Longo this summer. As the scale and impact of this crisis became known and Guild Hall was forced to cancel its annual Summer Gala and Auction\, Longo suggested postponing the exhibition and leading this alternative fundraising initiative\, alongside Guild Hall’s Museum Director and Chief Curator\, Christina Mossaides Strassfield\, who is curating the exhibition. The exhibition follows a recent stage fundraiser that was also initiated by the artist community\, a virtual staged reading of Same Time\, Next Year\, directed by Bob Balaban and featuring Alec Baldwin and Julianne Moore.  \nSince it was founded in 1931\, Guild Hall has served as a cultural cornerstone of Long Island’s East End and as a resource for the artist communities that have long existed in the Hamptons. The benefit exhibition reflects the commitment and long-standing relationship between the center and area artists that has developed over the years. The artists featured in All for the Hall include internationally renowned artists as well as those with local acclaim\, united by their personal connections to East End\, having lived\, worked\, or consistently visited the region. \nPARTICIPATING ARTISTS \nJohn Alexander\, Laurie Anderson\, Alice Aycock\, Elena Bajo\, Jules de Balincourt\, Kirsten Benfield\, Ross Bleckner\, Dianne Blell\, Ellen Carey\, Philippe Cheng\, Chuck Close\, Renee Cox\, Jennifer Cross\, Rob Davis\, Jeremy Dennis\, Anh Duong\, Eric Fischl\, Margaret Garrett\, Ralph Gibson\, Wade Guyton\, Michael Halsband\, Hiroyuki Hamada\, Val Hindra\, Sheree Hovsepian\, Judith Hudson\, Bryan Hunt\, Yung Jake\, Rashid Johnson\, Ilya & Emilia Kabakov\, Jon Kessler\, Bill Komoski\, Robert Longo\, Katherine McMahon\, Joel Mesler\, Steve Miller\, Sam Moyer\, Warren Neidich\, Shirin Neshat\, John Noestheden\, Paulina Olowska\, Dennis Oppenheim\, Tony Oursler\, Carol Peligian\, Enoc Perez\, Dorothea Rockburne\, Alexis Rockman\, Ugo Rondinone\, Clifford Ross\, Toni Ross\, David Salle\, Mason Saltarrelli\, Matthew Satz\, Bastienne Schmidt\, Cindy Sherman\, Taryn Simon\, Kiki Smith\, Ned Smyth\, Adam Straus\, Billy Sullivan\, Sara VanDerBeek\, Karin Waisman\, Nick Weber\, Robert Wilson\, Lucy Winton\, Darius Yektai\, Nico Yektai\, and Almond Zigmund.
URL:https://www.guildhall.org/events/all-for-the-hall/
LOCATION:No Venue
CATEGORIES:Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200809
DTEND;VALUE=DATE:20200930
DTSTAMP:20260407T194546
CREATED:20200828T191226Z
LAST-MODIFIED:20200923T133610Z
UID:10002108-1596931200-1601423999@www.guildhall.org
SUMMARY:Warren Neidich: Artists Are Essential Workers / Art Is An Essential Service
DESCRIPTION:*** Artists Are Essential Workers/ Art Is An Essential Service will be installed at The Fireplace Project from September 25–27\, 2020. 851 Springs Fireplace Road\, East Hampton *** \nWarren Neidich’s new text based sculptural installation recently installed at Guild Hall Museum in East Hampton\, New York\, entitled\, Artists Are Essential Workers/ Art Is An Essential Service is a poetic enunciation and reaction to and resulting from  the imminent catastrophe of the spirit in our moment of the Covid epidemic. Neidich’s first act was that of transporting a 76 inch by 126 inch solar powered electronic highway bulletin board\, used by municipalities for messaging passerby’s\, from the highway to the Guild Hall Parking Lot where its size and context produces an uncanny presence. As such the source of Neidich’s announcement is obscure. Is this message something ordained by the powers in control or the result of another voice outside its dominion? By installing his work in the museum parking lot Neidich continues a trend he inaugurated in in his now famous Drive-By-Art exhibition of annexing formerly unused spaces for cultural provocation. His provocative message Artists Are Essential Workers\, Art Is An Essential Service is a shout out to the artist community and museum culture at large\, whose importance is always precarious but whose very existence has been put in jeopardy during the pandemic. Neidich is reaffirming the importance of cultural production in  this moment of nihilism. Neidich’s piece is about asking a question: Can we imagine the healed human body without the healed human Spirit? Is it enough?   \nChristina Strassfield\, Museum Director/Chief Curator noted “Guild Hall was delighted to be the first stop on the tour of this important piece which brings attention to the important role Art and Artists play in our society.  The Sculpture  helped inaugurate our John Drew Backyard Theater’s opening weekend. It will next be viewed at the Leiber Museum and we hope that it can travel to several other locations on the East End and perhaps return to Guild Hall for a final viewing.” \n“Warren Neidich conceived of  Drive-by Art earlier this summer which offered Artists the opportunity to showcase their work in an environment that helped alleviate some of the major Pandemic isolation we were all feeling.” 
URL:https://www.guildhall.org/events/warren-neidich-artists-are-essential-workers-art-is-an-essential-service/
LOCATION:The Fireplace Project\, 851 Springs Fireplace Road\, East Hampton\, New York\, 11937
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://www.guildhall.org/wp-content/uploads/2020/08/IMG_6457-2.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200821
DTEND;VALUE=DATE:20201228
DTSTAMP:20260407T194546
CREATED:20200722T145709Z
LAST-MODIFIED:20240617T164229Z
UID:10002088-1597968000-1609113599@www.guildhall.org
SUMMARY:Lindsay Morris: A Small Taste of Freedom
DESCRIPTION:A Small Taste of Freedom is an exhibition by the photographer Lindsay Morris which resulted from a collaboration between Morris and the Guild Hall Teen Arts Council (GHTAC) during the COVID-19 pandemic. Composed of portraits and audio interviews of GHTAC members living under New York State’s “stay at home” order\, the exhibition captures the everyday happenings\, coping mechanisms\, and escape modes of area teens living through this historic moment. \nMorris’ series is a true reflection of the challenge teenagers faced as their final months of school\, graduation\, prom\, and other rites of passage slipped away. The project began as a portrait series of high school seniors in their cars\, recording the expressions and body language of young people on the cusp of adulthood\, with the automobile representing a quest for autonomy and freedom. As spring began and the reality of the pandemic set-in\, the adventurous and hopeful narrative of these young people changed. \nA simply stated question was posed to Guild Hall’s Teen Arts Council members: How is Covid-19 affecting you? Their answers regarding family hardships\, concerns about academic success\, fears regarding our global community\, and free-floating anxiety are embedded in the visual and audio material exhibited\, but even without accompanying interviews\, the facial expressions in these portraits tell a story of loss and uncertainty.  \nThe car no longer represents a getaway toward an exciting future\, but rather a means to escape from stressful and even claustrophobic home lives. In some scenarios\, if the weather cooperates\, the vehicle takes teens to much-needed\, albeit socially distanced\, tailgate meet-ups. This new framing of the automobile (or other mode of transportation like bikes and skateboards) as an escape rather than a leap into the future\, tells a different story.  \nLindsay Morris: A Small Taste of Freedom is on view during regular museum hours\, and is the first exhibition in the newly renovated Guild Hall Lounge. To experience the audio portion of this exhibit\, patrons must bring their own mobile device with ability to scan a QR code\, and a pair of headphones.   \nThe teens pictured are members of the Guild Hall Teen Arts Council (TAC). All portraits are shot by Lindsay Morris with Kodak Portra film. All audio recorded and edited by the individual TAC Member with readily available devices.   \nCurators\nCasey Dalene\, Curatorial Assistant & Lewis B. Cullman Associate for Museum Education\nAnthony Madonna\, The Patti Kenner Fellow in Arts Education  \n  \nTIMED TICKETS AND VISITOR INFORMATION \nTo ensure the health and safety of its visitors in response to the COVID-19 pandemic\, Guild Hall has instituted the following measures: \n\nReservations to visit the Museum are recommended. You can reserve timed tickets online or by calling 631-324-0806 Saturday-Sunday\, 12-5 p.m. Drop-ins are also welcome!\nVisitors are asked to be on time for their appointment. Visits are for a maximum of one hour and no more than 50 people will be allowed in the museum galleries at a time.\nVisitors should enter through the left most front door of the building and check in with the Receptionist at the box office. A one-way footpath proceeds throughout the museum.\nMasks are required in the building for all patrons over the age of 2.\nSocial distancing of at least 6 feet is encouraged in the museum galleries and lobby.
URL:https://www.guildhall.org/events/lindsay-morris-a-small-taste-of-freedom/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200821
DTEND;VALUE=DATE:20201201
DTSTAMP:20260407T194546
CREATED:20200819T180720Z
LAST-MODIFIED:20240617T164139Z
UID:10002103-1597968000-1606780799@www.guildhall.org
SUMMARY:Monica Banks: Cloud Garden
DESCRIPTION:Cloud Garden is a site-specific outdoor installation and community project by artist\, Monica Banks. Installed in the trees of Guild Hall’s Furman Garden\, tangles of wire\, balled-up deer fencing\, feathers\, pop tops from seltzer cans\, unidentifiable pieces of hardware\, and other artifacts from the artist’s everyday life hang as mobiles\, creating dangling objects that shimmer in the air like the stories we tell about ourselves.  \nBanks’ “Cloud” series began in 2006 when the artist received boxes of her childhood toys\, jewelry and trinkets. Wanting to give meaning to her history through sculpture\, Banks combined souvenirs of her present life with these fragments of her past in tangles of wire that hang\, cloud-like\, from ceilings or tree branches. She is revisiting this process during the Covid–19 pandemic\, when like most of us\, she is spending more time at home immersed in the minutia of domestic life. The work in this installation updates her materials as a record of this extraordinary time\, and includes samples from the bag of orphan socks she discovered in the back of a closet\, pieces of a wall sculpture she made for her infant son (now 24 years old)\, fingertips of unused gloves\, tufts of fur from her new puppy\, and shards of the Nerf soccer ball he attacked\, along with other items unearthed during the prolonged quarantine.  \nThe installation expands into Guild Hall’s Minikes Garden with an exhibit of student work; Saturday\, September 19 – Monday\, October 12. Through remote workshops with The Bridgehampton Childcare & Recreational Center\, Banks has shared her work and process with children of The Center\, resulting in an installation of the children’s own cloud sculptures.  \nCurator\nChristina Strassfield\, Museum Director/Chief Curator  \nProject Coordinator\nAnthony Madonna\, The Patti Kenner Fellow in Arts Education   \nCloud Garden is on view during regular Museum Hours. The Guild Hall Gardens are self-monitoring spaces; we ask that patrons observe proper physical-distancing\, observe maximum capacity signage\, and wear face-coverings on the grounds.
URL:https://www.guildhall.org/events/monica-banks-cloud-garden/
LOCATION:Guild Hall\, 158 Main Street\, East Hampton\, NY\, 11937\, United States
CATEGORIES:Visual Arts
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